Identity

Sweetest of all childlike dreams
In the simple Indian lore
Still to me the legend seems
Of the shapes who flit before.

Flitting, passing, seen and gone,
Never reached nor found at rest,
Baffling search, but beckoning on
To the Sunset of the Blest.

From the clefts of mountain rocks,
Through the dark of lowland firs,
Flash the eyes and flow the locks
Of the mystic Vanishers!

And the fisher in his skiff,
And the hunter on the moss,
Hear their call from cape and cliff,
See their hands the birch-leaves toss.

Wistful, longing, through the green
Twilight of the clustered pines,
In their faces rarely seen
Beauty more than mortal shines.

Fringed with gold their mantles flow
On the slopes of westering knolls;
I...

One night I lingered in the wood
And saw a spirit-form that stood
Among the wildflowers. Like the dew
It twinkled; partly wind and scent;
Then down a moonbeam there it blew,
And like a gleam of water went.
Or was it but a dream that grew
Out of the wind and dew and scent.
Could I have seized it, made it mine,
As poets have the thought divine
Of Nature, then I too might know,
(Like them who once wild magic bound
Into their rhymes of long-ago),
Such ecstasy of earth around
As never yet held heart before
Or language for its beauty found.

In my garden three ways meet,
Thrice the spot is blest;
Hermit-thrush comes there to build,
Carrier-doves to nest.

There broad-armed oaks, the copses' maze,
The cold sea-wind detain;
Here sultry Summer overstays
When Autumn chills the plain.

Self-sown my stately garden grows;
The winds and wind-blown seed,
Cold April rain and colder snows
My hedges plant and feed.

From mountains far and valleys near
The harvests sown to-day
Thrive in all weathers without fear,--
Wild planters, plant away!

In cities high the careful crowds
Of woe-worn mortals darkling go,
But in these sunny solitudes
My quiet roses blow.

Methought the sky looked scornful down
On all was base in man,
And airy tongues did taunt the town,...

The memory of what we've lost
Is with us more than what we've won;
Perhaps because we count the cost
By what we could, yet have not done.

'Twixt act and purpose fate hath drawn
Invisible threads we can not break,
And puppet-like these move us on
The stage of life, and break or make.

Less than the dust from which we're wrought,
We come and go, and still are hurled
From change to change, from naught to naught,
Heirs of oblivion and the world.

As a pale phantom with a lamp
    Ascends some ruin's haunted stair,
So glides the moon along the damp
    Mysterious chambers of the air.

Now hidden in cloud, and now revealed,
    As if this phantom, full of pain,
Were by the crumbling walls concealed,
    And at the windows seen again.

Until at last, serene and proud
    In all the splendor of her light,
She walks the terraces of cloud,
    Supreme as Empress of the Night.

I look, but recognize no more
    Objects familiar to my view;
The very pathway to my door
    Is an enchanted avenue.

All things are changed.    One mass of shade,
    The elm-trees drop their curtains down;
By palace, park, and colonnade
    I walk as in a foreign town.

The very ground b...

Sweet, I blame you not, for mine the fault
was, had I not been made of common clay
I had climbed the higher heights unclimbed
yet, seen the fuller air, the larger day.

From the wildness of my wasted passion I had
struck a better, clearer song,
Lit some lighter light of freer freedom, battled
with some Hydra-headed wrong.

Had my lips been smitten into music by the
kisses that but made them bleed,
You had walked with Bice and the angels on
that verdant and enamelled mead.

I had trod the road which Dante treading saw
the suns of seven circles shine,
Ay! perchance had seen the heavens opening,
as they opened to the Florentine.

And the mighty nations would have crowned
me, who am crownless now and without name,
And some orient dawn...

Therefore I dare reveal my private woe,
The secret blots of my imperfect heart,
Nor strive to shrink or swell mine own desert,
Nor beautify nor hide.    For this I know,
That even as I am, thou also art.
Thou past heroic forms unmoved shalt go,
To pause and bide with me, to whisper low:
"Not I alone am weak, not I apart
Must suffer, struggle, conquer day by day.
Here is my very cross by strangers borne,
Here is my bosom-sun wherefrom I pray
Hourly deliverance - this my rose, my thorn.
This woman my soul's need can understand,
Stretching o'er silent gulfs her sister hand."

Night on the prairies;
The supper is over - the fire on the ground burns low;
The wearied emigrants sleep, wrapt in their blankets:
I walk by myself - I stand and look at the stars, which I think now I never realized before.

Now I absorb immortality and peace,
I admire death, and test propositions.

How plenteous! How spiritual! How resumé!
The same Old Man and Soul - the same old aspirations, and the same content.

I was thinking the day most splendid, till I saw what the not-day exhibited,
I was thinking this globe enough, till there sprang out so noiseless around me myriads of other globes.

Now, while the great thoughts of space and eternity fill me, I will measure myself by them;
And now, touch'd with the lives of other globes, arrived as far along as those o...

It is noontime, Senlin says, and a street piano
Strikes sharply against the sunshine a harsh chord,
And the universe is suddenly agitated,
And pain to my heart goes glittering like a sword.
Do I imagine it? The dust is shaken,
The sunlight quivers, the brittle oak-leaves tremble.
The world, disturbed, conceals its agitation;
And I, too, will dissemble.
Yet it is sorrow has found my heart,
Sorrow for beauty, sorrow for death;
And pain twirls slowly among the trees.
The street-piano revolves its glittering music,
The sharp notes flash and dazzle and turn,
Memory’s knives are in this sunlit silence,
They ripple and lazily burn.
The star on which my shadow falls is frightened,
It does not move; my trowel taps a stone,
The sweet note wavers amid derisive music...

(The poem shows the Master, with his work done, singing to free his heart in Heaven.)

This poem is intended to be half said, half sung, very softly, to the well-known tune: -

            "Last night I lay a-sleeping,
            There came a dream so fair,
            I stood in Old Jerusalem
            Beside the temple there, - " etc.

Yet this tune is not to be fitted on, arbitrarily.    It is here given to suggest the manner of handling rather than determine it.


                    # To be sung. #
    I heard Immanuel singing
    Within his own good lands,
    I saw him bend above his harp.
    I watched his wandering hands
    Lost amid the harp-strings;
    Sweet, sweet I heard him play.
    His wounds were altogether healed.
   ...

The Sky Line.

Like black fangs in a cruel ogre's jaw
    The grim piles lift against the sunset sky;
Down drops the night, and shuts the horrid maw--
    I listen, breathless, but there comes no cry.


Defeat.

He sits and looks into the west
    Where twilight gathers, wan and gray,
A knight who quit the Golden Quest,
    And flung Excalibur away.


To an Amazon.

O! twain in spirit, we shall know
    Thy like no more, so fierce, so mild,
One breast shorn clean to rest the bow,
    One milk-full for thy warrior child.


The Old Mother.

Life is like an old mother whom trouble and toil
Have sufficed the best part of her nature to spoil,
Whom her children, the Passions, so ...

I

I hear a voice, perchance I heard
Long ago, but all too low,
So that scarce a care it stirred
If the voice was real or no:
I heard it in my youth when first
The waters of my life outburst:
But now their stream ebbs faint, I hear
That voice, still low but fatal-clear
As if all Poets, God ever meant
Should save the world, and therefore lent
Great gifts to, but who, proud, refused
To do His work, or lightly used
Those gifts, or failed through weak endeavour,
So, mourn cast off by Him for ever,
As if these leaned in airy ring
To take me; this the song they sing.

‘Lost, lost! yet come,
With our wan troop make thy home.
Come, come! for we
Will not breathe, so much as breathe
Reproach to thee!
Knowing what thou sink’st bene...

What shall we talk of? Li Po? Hokusai?
You narrow your long dark eyes to fascinate me;
You smile a little. . . .Outside, the night goes by.
I walk alone in a forest of ghostly trees . . .
Your pale hands rest palm downwards on your knees.

‘These lines, converging, they suggest such distance!
The soul is drawn away, beyond horizons.
Lured out to what? One dares not think.
Sometimes, I glimpse these infinite perspectives
In intimate talk (with such as you) and shrink . . .

‘One feels so petty! One feels such, emptiness!’
You mimic horror, let fall your lifted hand,
And smile at me; with brooding tenderness . . .
Alone on darkened waters I fall and rise;
Slow waves above me break, faint waves of cries.

‘And then these colors . . . but who would dare ...

Of all the souls that stand create
I have elected one.
When sense from spirit files away,
And subterfuge is done;

When that which is and that which was
Apart, intrinsic, stand,
And this brief tragedy of flesh
Is shifted like a sand;

When figures show their royal front
And mists are carved away, --
Behold the atom I preferred
To all the lists of clay!

There is grey in your hair.
Young men no longer suddenly catch their breath
When you are passing;
But maybe some old gaffer mutters a blessing
Because it was your prayer
Recovered him upon the bed of death.
For your sole sake—that all heart’s ache have known,
And given to others all heart’s ache,
From meagre girlhood’s putting on
Burdensome beauty—for your sole sake
Heaven has put away the stroke of her doom,
So great her portion in that peace you make
By merely walking in a room.

Your beauty can but leave among us
Vague memories, nothing but memories.
A young man when the old men are done talking
Will say to an old man, ‘Tell me of that lady
The poet stubborn with his passion sang us
When age might well have chilled his blood.’

Vagu...

I
Her Courtesy


With the old kindness, the old distinguished grace
She lies, her lovely piteous head amid dull red hair
Propped upon pillows, rouge on the pallor of her face.
She would not have us sad because she is lying there,
And when she meets our gaze her eyes are laughter-lit,
Her speech a wicked tale that we may vie with her
Matching our broken-hearted wit against her wit,
Thinking of saints and of Petronius Arbiter.

II
Certain Artists bring her Dolls and Drawings




Bring where our Beauty lies
A new modelled doll, or drawing,
With a friend’s or an enemy’s
Features, or maybe showing
Her features when a tress
Of dull red hair was flowing
Over some silken dress
Cut in the Turkish fashion,
Or it may...

Why do we lie

’Why do we lie,’ she questioned, her warm eyes
on the grey Autumn wind and its coursing,
’all afternoon wasted in bed like this?’
’Because we cannot lie all night together.’
’Yes,’ she said, satisfied at my reasoning,
but going on to search her cruel mind
for better excuses to leave my narrow bed.

Too many flesh suppers

Abstracted in art,
in architecture,
in scholars’ detail;

absorbed by music,
by minutiae,
by sad trivia;

all to efface her,
whom I can forget
no more than breathing.

Theatregoer

Somewhere some nights she sees
curtains rise on those rites
we also knew and felt

I sit here desolate
in spite of company

Love is between people

And sho...

In Calling Forth and Strengthening the Imagination
in Boyhood and Early Youth

Wisdom and Spirit of the Universe!
Thou Soul, that art the Eternity of thought!
And giv'st to forms and images a breath
And everlasting motion! not in vain,
By day or star-light, thus from my first dawn
Of childhood didst thou intertwine for me
The passions that build up our human soul,
Not with the mean and vulgar works of man,
But with high objects, with enduring things,
With life and nature; purifying thus
The elements of feeling and of thought,
And sanctifying by such discipline
Both pain and fear, until we recognize
A grandeur in the beatings of the heart.
Nor was this fellowship vouchsafed to me
With stinted kindness. In November days,
When vapours rolling down ...