An Eastern Apologue.

(To E. H. P.)


Melik the Sultán, tired and wan,
Nodded at noon on his diván.

Beside the fountain lingered near
JAMÍL the bard, and the vizier--

Old YÚSUF, sour and hard to please;
Then JAMÍL sang, in words like these.

Slim is Butheina--slim is she
As boughs of the Aráka tree!

"Nay," quoth the other, teeth between,
"Lean, if you will,--I call her lean."

Sweet is Butheina--sweet as wine,
With smiles that like red bubbles shine!

"True,--by the Prophet!" YÚSUF said,
"She makes men wander in the head!"

Dear is Butheina--ah! more dear
Than all the maidens of Kashmeer!

"Dear," came the answer, quick as thought,
"Dear ... and yet always to be bought."

So JAMÍL ceased. But still Life's page
Shows diverse unto YOUTH and AGE:

And,--be the song of Ghouls or Gods,--
TIME, like the Sultán, sits ... and nods.

Henry Austin Dobson

Henry Austin Dobson, commonly known as Austin Dobson, was an English poet and essayist. A civil servant by profession, Dobson was one of the most renowned poets and literary critics of the late Victorian and Edwardian periods. His work is noted for its delicate craftsmanship and profound interest in 18th-century literature. Dobson's poetry often revisited and celebrated historical themes and characters, blending scholarly interest with lyrical form.

Henry Austin Dobson

A New Song Of The Spring Gardens.

Henry Austin Dobson, Simple Poetry

The Last Despatch.

Henry Austin Dobson, Simple Poetry

A Revolutionary Relic.

Henry Austin Dobson, Simple Poetry

For The Avery "Knickerbocker."

Henry Austin Dobson, Simple Poetry

English

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(We lay our story in the East.
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We place it there because we fear
To bring its parable too near,
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Our dear, confiding native land.)


HAROUN ALRASCHID, in the days
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Fair his work and fine
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The Gift Of Harun Al-Rashid

Kusta Ben Luka is my name, I write
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Written in gold upon a purple stain,
And pause at last, I was about to say,
At the great book of Sappho's song; but no,
For should you leave my letter there, a boy's
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And let it fall unnoticed to the floor.
pause at the Treatise of parmenides
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Damascus, What Are You Doing to Me?

1

My voice rings out, this time, from Damascus
It rings out from the house of my mother and father
In Sham. The geography of my body changes.
The cells of my blood become green.
My alphabet is green.
In Sham. A new mouth emerges for my mouth
A new voice emerges for my voice
And my fingers
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2

I return to Damascus
Riding on the backs of clouds
Riding the two most beautiful horses in the world
The horse of passion.
The horse of poetry.
I return after sixty years
To search for my umbilical cord,
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And received a gold lira from my father,
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André Le Chapelain.

(Clerk of Love, 1170.)

His Plaint To Venus Of The Coming Years.

"Plus ne suis ce que j'ay esté
Et ne le sçaurois jamais estre;
Mon beau printemps et mon esté
Ont fait le saut par la fenestre."


Queen Venus, round whose feet,
To tend thy sacred fire,
With service bitter-sweet
Nor youths nor maidens tire;--
Goddess, whose bounties be
Large as the un-oared sea;--

Mother, whose eldest born
First stirred his stammering tongue,
In the world's youngest morn,
When the first daisies sprung:--
Whose last, when Time shall die,
In the same grave shall lie:--

Hear thou one suppliant more!
Must I, thy Bard, grow old,
Bent, with the temples frore,
Not jocund be nor bold,
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Moallaka

Rise and hold up the curved glass,
And pour us wine of the morning, of El Andar.

Pour wine for us, whose golden colour
Is like a water stream kissing flowers of saffron.

Pour us wine to make us generous
And carelessly happy in the old way.

Pour us wine that gives the miser
A sumptuous generosity and disregard.

O Oum-Amr, you have prevented me from the cup
When it should have been moving to the right;
And yet the one of us three that you would not serve
Is not the least worthy.

How many cups have I not emptied at Balbek,
And emptied at Damas and emptied at Cacerin!

More cups! more cups! for death will have his day;
His are we and he ours.

            *            *            *            *            *

By he...

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