An Autumn Landscape

No wind there is that either pipes or moans;
The fields are cold and still; the sky
Is covered with a blue-gray sheet
Of motionless cloud; and at my feet
The river, curling softly by,
Whispers and dimples round its quiet gray stones.

Along the chill green slope that dips and heaves
The road runs rough and silent, lined
With plum-trees, misty and blue-gray,
And poplars pallid as the day,
In masses spectral, undefined,
Pale greenish stems half hid in dry gray leaves.

And on beside the river's sober edge
A long fresh field lies black. Beyond,
Low thickets gray and reddish stand,
Stroked white with birch; and near at hand,
Over a little steel-smooth pond,
Hang multitudes of thin and withering sedge.

Across a waste and solitary rise
A ploughman urges his dull team,
A stooped gray figure with prone brow
That plunges bending to the plough
With strong, uneven steps. The stream
Rings and re-echoes with his furious cries.

Sometimes the lowing of a cow, long-drawn,
Comes from far off; and crows in strings
Pass on the upper silences.
A flock of small gray goldfinches,
Flown down with silvery twitterings,
Rustle among the birch-cones and are gone.

This day the season seems like one that heeds,
With fixèd ear and lifted hand,
All moods that yet are known on earth,
All motions that have faintest birth,
If haply she may understand
The utmost inward sense of all her deeds.

Archibald Lampman

Canadian Confederation poet Archibald Lampman, born in 1861, is often regarded as one of Canada's finest late 19th-century poets. Known for his nature-themed works, Lampman contributed significantly to the country's literary heritage. He published several collections, with "Among the Millet" and "Lyrics of Earth" being notable examples. Lampman's poetry reflects a deep appreciation for the Canadian landscape, making him a seminal figure in Canadian literature.

Archibald Lampman

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English

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By An Autumn Stream

Now overhead,
Where the rivulet loiters and stops,
The bittersweet hangs from the tops
Of the alders and cherries
Its bunches of beautiful berries,
Orange and red.

And the snowbirds flee,
Tossing up on the far brown field,
Now flashing and now concealed,
Like fringes of spray
That vanish and gleam on the gray
Field of the sea.

Flickering light,
Come the last of the leaves down borne,
And patches of pale white corn
In the wind complain,
Like the slow rustle of rain
Noticed by night.

Withered and thinned,
The sentinel mullein looms,
With the pale gray shadowy plumes
Of the goldenrod;
And the milkweed opens its pod,
Tempting the wind.

Aloft on the hill,
A cloudrift opens and shines
Through ...

Archibald Lampman

September

Now hath the summer reached her golden close,
And, lost amid her corn-fields, bright of soul,
Scarcely perceives from her divine repose
How near, how swift, the inevitable goal:
Still, still, she smiles, though from her careless feet
The bounty and the fruitful strength are gone,
And through the soft long wondering days goes on
The silent sere decadence sad and sweet.

The kingbird and the pensive thrush are fled,
Children of light, too fearful of the gloom;
The sun falls low, the secret word is said,
The mouldering woods grow silent as the tomb;
Even the fields have lost their sovereign grace,
The cone-flower and the marguerite; and no more,
Across the river's shadow-haunted floor,
The paths of skimming swallows interlace.

Already in the outland wi...

Archibald Lampman

Comfort Of The Fields

What would'st thou have for easement after grief,
When the rude world hath used thee with despite,
And care sits at thine elbow day and night,
Filching thy pleasures like a subtle thief?
To me, when life besets me in such wise,
'Tis sweetest to break forth, to drop the chain,
And grasp the freedom of this pleasant earth,
To roam in idleness and sober mirth,
Through summer airs and summer lands, and drain
The comfort of wide fields unto tired eyes.

By hills and waters, farms and solitudes,
To wander by the day with wilful feet;
Through fielded valleys wide with yellowing wheat;
Along gray roads that run between deep woods,
Murmurous and cool; through hallowed slopes of pine,
Where the long daylight dreams, unpierced, unstirred,
And only the rich-throated ...

Archibald Lampman

The Autumn Waste

There is no break in all the wide grey sky,
Nor light on any field, and the wind grieves,
And talks of death. Where cold grey waters lie
Round greyer stones, and the new-fallen leaves
Heap the chill hollows of the naked woods,
A lisping moan, an inarticulate cry,
Creeps far among the charnel solitudes,
Numbing the waste with mindless misery.
In these bare paths, these melancholy lands,
What dream, or flesh, could ever have been young?
What lovers have gone forth with linkèd hands?
What flowers could ever have bloomed, what birds have sung?
Life, hopes, and human things seem wrapped away,
With shrouds and spectres, in one long decay.

Archibald Lampman

In October.

Along the waste, a great way off, the pines,
Like tall slim priests of storm, stand up and bar
The low long strip of dolorous red that lines
The under west, where wet winds moan afar.
The cornfields all are brown, and brown the meadows
With the blown leaves' wind-heapèd traceries,
And the brown thistle stems that cast no shadows,
And bear no bloom for bees.

As slowly earthward leaf by red leaf slips,
The sad trees rustle in chill misery,
A soft strange inner sound of pain-crazed lips,
That move and murmur incoherently;
As if all leaves, that yet have breath, were sighing,
With pale hushed throats, for death is at the door,
So many low soft masses for the dying
Sweet leaves that live no more.

Here I will sit upon this naked stone,
Draw my coat ...

Archibald Lampman

Among The Timothy.

Long hours ago, while yet the morn was blithe,
Nor sharp athirst had drunk the beaded dew,
A reaper came, and swung his cradled scythe
Around this stump, and, shearing slowly, drew
Far round among the clover, ripe for hay,
A circle clean and grey;
And here among the scented swathes that gleam,
Mixed with dead daisies, it is sweet to lie
And watch the grass and the few-clouded sky,
Nor think but only dream.

For when the noon was turning, and the heat
Fell down most heavily on field and wood,
I too came hither, borne on restless feet,
Seeking some comfort for an aching mood.
Ah, I was weary of the drifting hours,
The echoing city towers,
The blind grey streets, the jingle of the throng,
Weary of hope that like a shape of stone
Sat near at hand wi...

Archibald Lampman