At The Sign Of The Lyre

(To the Memory of Austin Dobson)

Master of the lyric inn
Where the rarer sort so long
Drew the rein, to 'scape the din
Of the cymbal and the gong,
Topers of the classic bin, -
Oporto, sherris and tokay,
Muscatel, and beaujolais -
Conning some old Book of Airs,
Lolling in their Queen Anne chairs -
Catch or glee or madrigal,
Writ for viol or virginal;
Or from France some courtly tune,
Gavotte, ridotto, rigadoon;
(Watteau and the rising moon);
Ballade, rondeau, triolet,
Villanelle or virelay,
Wistful of a statelier day,
Gallant, delicate, desire:
Where the Sign swings of the Lyre,
Garlands droop above the door,
Thou, dear Master, art no more.

Lo! about thy portals throng
Sorrowing shapes that loved thy song:
Taste and Elegance are there,
The modish Muses of Mayfair,
Wit, Distinction, Form and Style,
Humour, too, with tear and smile.

Fashion sends her butterflies -
Pretty laces to their eyes,
Ladies from St. James's there
Step out from the sedan chair;
Wigged and scented dandies too
Tristely wear their sprigs of rue;
Country squires are in the crowd,
And little Phyllida sobs aloud.

Then stately shades I seem to see,
Master, to companion thee;
Horace and Fielding here are come
To bid thee to Elysium.
Last comes one all golden: Fame
Calls thee, Master, by thy name,
On thy brow the laurel lays,
Whispers low - "In After Days."

Richard Le Gallienne

Richard Le Gallienne was an English author and poet born on January 20, 1866. Known for his lyrical poetry, he was a key figure in the literary circles of the fin de siècle. He contributed to the literary magazine 'The Yellow Book' and was involved with the Rhymers' Club, an influential group of London-based poets. His works often explored themes of beauty, love, and nature. His influence extended to both sides of the Atlantic, and he spent the latter part of his life in the United States, where he continued to write until his death on September 15, 1947.

Richard Le Gallienne

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Hesperides

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Young Love VII - The Lamp And The Star

Richard Le Gallienne, Simple Poetry

English

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Great man of song, whose glorious laurelled head
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High on his Patmos of the Southern Seas
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Son of a race nomadic, finding still
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The Lyre Of Anacreon

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(AFTER W. W.)

[To Mr. St. Loe Strachey.]

Dawn of the year that emerges, a fine and ebullient Phnix,
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Owen Seaman

To The Reader

Art was a palace once, things great and fair,
And strong and holy, found a temple there:
Now 'tis a lazar-house of leprous men.
O shall me hear an English song again!
Still English larks mount in the merry morn,
An English May still brings an English thorn,
Still English daisies up and down the grass,
Still English love for English lad and lass -
Yet youngsters blush to sing an English song!

Thou nightingale that for six hundred years
Sang to the world - O art thou husht at last!
For, not of thee this new voice in our ears,
Music of France that once was of the spheres;
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From daisy roots and seemed to bear a sting.

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André Le Chapelain.
(Clerk of Love, 1170.)

His Plaint To Venus Of The Coming Years.

"Plus ne suis ce que j'ay esté
Et ne le sçaurois jamais estre;
Mon beau printemps et mon esté
Ont fait le saut par la fenestre."

Queen Venus, round whose feet,
To tend thy sacred fire,
With service bitter-sweet
Nor youths nor maidens tire;--
Goddess, whose bounties be
Large as the un-oared sea;--

Mother, whose eldest born
First stirred his stammering tongue,
In the world's youngest morn,
When the first daisies sprung:--
Whose last, when Time shall die,
In the same grave shall lie:--

Hear thou one suppliant more!
Must I, thy Bard, grow old,
Bent, with the temples frore,
Not jocund be nor bold,
To tune for folk in May
Ballad and ...
Henry Austin Dobson