Afterword.

The old enthusiasms
Are dead, quite dead, in me;
Dead the aspiring spasms
Of art and poesy,
That opened magic chasms,
Once, of wild mystery,
In youth's rich Araby.
That opened magic chasms.

The longing and the care
Are mine; and, helplessly,
The heartache and despair
For what can never be.
More than my mortal share
Of sad mortality,
It seems, God gives to me,
More than my mortal share.

O world! O time! O fate!
Remorseless trinity!
Let not your wheel abate
Its iron rotary!
Turn round! nor make me wait,
Bound to it neck and knee,
Hope's final agony!
Turn round! nor make me wait.

Madison Julius Cawein

Madison Julius Cawein was born on March 23, 1865, in Louisville, Kentucky and died on December 8, 1914. Known as the “Keats of Kentucky,” his poetry often focused on nature, mythology, and the lush landscapes of his home state. Throughout his lifetime, Cawein published more than 30 books of poetry. He is remembered for his vivid and descriptive style and his ability to capture the beauty of the natural world. His works provide a window into the pastoral and often mystical world of the late 19th and early 20th centuries.

Madison Julius Cawein

The Morn That Breaks Its Heart Of Gold

Madison Julius Cawein, Simple Poetry

The Tree-Toad

Madison Julius Cawein, Simple Poetry

In The Beech Woods

Madison Julius Cawein, Simple Poetry

Ashly Mere.

Madison Julius Cawein, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Forevermore.

I

O heart that vainly follows
The flight of summer swallows,
Far over holts and hollows,
O'er frozen buds and flowers;
To violet seas and levels,
Where Love Time's locks dishevels
With merry mimes and revels
Of aphrodisiac Hours.


II

O Love who, dreaming, borrows
Dead love from sad to-morrows,
The broken heart that sorrows,
The blighted hopes that weep;
Pale faces pale with sleeping;
Red eyelids red with weeping;
Dead lips dead secrets keeping,
That shake the deeps of sleep!


III

O Memory that showers
About the withered hours
White, ruined, sodden flowers,
Dead dust and bitter rain;
Dead loves with faces teary;
Dead passions wan and dreary;
The weary, weary, weary,
Dead h...

Madison Julius Cawein

A Motive In Gold And Gray

I.

To-night he sees their star burn, dewy-bright,
Deep in the pansy, eve hath made for it,
Low in the west; a placid purple lit
At its far edge with warm auroral light:
Love's planet hangs above a cedared height;
And there in shadow, like gold music writ
Of dusk's dark fingers, scale-like fire-flies flit
Now up, now down the balmy bars of night.
How different from that eve a year ago!
Which was a stormy flower in the hair
Of dolorous day, whose sombre eyes looked, blurred,
Into night's sibyl face, and saw the woe
Of parting near, and imaged a despair,
As now a hope caught from a homing word.


II.

She came unto him, as the springtime does
Unto the land where all lies dead and cold,
Until her rosary of days is told
And beaut...

Madison Julius Cawein

Monochromes

I.

The last rose falls, wrecked of the wind and rain;
Where once it bloomed the thorns alone remain:
Dead in the wet the slow rain strews the rose.
The day was dim; now eve comes on again,
Grave as a life weighed down by many woes, -
So is the joy dead, and alive the pain.

The brown leaf flutters where the green leaf died;
Bare are the boughs, and bleak the forest side:
The wind is whirling with the last wild leaf.
The eve was strange; now dusk comes weird and wide,
Gaunt as a life that lives alone with grief, -
So doth the hope go and despair abide.

An empty nest hangs where the wood-bird pled;
Along the west the dusk dies, stormy red:
The frost is subtle as a serpent's breath.
The dusk was sad; now night is overhead,
Grim as a soul bro...

Madison Julius Cawein

Face To Face.

Dead! and all the haughty fate
Fair on throat and face of wax,
White, calm hands crossed still and lax,
Cold, impassionate!

Dead! and no word whispered low
At the dull ear now could wake
One responsive chord or make
One wan temple glow.

Dead! and no hot tear would stir
All that woman sweet and fair,
Woman soul from feet to hair
Which was once of her.

God! and thus to die! and I -
I must live though life be but
One long, hard, monotonous rut,
There to plod and - die!

Creeds are well in such a case;
But no sermon could have wrought
More of faith than you have taught
With your pale, dead face.

And I see it as you see -
One mistake, so very small!
Yet so great it mangled all,
Left you this and me!

Madison Julius Cawein

Rembrandts.

I.

I shall not soon forget her and her eyes,
The haunts of hate, where suffering seemed to write
Its own dark name, whose syllables are sighs,
In strange and starless night.

I shall not soon forget her and her face,
So quiet, yet uneasy as a dream,
That stands on tip-toe in a haunted place
And listens for a scream.

She made me feel as one, alone, may feel
In some grand ghostly house of olden time,
The presence of a treasure, walls conceal,
The secret of a crime.


II.

With lambent faces, mimicking the moon,
The water lilies lie;
Dotting the darkness of the long lagoon
Like some black sky.

A face, the whiteness of a water-flower,
And pollen-golden hair,
In shadow half, half in the moonbeams' glower,

Madison Julius Cawein

Intimations

I.

Is it uneasy moonlight
On the restless field, that stirs?
Or wild white meadow-blossoms
The night-wind bends and blurs?
Is it the dolorous water,
That sobs in the woods and sighs?
Or heart of an ancient oak-tree,
That breaks and, sighing, dies?
The wind is vague with the shadows
That wander in No-Man's Land;
The water is dark with the voices
That weep on the Unknown strand.

O ghosts of the winds that call me!
O ghosts of the whispering waves!
As sad as forgotten flowers
That die upon nameless graves!
What is this thing you tell me
In tongues of a twilight race,
Of death, with the vanished features,
Mantled, of my own face?

II.

The old enigmas of the deathless dawns
And riddles of the all immortal ev...

Madison Julius Cawein