Accident In Art.

That painter has not with a careless smutch
Accomplished his despair?--one touch revealing
All he had put of life, thought, vigor, feeling,
Into the canvas that without that touch
Showed of his love and labor just so much
Raw pigment, scarce a scrap of soul concealing!
What poet has not found his spirit kneeling
A sudden at the sound of such or such
Strange verses staring from his manuscript,
Written he knows not how, but which will sound
Like trumpets down the years? So Accident
Itself unmasks the likeness of Intent,
And ever in blind Chance's darkest crypt
The shrine-lamp of God's purposing is found.

Bliss Carman

Bliss Carman was a Canadian poet, born in Fredericton, New Brunswick. He is best known for his nature poems and lyrical verse. Carman was a leading figure in the Confederation period of Canadian literature and is often remembered for his collections such as 'Low Tide on Grand Pré' and 'Songs of the Sea Children'. His work reflects a deep romanticism and connection to the natural world. Throughout his career, he collaborated with several other poets, including Charles G.D. Roberts and Archibald Lampman.

Bliss Carman

The Two Bobbies.

Bliss Carman, Simple Poetry

The Cruise Of The Galleon

Bliss Carman, Simple Poetry

Laurana's Song. For "A Lady Of Venice."

Bliss Carman, Simple Poetry

The War-Song Of Gamelbar.

Bliss Carman, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Verlaine.

Avid of life and love, insatiate vagabond,
With quest too furious for the graal he would have won,
He flung himself at the eternal sky, as one
Wrenching his chains but impotent to burst the bond.

Yet under the revolt, the revel, the despond,
What pools of innocence, what crystal benison!
As through a riven mist that glowers in the sun,
A stretch of God's blue calm glassed in a virgin pond.

Prowler of obscene streets that riot reek along,
And aisles with incense numb and gardens mad with rose,
Monastic cells and dreams of dim brocaded lawns,

Death, which has set the calm of Time upon his song,
Surely upon his soul has kissed the same repose
In some fair heaven the Christ has set apart for Fauns.

Bliss Carman

In The Workshop.

Once in the Workshop, ages ago,
The clay was wet and the fire was low.

And He who was bent on fashioning man
Moulded a shape from a clod,
And put the loyal heart therein;
While another stood watching by.

"What's that?" said Beelzebub.
"A lover," said God.
And Beelzebub frowned, for he knew that kind.

And then God fashioned a fellow shape
As lithe as a willow rod,
And gave it the merry roving eye
And the range of the open road.

"What's that?" said Beelzebub.
"A vagrant," said God.
And Beelzebub smiled, for he knew that kind.

And last of all God fashioned a form,
And gave it, what was odd,
The loyal heart and the roving eye;
And he whistled, light of care.

"What's that?" said Beelzebub.
"A poet," said ...

Bliss Carman

Gaspar Becerra

By his evening fire the artist
    Pondered o'er his secret shame;
Baffled, weary, and disheartened,
    Still he mused, and dreamed of fame.

'T was an image of the Virgin
    That had tasked his utmost skill;
But, alas! his fair ideal
    Vanished and escaped him still.

From a distant Eastern island
    Had the precious wood been brought
Day and night the anxious master
    At his toil untiring wrought;

Till, discouraged and desponding,
    Sat he now in shadows deep,
And the day's humiliation
    Found oblivion in sleep.

Then a voice cried, "Rise, O master!
    From the burning brand of oak
Shape the thought that stirs within thee!"
    And the startled artist woke,--

Woke, and from the smoking embers
  ...

Henry Wadsworth Longfellow

Lines Suggested By A Portrait From The Pencil Of F. Stone

Beguiled into forgetfulness of care
Due to the day's unfinished task; of pen
Or book regardless, and of that fair scene
In Nature's prodigality displayed
Before my window, oftentimes and long
I gaze upon a Portrait whose mild gleam
Of beauty never ceases to enrich
The common light; whose stillness charms the air,
Or seems to charm it, into like repose;
Whose silence, for the pleasure of the ear,
Surpasses sweetest music. There she sits
With emblematic purity attired
In a white vest, white as her marble neck
Is, and the pillar of the throat would be
But for the shadow by the drooping chin
Cast into that recess, the tender shade,
The shade and light, both there and everywhere,
And through the very atmosphere she breathes,
Broad, clear, and toned harmon...

William Wordsworth

In A Copy Of Browning.

Browning, old fellow,
Your leaves grow yellow,
Beginning to mellow
As seasons pass.
Your cover is wrinkled,
And stained and sprinkled,
And warped and crinkled
From sleep on the grass.

Is it a wine stain,
Or only a pine stain,
That makes such a fine stain
On your dull blue,--
Got as we numbered
The clouds that lumbered
Southward and slumbered
When day was through?

What is the dear mark
There like an earmark,
Only a tear mark
A woman let fall?--
As bending over
She bade me discover,
"Who plays the lover,
He loses all!"

With you for teacher
We learned love's feature
In every creature
That roves or grieves;
When winds were brawling,
Or bird-folk calling,
Or leaf-folk fal...

Bliss Carman

Behind The Arras

I like the old house tolerably well,
Where I must dwell
Like a familiar gnome;
And yet I never shall feel quite at home:
I love to roam.

Day after day I loiter and explore
From door to door;
So many treasures lure
The curious mind. What histories obscure
They must immure!

I hardly know which room I care for best;
This fronting west,
With the strange hills in view,
Where the great sun goes,--where I may go too,
When my lease is through,--

Or this one for the morning and the east,
Where a man may feast
His eyes on looming sails,
And be the first to catch their foreign hails
Or spy their bales.

Then the pale summer twilights towards the pole!
It thrills my soul
With wonder and delight,
When gold-green sha...

Bliss Carman