A Requiem

Neobule, being tired,
Far too tired to laugh or weep,
From the hours, rosy and gray,
Hid her golden face away.
Neobule, fain of sleep,
Slept at last as she desired!

Neobule! is it well,
That you haunt the hollow lands,
Where the poor, dead people stray,
Ghostly, pitiful and gray,
Plucking, with their spectral hands,
Scentless blooms of asphodel?

Neobule, tired to death
Of the flowers that I threw
On her flower-like, fair feet,
Sighed for blossoms not so sweet,
Lunar roses pale and blue,
Lilies of the world beneath.

Neobule! ah, too tired
Of the dreams and days above!
Where the poor, dead people stray,
Ghostly, pitiful and gray,
Out of life and out of love,
Sleeps the sleep which she desired.

Ernest Christopher Dowson

Ernest Christopher Dowson, a notable English poet of the late 19th century, was associated with the Decadent movement. Renowned for his melancholic and evocative verse, he significantly influenced 20th-century literature. Despite struggling with poverty and alcoholism, Dowson's work, including the famous phrase "days of wine and roses," endures. He faced immense personal tragedies, losing both parents within a year, which plunged him into deeper despair. Dowson's legacy persists through his deeply moving poetry that captures the fragility of life and love.

Ernest Christopher Dowson

To A Lady Asking Foolish Questions

Ernest Christopher Dowson, Simple Poetry

Breton Afternoon

Ernest Christopher Dowson, Simple Poetry

Saint Germain-En-Laye

Ernest Christopher Dowson, Simple Poetry

De Amore

Ernest Christopher Dowson, Simple Poetry

English

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Breton Afternoon

Here, where the breath of the scented-gorse floats through the sun-stained air,
On a steep hill-side, on a grassy ledge, I have lain hours long and heard
Only the faint breeze pass in a whisper like a prayer,
And the river ripple by and the distant call of a bird.

On the lone hill-side, in the gold sunshine, I will hush me and repose,
And the world fades into a dream and a spell is cast on me;
And what was all the strife about, for the myrtle or the rose,
And why have I wept for a white girl's paleness passing ivory!

Out of the tumult of angry tongues, in a land alone, apart,
In a perfumed dream-land set betwixt the bounds of life and death,
Here will I lie while the clouds fly by and delve an hole where my heart
May sleep deep down with the gorse above and red, red...

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Ode To A Nightingale

My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
Tis not through envy of thy happy lot,
But being too happy in thine happiness,
That thou, light-winged Dryad of the trees,
In some melodious plot
Of beechen green and shadows numberless,
Singest of summer in full-throated ease.

O, for a draught of vintage! that hath been
Coold a long age in the deep-delved earth,
Tasting of Flora and the country green,
Dance, and Provenial song, and sunburnt mirth!
O for a beaker full of the warm South,
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stained mouth;
That I might drink, and leav...

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Vanitas

Beyond the need of weeping,
Beyond the reach of hands,
May she be quietly sleeping,
In what dim nebulous lands?
Ah, she who understands!

The long, long winter weather,
These many years and days,
Since she, and Death, together,
Left me the wearier ways:
And now, these tardy bays!

The crown and victor's token:
How are they worth to-day?
The one word left unspoken,
It were late now to say:
But cast the palm away!

For once, ah once, to meet her,
Drop laurel from tired hands:
Her cypress were the sweeter,
In her oblivious lands:
Haply she understands!

Yet, crossed that weary river,
In some ulterior land,
Or anywhere, or ever,
Will she stretch out a hand?
And will she understand?

Ernest Christopher Dowson

A Dirge.

        I.

Life has fled; she is dead,
Sleeping in the flow'ry vale
Where the fleeting shades are shed
Ghost-like o'er her features pale.
Lay her 'neath the violets wild,
Lay her like a dreaming child
'Neath the waving grass
Where the shadows pass.


        II.

Gone she has to happy rest
With white flowers for her pillow;
Moons look sadly on her breast
Thro' an ever-weeping willow.
Fold her hands, frail flakes of snow,
Waxen as white roses blow
Like herself so fair,
Free from world and care.


        III.

Twine this wreath of lilies wan
'Round her sculptured brow so white;
Let her rest here, white as dawn,
Like a lily quenched in night.
Wreath this rosebud wild and pale,
Wreath it ...

Madison Julius Cawein

Requiescat.

The roses mourn for her who sleeps
Within the tomb;
For her each lily-flower weeps
Dew and perfume.

In each neglected flower-bed
Each blossom droops its lovely head,
They miss her touch, they miss her tread,
Her face of bloom,
Of happy bloom.

The very breezes grieve for her,
A lonely grief;
For her each tree is sorrower,
Each blade and leaf.

The foliage rocks itself and sighs,
And to its woe the wind replies,
They miss her girlish laugh and cries,
Whose life was brief,
Was very brief.

The sunlight, too, seems pale with care,
Or sick with woe;
The memory haunts it of her hair,
Its golden glow.

No more within the bramble-brake
The sleepy bloom is kissed awake
The sun is sad for her dear sake,<...

Madison Julius Cawein

An Out-Worn Sappho

How tired I am! I sink down all alone
Here by the wayside of the Present. Lo,
Even as a child I hide my face and moan -
A little girl that may no farther go;
The path above me only seems to grow
    More rugged, climbing still, and ever briered
With keener thorns of pain than these below;
And O the bleeding feet that falter so
    And are so very tired!

Why, I have journeyed from the far-off Lands
Of Babyhood - where baby-lilies blew
Their trumpets in mine ears, and filled my hands
With treasures of perfume and honey-dew,
And where the orchard shadows ever drew
    Their cool arms round me when my cheeks were fired
With too much joy, and lulled mine eyelids to,
And only let the starshine trickle through
    In sprays, when I was tired!

Ye...

James Whitcomb Riley