Bacchanalia

The evening comes, the fields are still.
The tinkle of the thirsty rill,
Unheard all day, ascends again;
Deserted is the half-mown plain,
Silent the swaths! the ringing wain,
The mower's cry, the dog's alarms,
All housed within the sleeping farms!
The business of the day is done,
The last-left haymaker is gone.
And from the thyme upon the height,
And from the elder-blossom white
And pale dog-roses in the hedge,
And from the mint-plant in the sedge,
In puffs of balm the night-air blows
The perfume which the day forgoes.
And on the pure horizon far,
See, pulsing with the first-born star,
The liquid sky above the hill!
The evening comes, the fields are still.

Matthew Arnold

Matthew Arnold was an English poet and cultural critic who worked as an inspector of schools. He is best remembered for his poetry, including works like 'Dover Beach,' and his influence on literary and social criticism. Arnold's work often grappled with the social issues and the loss of faith in the modern age, making him a central figure in the transition from Romanticism to Modernism in literature.

Matthew Arnold

Stanzas From The Grande Chartreuse

Matthew Arnold, Simple Poetry

On The Rhine

Matthew Arnold, Simple Poetry

Self-Dependence

Matthew Arnold, Simple Poetry

Indifference

Matthew Arnold, Simple Poetry

English

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Bacchanalia Or The New Age

I

The evening comes, the fields are still.
The tinkle of the thirsty rill,
Unheard all day, ascends again;
Deserted is the half-mown plain,
Silent the swaths! the ringing wain,
The mower's cry, the dog's alarms,
All housed within the sleeping farms!
The business of the day is done,
The last-left haymaker is gone.
And from the thyme upon the height,
And from the elder-blossom white
And pale dog-roses in the hedge,
And from the mint-plant in the sedge,
In puffs of balm the night-air blows
The perfume which the day forgoes.
And on the pure horizon far,
See, pulsing with the first-born star,
The liquid sky above the hill!
The evening comes, the fields are still.

Loitering and leaping,
With saunter, with bounds,
Flickering ...

Matthew Arnold

Stanzas From The Grande Chartreuse

Through Alpine meadows soft-suffused
With rain, where thick the crocus blows,
Past the dark forges long disused,
The mule-track from Saint Laurent goes.
The bridge is cross'd, and slow we ride,
Through forest, up the mountain-side.
The autumnal evening darkens round,
The wind is up, and drives the rain;
While, hark! far down, with strangled sound
Doth the Dead Guier's stream complain,
Where that wet smoke, among the woods,
Over his boiling cauldron broods.
Swift rush the spectral vapours white
Past limestone scars with ragged pines,
Showing then blotting from our sight!
Halt through the cloud-drift something shines!
High in the valley, wet and drear,
The huts of Courrerie appear.
Strike leftward! cries our guide; and higher
Mounts up the stony f...

Matthew Arnold

The New Sirens - A Palinode

In the cedar shadow sleeping,
Where cool grass and fragrant glooms
Oft at noon have lurd me, creeping
From your darkend palace rooms:
I, who in your train at morning
Strolld and sang with joyful mind,
Heard, at evening, sounds of warning;
Heard the hoarse boughs labour in the wind.

Who are they, O pensive Graces,
For I dreamd they wore your forms
Who on shores and sea-washd places
Scoop the shelves and fret the storms?
Who, when ships are that way tending,
Troop across the flushing sands.
To all reefs and narrows wending,
With blown tresses, and with beckoning hands

Yet I see, the howling levels
Of the deep are not your lair;
And your tragic-vaunted revels
Are less lonely than they were.
In a Tyrian galley steering
Fro...

Matthew Arnold

Philomela

Hark! ah, the nightingale
The tawny-throated!
Hark, from that moonlit cedar what a burst!
What triumph! hark! what pain!

O wanderer from a Grecian shore,
Still, after many years, in distant lands,
Still nourishing in thy bewilder'd brain
That wild, unquench'd, deep-sunken, old-world pain

Say, will it never heal?
And can this fragrant lawn
With its cool trees, and night,
And the sweet, tranquil Thames,
And moonshine, and the dew,
To thy rack'd heart and brain
Afford no balm?

Dost thou to-night behold,
Here, through the moonlight on this English grass,
The unfriendly palace in the Thracian wild?
Dost thou again peruse
With hot cheeks and sear'd eyes
The too clear web, and thy dumb sister's shame?
Dost thou once more ass...

Matthew Arnold

The Last Glen

Hist! once more!
Listen, Pausanias!Aye, tis Callicles!
I know those notes among a thousand.    Hark!

CALLICLES

(Sings unseen, from below.)

The track winds down to the clear stream,
To cross the sparkling shallows; there
The, cattle love to gather, on their way
To the high mountain pastures, and to stay,
Till the rough cow-herds drive them past,
Knee-deep in the cool ford; for tis the last
Of all the woody, high, well-waterd dells
On Etna; and the beam
Of noon is broken there by chestnut boughs
Down its steep verdant sides; the air
Is freshend by the leaping stream, which throws
Eternal showers of spray on the mossd roots
Of trees, and veins of turf, and long dark shoots
Of ivy-plants, and fragrant hanging bells
Of ...

Matthew Arnold

Apollo

CALLICLES (front below)


Through the black, rushing smoke-bursts,
Thick breaks the red flame;
All Etna heaves fiercely
Her forest-clothd frame.

Not here, O Apollo
Are haunts meet for thee.
But, where Helicon breaks down
In cliff to the sea,

Where the moon-silverd inlets
Send far their light voice
Up the still vale of Thisbe,
O speed, and rejoice!

On the sward at the cliff-top
Lie strewn the white flocks;
On the cliff-side the pigeons
Roost deep in the rocks.

In the moonlight the shepherds,
Soft lulld by the rills,
Lie wrapt in their blankets,
Asleep on the hills.

What forms are these coming
So white through the gloom:
What garments out-glistening
The gold-flowerd broom?
...

Matthew Arnold