A Clock Stopped -- Not The Mantel's;

A Clock Stopped -- Not The Mantel's;
Geneva's farthest skill
Can't put the puppet bowing
That just now dangled still.

An awe came on the trinket!
The figures hunched with pain,
Then quivered out of decimals
Into degreeless noon.

It will not stir for doctors,
This pendulum of snow;
The shopman importunes it,
While cool, concernless No

Nods from the gilded pointers,
Nods from the seconds slim,
Decades of arrogance between
The dial life and him.

Emily Elizabeth Dickinson

Emily Elizabeth Dickinson, born on December 10, 1830, and died on May 15, 1886, was an American poet who is extensively known for her innovative and poignant use of language and form. Her work, largely unpublished and unknown during her lifetime, has since positioned her among the greatest American poets. Although she seldom left her home, her poetry delved deeply into themes of death, immortality, nature, and human consciousness. Dickinson's unique style continues to influence poets and readers today.

Emily Elizabeth Dickinson

The Letter.

Emily Elizabeth Dickinson, Simple Poetry

Mother Nature.

Emily Elizabeth Dickinson, Simple Poetry

Childish Griefs.

Emily Elizabeth Dickinson, Simple Poetry

"As Children Bid The Guest Good-Night,"

Emily Elizabeth Dickinson, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

The Lovers.

The rose did caper on her cheek,
Her bodice rose and fell,
Her pretty speech, like drunken men,
Did stagger pitiful.

Her fingers fumbled at her work, --
Her needle would not go;
What ailed so smart a little maid
It puzzled me to know,

Till opposite I spied a cheek
That bore another rose;
Just opposite, another speech
That like the drunkard goes;

A vest that, like the bodice, danced
To the immortal tune, --
Till those two troubled little clocks
Ticked softly into one.

Emily Elizabeth Dickinson

It Was Not Death, For I Stood Up,

It was not death, for I stood up,
And all the dead lie down;
It was not night, for all the bells
Put out their tongues, for noon.

It was not frost, for on my flesh
I felt siroccos crawl, --
Nor fire, for just my marble feet
Could keep a chancel cool.

And yet it tasted like them all;
The figures I have seen
Set orderly, for burial,
Reminded me of mine,

As if my life were shaven
And fitted to a frame,
And could not breathe without a key;
And 't was like midnight, some,

When everything that ticked has stopped,
And space stares, all around,
Or grisly frosts, first autumn morns,
Repeal the beating ground.

But most like chaos, -- stopless, cool, --
Without a chance or spar,
Or even a report of land
To ...

Emily Elizabeth Dickinson

The Monument.

She laid her docile crescent down,
And this mechanic stone
Still states, to dates that have forgot,
The news that she is gone.

So constant to its stolid trust,
The shaft that never knew,
It shames the constancy that fled
Before its emblem flew.

Emily Elizabeth Dickinson

"Safe In Their Alabaster Chambers,"

Safe in their alabaster chambers,
Untouched by morning and untouched by noon,
Sleep the meek members of the resurrection,
Rafter of satin, and roof of stone.

Light laughs the breeze in her castle of sunshine;
Babbles the bee in a stolid ear;
Pipe the sweet birds in ignorant cadence, --
Ah, what sagacity perished here!

Grand go the years in the crescent above them;
Worlds scoop their arcs, and firmaments row,
Diadems drop and Doges surrender,
Soundless as dots on a disk of snow.

Emily Elizabeth Dickinson

Dying.

The sun kept setting, setting still;
No hue of afternoon
Upon the village I perceived, --
From house to house 't was noon.

The dusk kept dropping, dropping still;
No dew upon the grass,
But only on my forehead stopped,
And wandered in my face.

My feet kept drowsing, drowsing still,
My fingers were awake;
Yet why so little sound myself
Unto my seeming make?

How well I knew the light before!
I could not see it now.
'T is dying, I am doing; but
I'm not afraid to know.

Emily Elizabeth Dickinson

Going.

On such a night, or such a night,
Would anybody care
If such a little figure
Slipped quiet from its chair,

So quiet, oh, how quiet!
That nobody might know
But that the little figure
Rocked softer, to and fro?

On such a dawn, or such a dawn,
Would anybody sigh
That such a little figure
Too sound asleep did lie

For chanticleer to wake it, --
Or stirring house below,
Or giddy bird in orchard,
Or early task to do?

There was a little figure plump
For every little knoll,
Busy needles, and spools of thread,
And trudging feet from school.

Playmates, and holidays, and nuts,
And visions vast and small.
Strange that the feet so precious charged
Should reach so small a goal!

Emily Elizabeth Dickinson