Beauty And Song.

Down in yon summer vale,
    Where the rill flows.
Thus said a Nightingale
    To his loved Rose:--
"Tho' rich the pleasures
"Of song's sweet measures,
"Vain were its melody,
"Rose, without thee."

Then from the green recess
    Of her night-bower,
Beaming with bashfulness,
    Spoke the bright flower:--
"Tho' morn should lend her
"Its sunniest splendor,
"What would the Rose be,
"Unsung by thee?"

Thus still let Song attend
    Woman's bright way;
Thus still let woman lend
    Light to the lay.
Like stars thro' heaven's sea
Floating in harmony
Beauty should glide along
Circled by Song.

Thomas Moore

Thomas Moore was an Irish poet, singer, and songwriter, celebrated for his Irish Melodies, which are now considered a staple of Irish cultural heritage. Born on May 28, 1779, in Dublin, Ireland, Moore gained fame for his lyrical songs, many of which were set to traditional Irish tunes. Not only a poet, but he was also a staunch advocate of Irish nationalism, often incorporating themes of national identity and resistance into his work. Moore's influential collection 'Irish Melodies' became popular in both Ireland and Britain and helped to define the literary output of the era. He passed away on February 25, 1852, but his legacy in Irish literature and music endures.

Thomas Moore

Odes Of Anacreon - Ode LIX.

Thomas Moore, Simple Poetry

Animal Magnetism.

Thomas Moore, Simple Poetry

Calm Be Thy Sleep.

Thomas Moore, Simple Poetry

The Bird, Let Loose. (Air.--Beethoven.)

Thomas Moore, Simple Poetry

English

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Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

To Caroline, Viscountess Valletort.

WRITTEN AT LACOCK ABBEY, JANUARY, 1832.


When I would sing thy beauty's light,
Such various forms, and all so bright,
I've seen thee, from thy childhood, wear,
I know not which to call most fair,
Nor 'mong the countless charms that spring
For ever round thee, which to sing.

    When I would paint thee as thou art,
Then all thou wert comes o'er my heart--
The graceful child in Beauty's dawn
Within the nursery's shade withdrawn,
Or peeping out--like a young moon
Upon a world 'twill brighten soon.
Then next in girlhood's blushing hour,
As from thy own loved Abbey-tower
I've seen thee look, all radiant, down,
With smiles that to the hoary frown
Of centuries round thee lent a ray,
Chasing even Age's gloom away;--

Thomas Moore

To The Marchioness Dowager Of Donegall.

FROM BERMUDA, JANUARY, 1804.


Lady! where'er you roam, whatever land
Woos the bright touches of that artist hand;
Whether you sketch the valley's golden meads,
Where mazy Linth his lingering current leads;^[1]
Enamored catch the mellow hues that sleep,
At eve, on Meillerie's immortal steep;
Or musing o'er the Lake, at day's decline,
Mark the last shadow on that holy shrine,^[2]
Where, many a night, the shade of Tell complains
Of Gallia's triumph and Helvetia's chains;
Oh! lay the pencil for a moment by,
Turn from the canvas that creative eye,
And let its splendor, like the morning ray
Upon a shepherd's harp, illume my lay.

Yet, Lady, no--for song so rude as mine,
Chase not the wonders of your art divine;
Still, radiant...

Thomas Moore

Rhymes On The Road. Extract VIII. Venice.

Female Beauty at Venice.--No longer what it was in the time of Titian.-- His mistress.--Various Forms in which he has painted her.--Venus.--Divine and profane Love.--La Fragilita d'Amore--Paul Veronese.--His Women.-- Marriage of Cana.--Character of Italian Beauty.--Raphael's Fornarina.-- Modesty.


Thy brave, thy learned have passed away:
Thy beautiful!--ah, where are they?
The forms, the faces that once shone,
    Models of grace, in Titian's eye,
Where are they now, while flowers live on
    In ruined places, why, oh! why
    Must Beauty thus with Glory die?
That maid whose lips would still have moved,
    Could art have breathed a spirit through them;
Whose varying charms her artist loved
    More fondly every time he drew them,
(So oft beneath his touch they ...

Thomas Moore

To Miss Susan Beckford.[1] On Her Singing.

I more than once have heard at night
    A song like those thy lip hath given,
And it was sung by shapes of light,
    Who looked and breathed, like thee, of heaven.

But this was all a dream of sleep.
    And I have said when morning shone:--
"Why should the night-witch, Fancy, keep
    "These wonders for herself alone?"

I knew not then that fate had lent
    Such tones to one of mortal birth;
I knew not then that Heaven had sent
    A voice, a form like thine on earth.

And yet, in all that flowery maze
    Through which my path of life has led,
When I have heard the sweetest lays
    From lips of rosiest lustre shed;

When I have felt the warbled word
    From Beauty's lip, in sweetness vying
With music's own melodious bird;

Thomas Moore

Nights Of Music.

Nights of music, nights of loving,
    Lost too soon, remembered long.
When we went by moonlight roving,
    Hearts all love and lips all song.
When this faithful lute recorded
    All my spirit felt to thee;
And that smile the song rewarded--
    Worth Whole years of fame to me!

Nights of song, and nights of splendor,
Filled with joys too sweet to last--
Joys that, like the star-light, tender,
While they shore no shadow cast.
Tho' all other happy hours
    From my fading memory fly,
Of, that starlight, of those bowers,
    Not a beam, a leaf may die!

Thomas Moore

Song

"The Nightingale was not yet heard,
For the Rose was not yet blown."¹
His heart was quiet as a bird
Asleep in the night alone,
And never were its pulses stirred
To breathe or joy or moan:
The Nightingale was not yet heard
For the Rose was not yet blown.

Then She bloomed forth before his sight
In passion and in power,
And filled the very day with light,
So glorious was her dower;
And made the whole vast moonlit night
As fragrant as a bower:
The young, the beautiful, the bright,
The splendid peerless Flower.

Whereon his heart was like a bird
When Summer mounts his throne,
And all its pulses thrilled and stirred
To songs of joy and moan,
To every most impassioned word
And most impassioned tone;
The Nightingale ...

James Thomson