A Love-Song.

(XVIII. CENT.)


When first in CELIA'S ear I poured
A yet unpractised pray'r,
My trembling tongue sincere ignored
The aids of "sweet" and "fair."
I only said, as in me lay,
I'd strive her "worth" to reach;
She frowned, and turned her eyes away,--
So much for truth in speech.

Then DELIA came. I changed my plan;
I praised her to her face;
I praised her features,--praised her fan,
Her lap-dog and her lace;
I swore that not till Time were dead
My passion should decay;
She, smiling, gave her hand, and said
'Twill last then--for a DAY.

Henry Austin Dobson

Henry Austin Dobson, commonly known as Austin Dobson, was an English poet and essayist. A civil servant by profession, Dobson was one of the most renowned poets and literary critics of the late Victorian and Edwardian periods. His work is noted for its delicate craftsmanship and profound interest in 18th-century literature. Dobson's poetry often revisited and celebrated historical themes and characters, blending scholarly interest with lyrical form.

Henry Austin Dobson

The Distressed Poet.

Henry Austin Dobson, Simple Poetry

A Song Of The Greenaway Child

Henry Austin Dobson, Simple Poetry

To A Pastoral Poet.

Henry Austin Dobson, Simple Poetry

A Pleasant Invective Against Printing

Henry Austin Dobson, Simple Poetry

English

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André Le Chapelain.

(Clerk of Love, 1170.)

His Plaint To Venus Of The Coming Years.

"Plus ne suis ce que j'ay esté
Et ne le sçaurois jamais estre;
Mon beau printemps et mon esté
Ont fait le saut par la fenestre."


Queen Venus, round whose feet,
To tend thy sacred fire,
With service bitter-sweet
Nor youths nor maidens tire;--
Goddess, whose bounties be
Large as the un-oared sea;--

Mother, whose eldest born
First stirred his stammering tongue,
In the world's youngest morn,
When the first daisies sprung:--
Whose last, when Time shall die,
In the same grave shall lie:--

Hear thou one suppliant more!
Must I, thy Bard, grow old,
Bent, with the temples frore,
Not jocund be nor bold,
To tune for folk in May
Ballad and ...

Henry Austin Dobson

Premiers Amours.

Old Loves and old dreams,--
"Requiescant in pace."
How strange now it seems,--
"Old" Loves and "old" dreams!
Yet we once wrote you reams
Maude, Alice, and Gracie!
Old Loves and old dreams,--
"Requiescant in pace."


When I called at the "Hollies" to-day,
In the room with the cedar-wood presses,
Aunt Deb. was just folding away
What she calls her "memorial dresses."

She'd the frock that she wore at fifteen,--
Short-waisted, of course--my abhorrence;
She'd "the loveliest"--something in "een"
That she wears in her portrait by Lawrence;

She'd the "jelick" she used--"as a Greek," (!)
She'd the habit she got her bad fall in;
She had e'en the blue moiré antique
That she opened Squire Grasshopper's ball in:--

New and old ...

Henry Austin Dobson

Come, My Celia

Come, my Celia, let us prove,
While we may, how wise is love -
Love grown old and grey with years,
Love whose blood is thinned with tears.

Philosophic lover I,
Broke my heart, its love run dry,
And I warble passion's words
But to hear them sing like birds.

When the lightning struck my side,
Love shrieked and for ever died,
Leaving nought of him behind
But these playthings of the mind.

Now the real play is over
I can only act a lover,
Now the mimic play begins
With its puppet joys and sins.

When the heart no longer feels,
And the blood with caution steals,
Then, ah! then - my heart, forgive! -
Then we dare begin to live.

Dipped in Stygian waves of pain,
We can never feel again;
Time may hurl his...

Richard Le Gallienne

The Lover Pleads.

I.

When I had guineas many a one
Nought else I lackèd 'neath the sun,
I had two eyes the bluest seen,
A perfect shape, a gracious mien,
I had a voice might charm the bale
From a two days widowed nightingale,
And if you ask how this I know
I had a love who told me so.
The lover pleads, the maid hearkeneth,
Her foot turns, his day darkeneth.
Love unkind, O can it be
'T was your foot false did turn from me.


II.

The gear is gone, the red gold spent,
Favour and beauty with them went,
Eyes take the veil, their shining done,
Not fair to him is fair to none,
Sweet as a bee's bag 'twas to taste
His praise. O honey run to waste,
He loved not! spoiled is all my way
In the spoiling of that yesterday.

The shadows ...

Jean Ingelow

Incognita.

Just for a space that I met her--
Just for a day in the train!
It began when she feared it would wet her,
That tiniest spurtle of rain:
So we tucked a great rug in the sashes,
And carefully padded the pane;
And I sorrow in sackcloth and ashes,
Longing to do it again!

Then it grew when she begged me to reach her
A dressing-case under the seat;
She was "really so tiny a creature,
That she needed a stool for her feet!"
Which was promptly arranged to her order
With a care that was even minute,
And a glimpse--of an open-work border,
And a glance--of the fairyest boot.

Then it drooped, and revived at some hovels--
"Were they houses for men or for pigs?"
Then it shifted to muscular novels,
With a little digression on prigs:
She thought...

Henry Austin Dobson

A Song.

These shades were made for Love alone, -
Here only smiles and kisses sweet
Shall play around his flow'ry throne,
And doves shall sentinel the seat.

Come, Delia! 'tis a genial day;
It bids us to his bow'r repair: -
"But what will little Cupid say?" -
"Say! sweet? - why, give a welcome there."

There not a tell-tale beam shall peep
Upon thy beauty's rich display, -
There not a breeze shall dare to sweep
The leaves, to whisper what we say.

John Carr