A Last Word

Let us go hence: the night is now at hand;
The day is overworn, the birds all flown;
And we have reaped the crops the gods have sown
Despair and death; deep darkness o'er the land,
Broods like an owl; we cannot understand
Laughter or tears, for we have only known
Surpassing vanity: vain things alone
Have driven our perverse and aimless band.

Let us go hence, somewhither strange and cold,
To Hollow Lands where just men and unjust
Find end of labour, where's rest for the old,
Freedom to all from love and fear and lust.
Twine our torn hands!    O pray the earth enfold
Our life-sick hearts and turn them into dust.

Ernest Christopher Dowson

Ernest Christopher Dowson, a notable English poet of the late 19th century, was associated with the Decadent movement. Renowned for his melancholic and evocative verse, he significantly influenced 20th-century literature. Despite struggling with poverty and alcoholism, Dowson's work, including the famous phrase "days of wine and roses," endures. He faced immense personal tragedies, losing both parents within a year, which plunged him into deeper despair. Dowson's legacy persists through his deeply moving poetry that captures the fragility of life and love.

Ernest Christopher Dowson

Autumnal

Ernest Christopher Dowson, Simple Poetry

In A Breton Cemetery

Ernest Christopher Dowson, Simple Poetry

In Tempore Senectutis

Ernest Christopher Dowson, Simple Poetry

Wisdom

Ernest Christopher Dowson, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Venite Descendamus

Let be at last; give over words and sighing,
Vainly were all things said:
Better at last to find a place for lying,
Only dead.

Silence were best, with songs and sighing over;
Now be the music mute;
Now let the dead, red leaves of autumn cover
A vain lute.

Silence is best: for ever and for ever,
We will go down and sleep,
Somewhere beyond her ken, where she need never
Come to weep.

Let be at last: colder she grows and colder;
Sleep and the night were best;
Lying at last where we cannot behold her,
We may rest.

Ernest Christopher Dowson

Dregs

The fire is out, and spent the warmth thereof
(This is the end of every song man sings!)
The golden wine is drunk, the dregs remain,
Bitter as wormwood and as salt as pain;
And health and hope have gone the way of love
Into the drear oblivion of lost things.
Ghosts go along with us until the end;
This was a mistress, this, perhaps, a friend.
With pale, indifferent eyes, we sit and wait
For the dropt curtain and the closing gate:
This is the end of all the songs man sings.

Ernest Christopher Dowson

The Last Leap

All is over! fleet career,
Dash of greyhound slipping thongs,
Flight of falcon, bound of deer,
Mad hoof-thunder in our rear,
Cold air rushing up our lungs,
Din of many tongues.

Once again, one struggle good,
One vain effort; he must dwell
Near the shifted post, that stood
Where the splinters of the wood,
Lying in the torn tracks, tell
How he struck and fell.

Crest where cold drops beaded cling,
Small ear drooping, nostril full,
Glazing to a scarlet ring,
Flanks and haunches quivering,
Sinews stiffning, void and null,
Dumb eyes sorrowful.

Satin coat that seems to shine
Duller now, black braided tress,
That a softer hand than mine
Far away was wont to twine,
That in meadows far from this
Softer lips might kis...

Adam Lindsay Gordon

Amantium Irae

When this, our rose, is faded,
And these, our days, are done,
In lands profoundly shaded
From tempest and from sun:
Ah, once more come together,
Shall we forgive the past,
And safe from worldly weather
Possess our souls at last?

Or in our place of shadows
Shall still we stretch an hand
To green, remembered meadows,
Of that old pleasant land?
And vainly there foregathered,
Shall we regret the sun?
The rose of love, ungathered?
The bay, we have not won?

Ah, child! the world's dark marges
May lead to Nevermore,
The stately funeral barges
Sail for an unknown shore,
And love we vow to-morrow,
And pride we serve to-day:
What if they both should borrow
Sad hues of yesterday?

Our pride! Ah, should we miss it,

Ernest Christopher Dowson

The Three Witches

All the moon-shed nights are over,
And the days of gray and dun;
There is neither may nor clover,
And the day and night are one.

Not an hamlet, not a city
Meets our strained and tearless eyes;
In the plain without a pity,
Where the wan grass droops and dies.

We shall wander through the meaning
Of a day and see no light,
For our lichened arms are leaning
On the ends of endless night.

We, the children of Astarte,
Dear abortions of the moon,
In a gay and silent party,
We are riding to you soon.

Burning ramparts, ever burning!
To the flame which never dies
We are yearning, yearning, yearning,
With our gay and tearless eyes.

In the plain without a pity,
(Not an hamlet, not a city)
Where the wan grass droop...

Ernest Christopher Dowson

A Valediction

If we must part,
Then let it be like this;
Not heart on heart,
Nor with the useless anguish of a kiss;
But touch mine hand and say:
"Until to-morrow or some other day,
If we must part."

Words are so weak
When love hath been so strong:
Let silence speak:
"Life is a little while, and love is long;
A time to sow and reap,
And after harvest a long time to sleep.
But words are weak."

Ernest Christopher Dowson