A Charm Invests A Face

A charm invests a face
Imperfectly beheld, --
The lady dare not lift her veil
For fear it be dispelled.

But peers beyond her mesh,
And wishes, and denies, --
Lest interview annul a want
That image satisfies.

Emily Elizabeth Dickinson

Emily Elizabeth Dickinson, born on December 10, 1830, and died on May 15, 1886, was an American poet who is extensively known for her innovative and poignant use of language and form. Her work, largely unpublished and unknown during her lifetime, has since positioned her among the greatest American poets. Although she seldom left her home, her poetry delved deeply into themes of death, immortality, nature, and human consciousness. Dickinson's unique style continues to influence poets and readers today.

Emily Elizabeth Dickinson

The Mystery Of Pain.

Emily Elizabeth Dickinson, Simple Poetry

Fire.

Emily Elizabeth Dickinson, Simple Poetry

Three Weeks Passed Since I Had Seen Her,

Emily Elizabeth Dickinson, Simple Poetry

The Railway Train.

Emily Elizabeth Dickinson, Simple Poetry

English

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What Soft, Cherubic Creatures

What soft, cherubic creatures
These gentlewomen are!
One would as soon assault a plush
Or violate a star.

Such dimity convictions,
A horror so refined
Of freckled human nature,
Of Deity ashamed, --

It's such a common glory,
A fisherman's degree!
Redemption, brittle lady,
Be so, ashamed of thee.

Emily Elizabeth Dickinson

The Nameless Charm.

(Expanded from an Epigram of Piron.)


Stella, 'tis not your dainty head,
Your artless look, I own;
'Tis not your dear coquettish tread,
Or this, or that, alone;

Nor is it all your gifts combined;
'Tis something in your face,--
The untranslated, undefined,
Uncertainty of grace,

That taught the Boy on Ida's hill
To whom the meed was due;
All three have equal charms--but still
This one I give it to!

Henry Austin Dobson

"Delight Becomes Pictorial"

Delight becomes pictorial
When viewed through pain, --
More fair, because impossible
That any gain.

The mountain at a given distance
In amber lies;
Approached, the amber flits a little, --
And that 's the skies!

Emily Elizabeth Dickinson

The Moon.

The moon was but a chin of gold
A night or two ago,
And now she turns her perfect face
Upon the world below.

Her forehead is of amplest blond;
Her cheek like beryl stone;
Her eye unto the summer dew
The likest I have known.

Her lips of amber never part;
But what must be the smile
Upon her friend she could bestow
Were such her silver will!

And what a privilege to be
But the remotest star!
For certainly her way might pass
Beside your twinkling door.

Her bonnet is the firmament,
The universe her shoe,
The stars the trinkets at her belt,
Her dimities of blue.

Emily Elizabeth Dickinson

A Portrait.

A face devoid of love or grace,
A hateful, hard, successful face,
A face with which a stone
Would feel as thoroughly at ease
As were they old acquaintances, --
First time together thrown.

Emily Elizabeth Dickinson

A Woman's Charms

My purse is yours, Sweet Heart, for I
Can count no coins with you close by;
I scorn like sailors them, when they
Have drawn on shore their deep-sea pay;
Only my thoughts I value now,
Which, like the simple glowworms, throw
Their beams to greet thee bravely, Love,
Their glorious light in Heaven above.
Since I have felt thy waves of light,
Beating against my soul, the sight
Of gems from Afric's continent
Move me to no great wonderment.
Since I, Sweet Heart, have known thine hair,
The fur of ermine, sable, bear,
Or silver fox, for me can keep
No more to praise than common sheep.
Though ten Isaiahs' souls were mine,
They could not sing such charms as thine.
Two little hands that show with pride,
Two timid, little feet that hide;
Two eyes no dar...

William Henry Davies