Abandoned

The hornets build in plaster-dropping rooms,
And on its mossy porch the lizard lies;
Around its chimneys slow the swallow flies,
And on its roof the locusts snow their blooms.
Like some sad thought that broods here, old perfumes
Haunt its dim stairs; the cautious zephyr tries
Each gusty door, like some dead hand, then sighs
With ghostly lips among the attic glooms.
And now a heron, now a kingfisher,
Flits in the willows where the riffle seems
At each faint fall to hesitate to leap,
Fluttering the silence with a little stir.
Here Summer seems a placid face asleep,
And the near world a figment of her dreams.

Madison Julius Cawein

Madison Julius Cawein was born on March 23, 1865, in Louisville, Kentucky and died on December 8, 1914. Known as the “Keats of Kentucky,” his poetry often focused on nature, mythology, and the lush landscapes of his home state. Throughout his lifetime, Cawein published more than 30 books of poetry. He is remembered for his vivid and descriptive style and his ability to capture the beauty of the natural world. His works provide a window into the pastoral and often mystical world of the late 19th and early 20th centuries.

Madison Julius Cawein

The Rain-Crow.

Madison Julius Cawein, Simple Poetry

The Catbird

Madison Julius Cawein, Simple Poetry

At Nineveh

Madison Julius Cawein, Simple Poetry

The Place

Madison Julius Cawein, Simple Poetry

English

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Abandoned

The hornets build in plaster-dropping rooms,
And on its mossy porch the lizard lies;
Around its chimneys slow the swallow flies,
And on its roof the locusts snow their blooms.
Like some sad thought that broods here, old perfumes
Haunt its dim stairs; the cautious zephyr tries
Each gusty door, like some dead hand, then sighs
With ghostly lips among the attic glooms.
And now a heron, now a kingfisher,
Flits in the willows where the riffle seems
At each faint fall to hesitate to leap,
Fluttering the silence with a little stir.
Here Summer seems a placid face asleep,
And the near world a figment of her dreams.

Madison Julius Cawein

Summer Noontide

The slender snail clings to the leaf,
Gray on its silvered underside;
And slowly, slowlier than the snail, with brief
Bright steps, whose ripening touch foretells the sheaf,
Her warm hands berry-dyed,
Comes down the tanned Noontide.

The pungent fragrance of the mint
And pennyroyal drench her gown,
That leaves long shreds of trumpet-blossom tint
Among the thorns, and everywhere the glint
Of gold and white and brown
Her flowery steps waft down.

The leaves, like hands with emerald veined,
Along her way try their wild best
To reach the jewel whose hot hue was drained
From some rich rose that all the June contained
The butterfly, soft pressed
Upon her sunny breast.

Her shawl, the lace-like elder bloom,
She hangs upon the hillside br...

Madison Julius Cawein

The Old House.

Quaint and forgotten, by an unused road,
An old house stands: around its doors the dense
    Blue iron-weeds grow high;
The chipmunks make a highway of its fence;
And on its sunken flagstones slug and toad
    Silent as lichens lie.

The timid snake upon its hearth's cool sand
Sleeps undisturbed; the squirrel haunts its roof;
    And in the clapboard sides
Of closets, dim with many a spider woof,
Like the uncertain tapping of a hand,
    The beetle-borer hides.

Above its lintel, under mossy eaves,
The mud-wasps build their cells; and in the floor
    Of its neglected porch
The black bees nest. Through each deserted door,
Vague as a phantom's footsteps, steal the leaves,
    And dropped cones of the larch.

But come with me when sunset...

Madison Julius Cawein

The Old Farm

Dormered and verandaed, cool,
Locust-girdled, on the hill;
Stained with weather-wear, and dull-
Streak'd with lichens; every sill
Thresholding the beautiful;

I can see it standing there,
Brown above the woodland deep,
Wrapped in lights of lavender,
By the warm wind rocked asleep,
Violet shadows everywhere.

I remember how the Spring,
Liberal-lapped, bewildered its
Acred orchards, murmuring,
Kissed to blossom; budded bits
Where the wood-thrush came to sing.

Barefoot Spring, at first who trod,
Like a beggermaid, adown
The wet woodland; where the god,
With the bright sun for a crown
And the firmament for rod,

Met her; clothed her; wedded her;
Her Cophetua: when, lo!
All the hill, one breathing blur,
Burst ...

Madison Julius Cawein

Phantoms

This was her home; one mossy gable thrust
Above the cedars and the locust trees:
This was her home, whose beauty now is dust,
A lonely memory for melodies
The wild birds sing, the wild birds and the bees.
Here every evening is a prayer: no boast
Or ruin of sunset makes the wan world wroth;
Here, through the twilight, like a pale flower's ghost,
A drowsy flutter, flies the tiger-moth;
And dusk spreads darkness like a dewy cloth.
In vagabond velvet, on the placid day,
A stain of crimson, lolls the butterfly;
The south wind sows with ripple and with ray
The pleasant waters; and the gentle sky
Looks on the homestead like a quiet eye.
Their melancholy quaver, lone and low,
When day is done, the gray tree-toads repeat:
The whippoorwills, far in the afterglow,

Madison Julius Cawein

The Old Farm

Dormered and verandaed, cool,
Locust-girdled, on the hill;
Stained with weather-wear, and dull-
Streak'd with lichens; every sill
Thresholding the beautiful;
I can see it standing there,
Brown above the woodland deep,
Wrapped in lights of lavender,
By the warm wind rocked asleep,
Violet shadows everywhere.
I remember how the Spring,
Liberal-lapped, bewildered its
Acred orchards, murmuring,
Kissed to blossom; budded bits
Where the wood-thrush came to sing.
Barefoot Spring, at first who trod,
Like a beggermaid, adown
The wet woodland; where the god,
With the bright sun for a crown
And the firmament for rod,
Met her; clothed her; wedded her;
Her Cophetua: when, lo!
All the hill, one breathing blur,
Burst in beauty; gleam and glo...

Madison Julius Cawein