A Throe Upon The Features

A throe upon the features
A hurry in the breath,
An ecstasy of parting
Denominated "Death," --

An anguish at the mention,
Which, when to patience grown,
I 've known permission given
To rejoin its own.

Emily Elizabeth Dickinson

Emily Elizabeth Dickinson, born on December 10, 1830, and died on May 15, 1886, was an American poet who is extensively known for her innovative and poignant use of language and form. Her work, largely unpublished and unknown during her lifetime, has since positioned her among the greatest American poets. Although she seldom left her home, her poetry delved deeply into themes of death, immortality, nature, and human consciousness. Dickinson's unique style continues to influence poets and readers today.

Emily Elizabeth Dickinson

The Master.

Emily Elizabeth Dickinson, Simple Poetry

Death And Life.

Emily Elizabeth Dickinson, Simple Poetry

Escape.

Emily Elizabeth Dickinson, Simple Poetry

To Venerate The Simple Days

Emily Elizabeth Dickinson, Simple Poetry

English

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The Funeral.

That short, potential stir
That each can make but once,
That bustle so illustrious
'T is almost consequence,

Is the eclat of death.
Oh, thou unknown renown
That not a beggar would accept,
Had he the power to spurn!

Emily Elizabeth Dickinson

Morns Like These We Parted;

Morns like these we parted;
Noons like these she rose,
Fluttering first, then firmer,
To her fair repose.

Never did she lisp it,
And 't was not for me;
She was mute from transport,
I, from agony!

Till the evening, nearing,
One the shutters drew --
Quick! a sharper rustling!
And this linnet flew!

Emily Elizabeth Dickinson

Memorials.

Death sets a thing significant
The eye had hurried by,
Except a perished creature
Entreat us tenderly

To ponder little workmanships
In crayon or in wool,
With "This was last her fingers did,"
Industrious until

The thimble weighed too heavy,
The stitches stopped themselves,
And then 't was put among the dust
Upon the closet shelves.

A book I have, a friend gave,
Whose pencil, here and there,
Had notched the place that pleased him, --
At rest his fingers are.

Now, when I read, I read not,
For interrupting tears
Obliterate the etchings
Too costly for repairs.

Emily Elizabeth Dickinson

The Inevitable.

While I was fearing it, it came,
But came with less of fear,
Because that fearing it so long
Had almost made it dear.
There is a fitting a dismay,
A fitting a despair.
'Tis harder knowing it is due,
Than knowing it is here.
The trying on the utmost,
The morning it is new,
Is terribler than wearing it
A whole existence through.

Emily Elizabeth Dickinson

To Know Just How He Suffered Would Be Dear;"

To know just how he suffered would be dear;
To know if any human eyes were near
To whom he could intrust his wavering gaze,
Until it settled firm on Paradise.

To know if he was patient, part content,
Was dying as he thought, or different;
Was it a pleasant day to die,
And did the sunshine face his way?

What was his furthest mind, of home, or God,
Or what the distant say
At news that he ceased human nature
On such a day?

And wishes, had he any?
Just his sigh, accented,
Had been legible to me.
And was he confident until
Ill fluttered out in everlasting well?

And if he spoke, what name was best,
What first,
What one broke off with
At the drowsiest?

Was he afraid, or tranquil?
Might he know
How consc...

Emily Elizabeth Dickinson

Dying.

The sun kept setting, setting still;
No hue of afternoon
Upon the village I perceived, --
From house to house 't was noon.

The dusk kept dropping, dropping still;
No dew upon the grass,
But only on my forehead stopped,
And wandered in my face.

My feet kept drowsing, drowsing still,
My fingers were awake;
Yet why so little sound myself
Unto my seeming make?

How well I knew the light before!
I could not see it now.
'T is dying, I am doing; but
I'm not afraid to know.

Emily Elizabeth Dickinson