An Ode : While From Our Looks, Fair Nymph, You Guess

While from our looks, fair nymph, you guess
The secret passions of our mind;
My heavy eyes, you say, confess
A heart to love and grief inclined.

There needs, alas! but little art
To have this fatal secret found;
With the same ease you threw the dart,
'Tis certain you can show the wound.

How can I see you, and not love,
While you as opening cast are fair?
While cold as northern blasts you prove,
How can I love, and not despair?

The wretch in double fetters bound
Your potent mercy may release;
Soon, if my love but once were crown'd,
Fair prophetess, my grief would cease.

Matthew Prior

Matthew Prior was an English poet and diplomat. He is known for his extensive contributions to poetry during the late 17th and early 18th centuries. Prior's works often blend sharp wit, classical allusions, and a mastery of form. Apart from poetry, he was actively involved in politics and served as a diplomat for the English government. His poetry reflects his broad knowledge and varied experiences.

Matthew Prior

To A Young Lady, Who Was Fond Of Fortune-Telling

Matthew Prior, Simple Poetry

Songs Set To Music: 15. Set By Mr. De Fesch

Matthew Prior, Simple Poetry

Celia To Damon

Matthew Prior, Simple Poetry

Cloe Jealous

Matthew Prior, Simple Poetry

English

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The Garland

The pride of every grove I chose,
The violet sweet and lily fair,
The dappled pink and blushing rose,
To deck my charming Cloe's hair.

At morn the nymph vouchsafed to place
Upon her brow the various wreath;
The flowers less blooming than her face,
The scent less fragrant than her breath.

The flowers she wore along the day,
And every nymph and shepherd said,
That in her hair they look'd more gay
Than glowing in their native bed.

Undress'd at evening, when she found
Their odours lost, their colours past,
She changed her look, and on the ground
Her garland and her eyes she cast.

That eye dropp'd sense distinct and clear
As any Muse's tongue could speak,
When from its lid a pearly tear
Ran trickling down her beauteous cheek.<...

Matthew Prior

Celia To Damon

What can I say? What Arguments can prove
My Truth? What Colors can describe my Love?
If it's Excess and Fury be not known,
In what Thy Celia has already done?

Thy Infant Flames, whilst yet they were conceal'd
In tim'rous Doubts, with Pity I beheld;
With easie Smiles dispell'd the silent Fear,
That durst not tell Me, what I dy'd to hear:
In vain I strove to check my growing Flame,
Or shelter Passion under Friendship's Name:
You saw my Heart, how it my Tongue bely'd;
And when You press'd, how faintly I deny'd
E'er Guardian Thought could bring it's scatter'd Aid;
E'er Reason could support the doubting Maid;
My Soul surpriz'd, and from her self disjoin'd,
Left all Reserve, and all the Sex behind:
From your Command her Motions She receiv'd;
And not for M...

Matthew Prior

A Better Answer

Dear Cloe, how blubber'd is that pretty Face?
Thy Cheek all on Fire, and Thy Hair all uncurl'd:
Pr'ythee quit this Caprice; and (as old Falstaf says)
Let Us e'en talk a little like Folks of This World.

How can'st Thou presume, Thou hast leave to destroy
The Beauties, which Venus but lent to Thy keeping?
Those Looks were design'd to inspire Love and Joy:
More ord'nary Eyes may serve People for weeping.

To be vext at a Trifle or two that I writ,
Your Judgment at once, and my Passion You wrong:
You take that for Fact, which will scarce be found Wit:
Odd's Life! must One swear to the Truth of a Song?

What I speak, my fair Cloe, and what I write, shews
The Diff'rence there is betwixt Nature and Art:
I court others in Verse; but I love Thee in Prose:
An...

Matthew Prior

Her Right Name

As Nancy at her toilette sat,
Admiring this, and blaming that,
Tell me, she said, but tell me true,
The nymph who could your heart subdue.
What sort of charms does she possess?
Absolve me, fair one, I'll confess
With pleasure, I replied: Her hair,
In ringlets rather dark than fair,
Does down her ivory bosom roll,
And hiding half adorns the whole,
In her high forehead's fair half round
Love sits, in open triumph crown'd;
He, in the dimple of her chin,
In private state, by friends is seen.
Her eyes are neither black nor grey,
Nor fierce nor feeble is their ray;
Their dubious lustre seems to show
Something that speaks nor yes nor no.
Her lips no living bard, I weet,
May say how red, how round, how sweet:
Old Homer only could indite
Their ...

Matthew Prior

Cloe Jealous

Forbear to ask Me, why I weep;
Vext Cloe to her Shepherd said:
'Tis for my Two poor stragling Sheep
Perhaps, or for my Squirrel dead.
For mind I what You late have writ?
Your subtle Questions, and Replies;
Emblems, to teach a Female Wit
The Ways, where changing Cupid flies.
Your Riddle, purpos'd to rehearse
The general Pow'r that Beauty has:
But why did no peculiar Verse
Describe one Charm of Cloe's Face?
The Glass, which was at Venus' Shrine,
With such Mysterious Sorrow laid:
The Garland (and You call it Mine)
Which show'd how Youth and Beauty fade.
Ten thousand Trifles light as These
Nor can my Rage, nor Anger move:
She shou'd be humble, who wou'd please:
And She must suffer, who can love.
When in My Glass I chanc'd to look;
Of Venus...

Matthew Prior

An Ode : While Blooming Youth And Gay Delight

While blooming youth and gay delight
Sit on thy rosy cheeks confess'd,
Thou hast, my dear, undoubted right
To triumph o'er this destined breast.
My reason bends to what thy eyes ordain;
For I was born to love, and thou to reign.

But would you meanly thus rely
On power you know I must obey?
Exert a legal tyranny,
And do an ill because you may?
Still must I thee, as Atheists Heaven, adore;
Not see thy mercy, and yet dread thy power?

Take heed, my dear: youth flies apace;
As well as Cupid, Time is blind:
Soon must those glories of thy face
The fate of vulgar beauty find:
The thousand Loves, that arm thy potent eye,
Must drop their quivers, flag their wings, and die.

Then wilt thou sigh, when in each frown
A hateful wrinkle more ap...

Matthew Prior