An Hour With Thee

An hour with thee! When earliest day
Dapples with gold the eastern gray,
Oh, what can frame my mind to bear
The toil and turmoil, cark and care,
New griefs, which coming hours unfold,
And sad remembrance of the old?
One hour with thee.

One hour with thee! When burning June
Waves his red flag at pitch of noon;
What shall repay the faithful swain,
His labor on the sultry plain;
And, more than cave or sheltering bough,
Cool feverish blood and throbbing brow?
One hour with thee.

One hour with thee! When sun is set,
Oh, what can teach me to forget
The thankless labors of the day;
The hopes, the wishes, flung away;
The increasing wants, and lessening gains,
The master's pride, who scorns my pains?
One hour with thee

Walter Scott

Sir Walter Scott was a Scottish historical novelist, poet, playwright and historian. Many of his works remain classics of both English-language literature and of Scottish literature. Famous titles include 'Ivanhoe', 'Rob Roy', 'The Lady of the Lake', 'Waverley', and 'The Heart of Midlothian'. He was a key figure in establishing the historical novel.

Walter Scott

The Crusaders Return

Walter Scott, Simple Poetry

Patriotism 1: Innominatus

Walter Scott, Simple Poetry

Love

Walter Scott, Simple Poetry

The Maid Of Neidpath

Walter Scott, Simple Poetry

English

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My Hour

Day after day behold me plying
My pen within an office drear;
The dullest dog, till homeward hieing,
Then lo! I reign a king of cheer.
A throne have I of padded leather,
A little court of kiddies three,
A wife who smiles whate'er the weather,
A feast of muffins, jam and tea.

The table cleared, a romping battle,
A fairy tale, a "Children, bed,"
A kiss, a hug, a hush of prattle
(God save each little drowsy head!)
A cozy chat with wife a-sewing,
A silver lining clouds that low'r,
Then she too goes, and with her going,
I come again into my Hour.

I poke the fire, I snugly settle,
My pipe I prime with proper care;
The water's purring in the kettle,
Rum, lemon, sugar, all are there.
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Marmion: Introduction To Canto III.

Like April morning clouds, that pass,
With varying shadow, o'er the grass,
And imitate, on field and furrow,
Life's chequered scene of joy and sorrow;
Like streamlet of the mountain North,
Now in a torrent racing forth,
Now winding slow its silver train,
And almost slumbering on the plain;
Like breezes of the Autumn day,
Whose voice inconstant dies away,
And ever swells again as fast,
When the ear deems its murmur past;
Thus various, my romantic theme
Flits, winds, or sinks, a morning dream.
Yet pleased, our eye pursues the trace
Of light and shade's inconstant race;
Pleased, views the rivulet afar,
Weaving its maze irregular;
And pleased, we listen as the breeze
Heaves its wild sigh through Autumn trees;
Then, wild as cloud, or stream, or ...

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The Evening Hour.

    Like the herald hope of a fairer clime,
The brightest link in the chain of time,
The youngest and loveliest child of day,
I mingle and soften each glowing ray;
Weaving together a tissue bright
Of the beams of day and the gems of night.--
I pitch my tent in the glowing west,
And receive the sun as he sinks to rest;
He flings in my lap his ruby crown,
And lays at my feet his glory down;
But ere his burning eyelids close,
His farewell glance the day-king throws
On Nature's face--till the twilight shrouds
The monarch's brow in a veil of clouds--
Oh then, by the light of mine own fair star,
I unyoke the steeds from his beamy car.
Away they start from the fiery rein,
With flashing hoofs, and flying mane,
Like meteors speeding on the wind,
They lea...

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Marmion: Introduction To Canto V.

When dark December glooms the day,
And takes our autumn joys away;
When short and scant the sunbeam throws,
Upon the weary waste of snows,
A cold and profitless regard,
Like patron on a needy bard,
When silvan occupation's done,
And o'er the chimney rests the gun,
And hang, in idle trophy, near,
The game-pouch, fishing-rod, and spear;
When wiry terrier, rough and grim,
And greyhound, with his length of limb,
And pointer, now employed no more,
Cumber our parlour's narrow floor;
When in his stall the impatient steed
Is long condemned to rest and feed;
When from our snow-encircled home,
Scarce cares the hardiest step to roam,
Since path is none, save that to bring
The needful water from the spring;
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Marmion: Introduction To Canto II.

The scenes are desert now, and bare,
Where flourished once a forest fair
When these waste glens with copse were lined,
And peopled with the hart and hind.
Yon thorn, perchance whose prickly spears
Have fenced him for three hundred years,
While fell around his green compeers,
Yon lonely thorn, would he could tell
The changes of his parent dell,
Since he, so grey and stubborn now,
Waved in each breeze a sapling bough:
Would he could tell how deep the shade
A thousand mingled branches made;
How broad the shadows of the oak,
How clung the rowan to the rock,
And through the foliage showed his head,
With narrow leaves and berries red;
What pines on every mountain sprung,
O'er every dell what birches hung,
In every breeze what aspens shook,
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Walter Scott

Ancient Gaelic Melody

I.
Birds of omen dark and foul,
Night-crow, raven, bat, and owl,
Leave the sick man to his dream,
All night long he heard you scream.
Haste to cave and ruin'd tower,
Ivy tod, or dingled-bower,
There to wink and mop, for, hark!
In the mid air sings the lark.

II.
Hie to moorish gills and rocks,
Prowling wolf and wily fox,
Hie ye fast, nor turn your view,
Though the lamb bleats to the ewe.
Couch your trains, and speed your flight,
Safety parts with parting night;
And on distant echo borne,
Comes the hunter's early horn.

III.
The moon's wan crescent scarcely gleams,
Ghost-like she fades in morning beams;
Hie hence, each peevish imp and fay
That scarce the pilgrim on his way,
Quench, kelpy! quench, in bog and fen,

Walter Scott