Bessy Bell.

When life looks drear and lonely, love,
    And pleasant fancies flee,
Then will the Muses only, love,
    Bestow a thought on me!
Mine is a harp which Pleasure, love,
    To waken strives in vain;
To Joy's entrancing measure, love,
    It ne'er can thrill again!--
            Why mock me, Bessy Bell?

Oh, do not ask me ever, love,
    For rapture-woven rhymes;
For vain is each endeavor, love,
    To sound Mirth's play-bell chimes!
Yet still believe me, dearest love,
    Though sad my song may be,
This heart still dotes sincerest, love,
    And grateful turns to thee--
            My once fond Bessy Bell!

Those eyes still rest upon me, love!
    I feel their magic spell!
With that same look you won me, love,
    Fair, gentle Bessy Bell!
My doom you've idly spoken, love,
    You never can be mine!
But though my heart is broken, love,
    Still, Bessy, it is thine!
            Adieu, false Bessy Bell!

George Pope Morris

George Pope Morris was an American editor, poet, and songwriter. Born on October 10, 1802, he made significant contributions to American literature and music. Morris co-founded and edited the New York Evening Mirror, where he published works by Edgar Allan Poe and others. He is perhaps best known for his song "Woodman, Spare That Tree!" and his role in the early 19th-century literary scene. Morris died on July 6, 1864, leaving behind a legacy of editorial and creative work that influenced many American writers and musicians.

George Pope Morris

Union.

George Pope Morris, Simple Poetry

Song of the Sewing-Machine

George Pope Morris, Simple Poetry

Grounds for Divorce.

George Pope Morris, Simple Poetry

Tis Now the Promised Hour. A Serenade.

George Pope Morris, Simple Poetry

English

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Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

The Dream of Love.

I've had the heart-ache many times,
At the mere mention of a name
I've never woven in my rhymes,
Though from it inspiration came.
It is in truth a holy thing,
Life-cherished from the world apart--
A dove that never tries its wing,
But broods and nestles in the heart.

That name of melody recalls
Her gentle look and winning ways
Whose portrait hangs on memory's walls,
In the fond light of other days.
In the dream-land of Poetry,
Reclining in its leafy bowers,
Her bright eyes in the stars I see,
And her sweet semblance in the flowers.

Her artless dalliance and grace--
The joy that lighted up her brow--
The sweet expression of her face--
Her form--it stands before me now!
And I can fancy that I hear
The woodland songs she used ...

George Pope Morris

The Little Bell

HOW weak is man! how changeable his mind!
His promises are naught, too oft we find;
I vowed (I hope in tolerable verse,)
Again no idle story to rehearse.
And whence this promise? - Not two days ago;
I'm quite confounded; better I should know:
A rhymer hear then, who himself can boast,
Quite steady for - a minute at the most.
The pow'rs above could PRUDENCE ne'er design;
For those who fondly court the SISTERS NINE.
Some means to please they've got, you will confess;
But none with certainty the charm possess.
If, howsoever, I were doomed to find
Such lines as fully would content the mind:
Though I should fail in matter, still in art;
I might contrive some pleasure to impart.

LET'S see what we are able to obtain: -
A bachelor resided in Touraine.
...

Jean de La Fontaine

To Isabel

A Beautiful Little Girl.

Fair as some sea-child, in her coral bower,
    Decked with the rare, rich treasures of the deep;
Mild as the spirit of the dream whose power
    Bears back the infant's soul to heaven, in sleep
Brightens the hues of summer's first-born flower
    Pure as the tears repentant mourners weep
O'er deeds to which the siren, Sin, beguiled, -
Art thou, sweet, smiling, bright-eyed cherub child.

Thy presence is a spell of holiness,
    From which unhallowed thoughts shrink blushing back, -
Thy smile is a warm light that shines to bless,
    As beams the beacon o'er the wanderer's track, -
Thy voice is music, at whose sounds Distress
    Unbinds her writhing victim from the rack
Of misery, and charmed by what she hears,
Forgets her w...

George W. Sands

Rosabel.

I miss thee from my side, beloved,
    I miss thee from my side;
And wearily and drearily
    Flows Time's resistless tide.
The world, and all its fleeting joys,
    To me are worse than vain,
Until I clasp thee to my heart,
    Beloved one, again.

The wildwood and the forest-path,
    We used to thread of yore,
With bird and bee have flown with thee,
    And gone for ever more!
There is no music in the grove,
    No echo on the hill;
But melancholy boughs are there--
    And hushed the whip-poor-will.

I miss thee in the town, beloved,
    I miss thee in the town;
From morn I grieve till dewy eve
    Spreads wide its mantle brown.
My spirit's wings, that once could soar
    In Fancy's world of air,
Are crushed and beat...

George Pope Morris

The Ball-Room Belle. (Music by horn.)

The moon and all her starry train
    Were fading from the morning sky,
When home the ball-room belle again
Returned, with throbbing pulse and brain,
    Flushed cheek and tearful eye.

The plume that danced above her brow,
    The gem that sparkled in her zone,
The scarf of spangled leaf and bough,
Were laid aside--they mocked her now,
    When desolate and lone.

That night how many hearts she won!
    The reigning belle, she could not stir,
But, like the planets round the sun,
Her suitors followed--all but one--
    One all the world to her!

And she had lost him!--Marvel not
    That lady's eyes with tears were wet!
Though love by man is soon forgot,
It never yet was woman's lot
    To love and to forget.

George Pope Morris

To The Marchioness Dowager Of Donegall.

FROM BERMUDA, JANUARY, 1804.


Lady! where'er you roam, whatever land
Woos the bright touches of that artist hand;
Whether you sketch the valley's golden meads,
Where mazy Linth his lingering current leads;^[1]
Enamored catch the mellow hues that sleep,
At eve, on Meillerie's immortal steep;
Or musing o'er the Lake, at day's decline,
Mark the last shadow on that holy shrine,^[2]
Where, many a night, the shade of Tell complains
Of Gallia's triumph and Helvetia's chains;
Oh! lay the pencil for a moment by,
Turn from the canvas that creative eye,
And let its splendor, like the morning ray
Upon a shepherd's harp, illume my lay.

Yet, Lady, no--for song so rude as mine,
Chase not the wonders of your art divine;
Still, radiant...

Thomas Moore