Apologia pro Vita Sua

The poet in his lone yet genial hour
Gives to his eyes a magnifying power:
Or rather he emancipates his eyes
From the black shapeless accidents of size -
In unctuous cones of kindling coal,
Or smoke upwreathing from the pipe's trim bole,
        His gifted ken can see
        Phantoms of sublimity.

Samuel Taylor Coleridge

Samuel Taylor Coleridge was an English poet, literary critic, philosopher, and theologian. He is a founder of the Romantic Movement in England and best known for his poems 'The Rime of the Ancient Mariner' and 'Kubla Khan'. Coleridge was a close friend of poet William Wordsworth, with whom he collaborated on 'Lyrical Ballads' which marks the beginning of the English Romantic movement.

Samuel Taylor Coleridge

Hexameters

Samuel Taylor Coleridge, Simple Poetry

On Donne's Poetry

Samuel Taylor Coleridge, Simple Poetry

Inscription for a Fountain on a Heath

Samuel Taylor Coleridge, Simple Poetry

Psyche

Samuel Taylor Coleridge, Simple Poetry

English

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A Tombless Epitaph

'Tis true, Idoloclastes Satyrane!
(So call him, for so mingling blame with praise,
And smiles with anxious looks, his earliest friends,
Masking his birth-name, wont to character
His wild-wood fancy and impetuous zeal,)
'Tis true that, passionate for ancient truths,
And honouring with religious love the Great
Of elder times, he hated to excess,
With an unquiet and intolerant scorn,
The hollow Puppets of an hollow Age,
Ever idolatrous, and changing ever
Its worthless Idols! Learning, Power, and Time,
(Too much of all) thus wasting in vain war
Of fervid colloquy. Sickness, 'tis true,
Whole years of weary days, besieged him close,
Even to the gates and inlets of his life!
But it is true, no less, that strenuous, firm,
And with a natural gladness, he maintaine...

Samuel Taylor Coleridge

Sonnet LV.

I begli occhi, ond' i' fui percosso in guisa.

HE IS NEVER WEARY OF PRAISING THE EYES OF LAURA.


    The bright eyes which so struck my fenceless side
That they alone which harm'd can heal the smart
Beyond or power of herbs or magic art,
Or stone which oceans from our shores divide,
The chance of other love have so denied
That one sweet thought alone contents my heart,
From following which if ne'er my tongue depart,
Pity the guided though you blame the guide.
These are the bright eyes which, in every land
But most in its own shrine, my heart, adored,
Have spread the triumphs of my conquering lord;
These are the same bright eyes which ever stand
Burning within me, e'en as vestal fires,
In singing which my fancy never tires.

MACGREGO...

Francesco Petrarca

City Visions.

    I.


As the blind Milton's memory of light,
The deaf Beethoven's phantasy of tone,
Wrought joys for them surpassing all things known
In our restricted sphere of sound and sight, -
So while the glaring streets of brick and stone
Vex with heat, noise, and dust from morn till night,
I will give rein to Fancy, taking flight
From dismal now and here, and dwell alone
With new-enfranchised senses.    All day long,
Think ye 't is I, who sit 'twixt darkened walls,
While ye chase beauty over land and sea?
Uplift on wings of some rare poet's song,
Where the wide billow laughs and leaps and falls,
I soar cloud-high, free as the the winds are free.



    II.


Who grasps the substance? who 'mid shadows strays?
He who within some...

Emma Lazarus

Hexameters

Italic sentences below are Samuel Taylor Coleridge's.


William, my teacher, my friend! dear William and dear Dorothea!
Smooth out the folds of my letter, and place it on desk or on table;
Place it on table or desk; and your right hands loosely half-closing,
Gently sustain them in air, and extending the digit didactic,
Rest it a moment on each of the forks of the five-forkéd left hand,
Twice on the breadth of the thumb, and once on the tip of each finger;
Read with a nod of the head in a humouring recitativo;
And, as I live, you will see my hexameters hopping before you.
This is a galloping measure; a hop, and a trot, and a gallop!

        All my hexameters fly, like stags pursued by the staghounds,
        Breathless and panting, and ready to drop, yet flying still on...

Samuel Taylor Coleridge

The Æolian Harp

My pensive SARA! thy soft cheek reclined
Thus on mine arm, most soothing sweet it is
To sit beside our Cot, our Cot o'ergrown
With white-flower'd Jasmin, and the broad-leav'd Myrtle,
(Meet emblems they of Innocence and Love!)
And watch the clouds, that late were rich with light,
Slow saddenning round, and mark the star of eve
Serenely brilliant (such should Wisdom be)
Shine opposite! How exquisite the scents
Snatch'd from yon bean-field! and the world so hush'd!
The stilly murmur of the distant Sea
Tells us of silence.
[spacer][spacer]And that simplest Lute,
Plac'd length-ways in the clasping casement, hark!
How by the desultory breeze caress'd,
Like some coy maid half-yielding to her lover,
It pours such sweet upbraiding, as must needs
Tempt to repeat th...

Samuel Taylor Coleridge

To William Wordsworth

Friend of the Wise! and Teacher of the Good!
Into my heart have I received that Lay
More than historic, that prophetic Lay
Wherein (high theme by thee first sung aright)
Of the foundations and the building up
Of a Human Spirit thou hast dared to tell
What may be told, to the understanding mind
Revealable; and what within the mind
By vital breathings secret as the soul
Of vernal growth, oft quickens in the heart
Thoughts all too deep for words!
                        Theme hard as high!
Of smiles spontaneous, and mysterious fears
(The first-born they of Reason and twin-birth),
Of tides obedient to external force,
And currents self-determined, as might seem,
Or by some inner Power; of moments awful,
Now in thy inner life, and now abroad,
When power st...

Samuel Taylor Coleridge