After A Night Of Rain

The rain made ruin of the rose and frayed
The lily into tatters: now the Morn
Looks from the hopeless East with eyes forlorn,
As from her attic looks a dull-eyed maid.
The coreopsis drips; the sunflowers fade;
The garden reeks with rain: beneath the thorn
The toadstools crowd their rims where, dim of horn,
The slow snail slimes the grasses gaunt and greyed.
Like some pale nun, in penitential weeds,
Weary with weeping, telling sad her beads,
Her rosary of pods of hollyhocks,
September comes, heavy of heart and head,
While in her path the draggled four-o'-clocks
Droop all their flowers, saying, "Summer's dead."

Madison Julius Cawein

Madison Julius Cawein was born on March 23, 1865, in Louisville, Kentucky and died on December 8, 1914. Known as the “Keats of Kentucky,” his poetry often focused on nature, mythology, and the lush landscapes of his home state. Throughout his lifetime, Cawein published more than 30 books of poetry. He is remembered for his vivid and descriptive style and his ability to capture the beauty of the natural world. His works provide a window into the pastoral and often mystical world of the late 19th and early 20th centuries.

Madison Julius Cawein

A Stormy Sunset.

Madison Julius Cawein, Simple Poetry

Spirit Of Dreams

Madison Julius Cawein, Simple Poetry

The Locust

Madison Julius Cawein, Simple Poetry

The Forest Of Old Enchantment

Madison Julius Cawein, Simple Poetry

English

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Quiet Lanes

From the lyrical eclogue"One Day and Another"
Now rests the season in forgetfulness,
Careless in beauty of maturity;
The ripened roses round brown temples, she
Fulfills completion in a dreamy guess.
Now Time grants night the more and day the less:
The gray decides; and brown
Dim golds and drabs in dulling green express
Themselves and redden as the year goes down.
Sadder the fields where, thrusting hoary high
Their tasseled heads, the Lear-like corn-stocks die,
And, Falstaff-like, buff-bellied pumpkins lie.
Deepening with tenderness,
Sadder the blue of hills that lounge along
The lonesome west; sadder the song
Of the wild redbird in the leafage yellow.
Deeper and dreamier, aye!
Than woods or waters, leans the languid sky
Above lone orchards where the ...

Madison Julius Cawein

Quiet Lanes

From the lyrical eclogue "One Day and Another"


Now rests the season in forgetfulness,
Careless in beauty of maturity;
The ripened roses round brown temples, she
Fulfills completion in a dreamy guess.
Now Time grants night the more and day the less:
The gray decides; and brown
Dim golds and drabs in dulling green express
Themselves and redden as the year goes down.
Sadder the fields where, thrusting hoary high
Their tasseled heads, the Lear-like corn-stocks die,
And, Falstaff-like, buff-bellied pumpkins lie. -
Deepening with tenderness,
Sadder the blue of hills that lounge along
The lonesome west; sadder the song
Of the wild redbird in the leafage yellow. -
Deeper and dreamier, aye!
Than woods or waters, leans the languid sky
Above lone or...

Madison Julius Cawein

In Autumn

I.

Sunflowers wither and lilies die,
Poppies are pods of seeds;
The first red leaves on the pathway lie,
Like blood of a heart that bleeds.

Weary alway will it be to-day,
Weary and wan and wet;
Dawn and noon will the clouds hang gray,
And the autumn wind will sigh and say,
"He comes not yet, not yet.
Weary alway, alway!"

II.

Hollyhocks bend all tattered and torn,
Marigolds all are gone;
The last pale rose lies all forlorn,
Like love that is trampled on.

Weary, ah me! to-night will be,
Weary and wild and hoar;
Rain and mist will blow from the sea,
And the wind will sob in the autumn tree,
"He comes no more, no more.
Weary, ah me! ah me!"

Madison Julius Cawein

Uncertainty

"'He cometh not,' she said."

Mariana


It will not be to-day and yet
I think and dream it will; and let
The slow uncertainty devise
So many sweet excuses, met
With the old doubt in hope's disguise.

The panes were sweated with the dawn;
Yet through their dimness, shriveled drawn,
The aigret of one princess-feather,
One monk's-hood tuft with oilets wan,
I glimpsed, dead in the slaying weather.

This morning, when my window's chintz
I drew, how gray the day was! Since
I saw him, yea, all days are gray!
I gazed out on my dripping quince,
Defruited, gnarled; then turned away

To weep, but did not weep: but felt
A colder anguish than did melt
About the tearful-visaged year!
Then flung the lattice wide, and smelt

Madison Julius Cawein

Mariana

"There, at the moated grange, resides this dejected Mariana."

Shakespeare.



The sunset-crimson poppies are departed,
Mariana!
The dusky-centred, sultry-smelling poppies,
The drowsy-hearted,
That burnt like flames along the garden coppice:
All heavy-headed,
The ruby-cupped and opium-brimming poppies,
That slumber wedded,
Mariana!
The sunset-crimson poppies are departed.
Oh, heavy, heavy are the hours that fall,
The lonesome hours of the lonely days!
No poppy strews oblivion by the wall,
Where lone the last pod sways,
Oblivion that was hers of old that happier made her days.
Oh, weary, weary is the sky o'er all,
The days that creep, the hours that crawl,
And weary all the ways
She leans her face against the old stone wa...

Madison Julius Cawein

A Dark Day

Though Summer walks the world to-day
With corn-crowned hours for her guard,
Her thoughts have clad themselves in gray,
And wait in Autumn's weedy yard.

And where the larkspur and the phlox
Spread carpets wheresoe'er she pass,
She seems to stand with sombre locks
Bound bleak with fog-washed zinnias. -

Fall's terra-cotta-colored flowers,
Whose disks the trickling wet has tinged
With dingy lustre when the bower's
Thin, flame-flecked leaves the frost has singed;

Or with slow feet, 'mid gaunt gold blooms
Of marigolds her fingers twist,
She seems to pass with Fall's perfumes,
And dreams of sullen rain and mist.

Madison Julius Cawein