A Sight In Camp

A sight in camp in the day-break grey and dim,
As from my tent I emerge so early, sleepless,
As slow I walk in the cool fresh air, the path near by the hospital
tent,
Three forms I see on stretchers lying, brought out there, untended
lying,
Over each the blanket spread, ample brownish woollen blanket,
Grey and heavy blanket, folding, covering all.

Curious, I halt, and silent stand;
Then with light fingers I from the face of the nearest, the first,
just lift the blanket:
Who are you, elderly man so gaunt and grim, with well-grey'd hair,
and flesh all sunken about the eyes?
Who are you, my dear comrade?

Then to the second I step--And who are you, my child and darling?
Who are you, sweet boy, with cheeks yet blooming?

Then to the third--a face nor child, nor old, very calm, as of
beautiful yellow-white ivory;
Young man, I think I know you--I think this face of yours is the face
of the Christ himself;
Dead and divine, and brother of all, and here again he lies.

Walt Whitman

Walt Whitman was an American poet, essayist, and journalist, often considered one of the most influential poets in the American canon. His work broke the boundaries of poetic form and is known for its free verse style. Whitman’s most famous collection, 'Leaves of Grass', celebrates democracy, nature, love, and friendship. He had a significant impact on later literary traditions and is often referred to as the father of free verse.

Walt Whitman

To A Certain Cantatrice

Walt Whitman, Simple Poetry

Song At Sunset

Walt Whitman, Simple Poetry

That Shadow, My Likeness

Walt Whitman, Simple Poetry

Over The Carnage

Walt Whitman, Simple Poetry

English

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An old man bending, I come, among new faces,
Years looking backward, resuming, in answer to children,
Come tell us, old man, as from young men and maidens that love me;
Years hence of these scenes, of these furious passions, these chances,
Of unsurpass'd heroes, (was one side so brave? the other was equally brave;)
Now be witness again paint the mightiest armies of earth;
Of those armies so rapid, so wondrous, what saw you to tell us?
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Of hard-fought engagements, or sieges tremendous, what deepest remains?

O maidens and young men I love, and that love me,
What you ask of my days, those the strangest and sudden your talking recalls;
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A March In The Ranks, Hard-Prest

A march in the ranks hard-prest, and the road unknown;
A route through a heavy wood, with muffled steps in the darkness;
Our army foil'd with loss severe, and the sullen remnant retreating;
Till after midnight glimmer upon us, the lights of a dim-lighted
building;
We come to an open space in the woods, and halt by the dim-lighted
building;
'Tis a large old church at the crossing roads--'tis now an impromptu
hospital;
--Entering but for a minute, I see a sight beyond all the pictures
and poems ever made:
Shadows of deepest, deepest black, just lit by moving candles and
lamps,
And by one great pitchy torch, stationary, with wild red flame, and
clouds of smoke;
By these, crowds, groups of forms, vaguely I see, on the floor, some
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At my ...

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In Midnight Sleep

In midnight sleep, of many a face of anguish,
Of the look at first of the mortally wounded - of that indescribable look;
Of the dead on their backs, with arms extended wide,
I dream, I dream, I dream.


Of scenes of nature, fields and mountains;
Of skies, so beauteous after a storm - and at night the moon so unearthly bright,
Shining sweetly, shining down, where we dig the trenches and gather the heaps,
I dream, I dream, I dream.


Long, long have they pass'd - faces and trenches and fields;
Where through the carnage I moved with a callous composure - or away from the fallen,
Onward I sped at the time - But now of their forms at night,
I dream, I dream, I dream.

Walt Whitman

Virgil Strange I Kept On The Field

Vigil strange I kept on the field one night:
When you, my son and my comrade, dropt at my side that day,
One look I but gave, which your dear eyes return'd, with a look I shall never forget;
One touch of your hand to mine, O boy, reach'd up as you lay on the ground;
Then onward I sped in the battle, the even-contested battle;
Till late in the night reliev'd, to the place at last again I made my way;
Found you in death so cold, dear comrade, found your body, son of responding kisses, (never again on earth responding;)
Bared your face in the starlight, curious the scene, cool blew the moderate night-wind;
Long there and then in vigil I stood, dimly around me the battlefield spreading;
Vigil wondrous and vigil sweet, there in the fragrant silent night;
But not a tear fell, not even a long-dra...

Walt Whitman

By The Bivouac's Fitful Flame

By the bivouac's fitful flame,
A procession winding around me, solemn and sweet and slow;--but first I note,
The tents of the sleeping army, the fields' and woods' dim outline,
The darkness, lit by spots of kindled fire--the silence;
Like a phantom far or near an occasional figure moving;
The shrubs and trees, (as I lift my eyes they seem to be stealthily watching me;)
While wind in procession thoughts, O tender and wondrous thoughts,
Of life and death--of home and the past and loved, and of those that are far away;
A solemn and slow procession there as I sit on the ground,
By the bivouac's fitful flame.

Walt Whitman

How Solemn As One By One

How solemn, as one by one,
As the ranks returning, all worn and sweaty--as the men file by where I stand;
As the faces, the masks appear--as I glance at the faces, studying the masks;
(As I glance upward out of this page, studying you, dear friend, whoever you are;)
How solemn the thought of my whispering soul, to each in the ranks, and to you;
I see behind each mask, that wonder, a kindred soul;
O the bullet could never kill what you really are, dear friend,
Nor the bayonet stab what you really are:
The soul! yourself I see, great as any, good as the best,
Waiting, secure and content, which the bullet could never kill,
Nor the bayonet stab, O friend!

Walt Whitman