A Winter's Tale

Yesterday the fields were only grey with scattered snow,
And now the longest grass-leaves hardly emerge;
Yet her deep footsteps mark the snow, and go
On towards the pines at the hills' white verge.

I cannot see her, since the mist's white scarf
Obscures the dark wood and the dull orange sky;
But she's waiting, I know, impatient and cold, half
Sobs struggling into her frosty sigh.

Why does she come so promptly, when she must know
That she's only the nearer to the inevitable farewell;
The hill is steep, on the snow my steps are slow -
Why does she come, when she knows what I have to tell?

David Herbert Richards Lawrence

David Herbert Richards Lawrence was an English writer, poet, and essayist best known for his novels 'Sons and Lovers,' 'The Rainbow,' 'Women in Love,' and 'Lady Chatterley's Lover.' His works explore themes of emotional health, vitality, spontaneity, and instinct. Lawrence's opinions and artistic works earned him many enemies and he was frequently censored. Today, he is regarded as one of the most influential writers of the 20th century.

David Herbert Richards Lawrence

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English

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Winter In The Boulevard

The frost has settled down upon the trees
And ruthlessly strangled off the fantasies
Of leaves that have gone unnoticed, swept like old
Romantic stories now no more to be told.

The trees down the boulevard stand naked in thought,
Their abundant summery wordage silenced, caught
In the grim undertow; naked the trees confront
Implacable winter's long, cross-questioning brunt.

Has some hand balanced more leaves in the depths of the twigs?
Some dim little efforts placed in the threads of the birch? -
It is only the sparrows, like dead black leaves on the sprigs,
Sitting huddled against the cerulean, one flesh with their perch.

The clear, cold sky coldly bethinks itself.
Like vivid thought the air spins bright, and all
Trees, birds, and earth, arrested in th...

David Herbert Richards Lawrence

Study

Somewhere the long mellow note of the blackbird
Quickens the unclasping hands of hazel,
Somewhere the wind-flowers fling their heads back,
Stirred by an impetuous wind. Some ways'll
All be sweet with white and blue violet.
(Hush now, hush. Where am I? - Biuret - )

On the green wood's edge a shy girl hovers
From out of the hazel-screen on to the grass,
Where wheeling and screaming the petulant plovers
Wave frighted. Who comes? A labourer, alas!
Oh the sunset swims in her eyes' swift pool.
(Work, work, you fool - !)

Somewhere the lamp hanging low from the ceiling
Lights the soft hair of a girl as she reads,
And the red firelight steadily wheeling
Weaves the hard hands of my friend in sleep.
And the white dog snuffs the warmth, appealing...

David Herbert Richards Lawrence

At The Window

The pine-trees bend to listen to the autumn wind as it mutters
Something which sets the black poplars ashake with hysterical laughter;
While slowly the house of day is closing its eastern shutters.

Further down the valley the clustered tombstones recede,
Winding about their dimness the mist's grey cerements, after
The street lamps in the darkness have suddenly started to bleed.

The leaves fly over the window and utter a word as they pass
To the face that leans from the darkness, intent, with two dark-filled eyes
That watch for ever earnestly from behind the window glass.

David Herbert Richards Lawrence

In The Dark

A blotch of pallor stirs beneath the high
Square picture-dusk, the window of dark sky.

A sound subdued in the darkness: tears!
As if a bird in difficulty up the valley steers.

"Why have you gone to the window? Why don't you sleep?
How you have wakened me! But why, why do you weep?"

"I am afraid of you, I am afraid, afraid!
There is something in you destroys me - !"

"You have dreamed and are not awake, come here to me."
"No, I have wakened. It is you, you are cruel to me!"

"My dear!" - "Yes, yes, you are cruel to me. You cast
A shadow over my breasts that will kill me at last."

"Come!" - "No, I'm a thing of life. I give
You armfuls of sunshine, and you won't let me live."

"Nay, I'm too sleepy!" - "A...

David Herbert Richards Lawrence

Everlasting Flowers
Who do you think stands watching
The snow-tops shining rosy
In heaven, now that the darkness
Takes all but the tallest posy?

Who then sees the two-winged
Boat down there, all alone
And asleep on the snow's last shadow,
Like a moth on a stone?

The olive-leaves, light as gad-flies,
Have all gone dark, gone black.
And now in the dark my soul to you
Turns back.

To you, my little darling,
To you, out of Italy.
For what is loveliness, my love,
Save you have it with me!

So, there's an oxen wagon
Comes darkly into sight:
A man with a lantern, swinging
A little light.

What does he see, my darling
Here by the darkened lake?
Here, in the sloping shadow
The mou...
David Herbert Richards Lawrence

Grey Evening
When you went, how was it you carried with you
My missal book of fine, flamboyant hours?
My book of turrets and of red-thorn bowers,
And skies of gold, and ladies in bright tissue?

Now underneath a blue-grey twilight, heaped
Beyond the withering snow of the shorn fields
Stands rubble of stunted houses; all is reaped
And garnered that the golden daylight yields.

Dim lamps like yellow poppies glimmer among
The shadowy stubble of the under-dusk,
As farther off the scythe of night is swung,
And little stars come rolling from their husk.

And all the earth is gone into a dust
Of greyness mingled with a fume of gold,
Covered with aged lichens, pale with must,
And all the sky has withered and gone cold.

And so I sit and scan the book of grey,
David Herbert Richards Lawrence