A Rill

So when the pretty rill a place espies,
Where with the pebbles she would wantonize,
And that her upper stream so much doth wrong her
To drive her thence, and let her play no longer;
If she with too loud mutt'ring ran away,
As being much incens'd to leave her play,
A western, mild and pretty whispering gale
Came dallying with the leaves along the dale,
And seem'd as with the water it did chide,
Because it ran so long unpacified:
Yea, and methought it bade her leave that coil,
Or he would choke her up with leaves and soil:
Whereat the riv'let in my mind did weep,
And hurl'd her head into a silent deep.

From Britannia's Pastorals.

William Browne

William Browne (1590–1645) was an English poet from Tavistock, Devon. Best known for his pastoral poetry, Browne's notable works include 'Britannia's Pastorals'. His poetry reflects the influence of Edmund Spenser and his themes often revolve around nature, rural life, and patriotic sentiments. Although his work was not widely known during his time, it has since gained recognition for its lyrical quality and depiction of English countryside traditions.

William Browne

Flowers

William Browne, Simple Poetry

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William Browne, Simple Poetry

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William Browne, Simple Poetry

Spring Morning - II

William Browne, Simple Poetry

English

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A Poet's Home

Two pretty rills do meet, and meeting make
Within one valley a large silver lake:
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In ages passèd bravely crowned with wood,
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Fair Thetis thither often would resort,
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Not a breath of air
Ruffles the bosom of this leafy glen.
From the brook's margin, wide around, the trees
Are steadfast as the rocks; the brook itself,
Old as the hills that feed it from afar,
Doth rather deepen than disturb the calm
Where all things else are still and motionless.
And yet, even now, a little breeze, perchance
Escaped from boisterous winds that rage without,
Has entered, by the sturdy oaks unfelt,
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A soft eye-music of slow-waving boughs,
Powerful almost as vocal harmony
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An Angler

Now as an angler melancholy standing
Upon a green bank yielding room for landing,
A wriggling yellow worm thrust on his hook,
Now in the midst he throws, then in a nook:
Here pulls his line, there throws it in again,
Mendeth his cork and bait, but all in vain,
He long stands viewing of the curled stream;
At last a hungry pike, or well-grown bream
Snatch at the worm, and hasting fast away,
He knowing it a fish of stubborn sway,
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Morning

The Muses' friend (grey-eyed Aurora) yet
Held all the meadows in a cooling sweat,
The milk-white gossamers not upwards snow'd,
Nor was the sharp and useful-steering goad
Laid on the strong-neck'd ox; no gentle bud
The sun had dried; the cattle chew'd the cud
Low levell'd on the grass; no fly's quick sting
Enforc'd the stonehorse in a furious ring
To tear the passive earth, nor lash his tail
About his buttocks broad; the slimy snail
Might on the wainscot, by his many mazes,
Winding meanders and self-knitting traces,
Be follow'd where he stuck, his glittering slime
Not yet wip'd off. It was so early time,
The careful smith had in his sooty forge
Kindled no coal; nor did his hammers urge
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There Is A Little Unpretending Rill

There is a little unpretending Rill
Of limpid water, humbler far than aught
That ever among Men or Naiads sought
Notice or name! It quivers down the hill,
Furrowing its shallow way with dubious will;
Yet to my mind this scanty Stream is brought
Oftener than Ganges or the Nile; a thought
Of private recollection sweet and still!
Months perish with their moons; year treads on year!
But, faithful Emma! thou with me canst say
That, while ten thousand pleasures disappear,
And flies their memory fast almost as they;
The immortal Spirit of one happy day
Lingers beside that Rill, in vision clear.

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