Cave Of Staffa

Ye shadowy Beings, that have rights and claims
In every cell of Fingal's mystic Grot,
Where are ye? Driven or venturing to the spot,
Our fathers glimpses caught of your thin Frames,
And, by your mien and bearing knew your names;
And they could hear 'his' ghostly song who trod
Earth, till the flesh lay on him like a load,
While he struck his desolate harp without hopes or aims.
Vanished ye are, but subject to recall;
Why keep 'we' else the instincts whose dread law
Ruled here of yore, till what men felt they saw,
Not by black arts but magic natural!
If eyes be still sworn vassals of belief,
Yon light shapes forth a Bard, that shade a Chief.

William Wordsworth

William Wordsworth was a major English Romantic poet who, with Samuel Taylor Coleridge, helped launch the Romantic Age in English literature with their joint publication 'Lyrical Ballads' in 1798. Born on April 7, 1770, Wordsworth's works are noted for their emphasis on the beauty of nature, the importance of emotion, and the value of the individual. His most famous work, 'The Prelude', is considered to be his masterpiece, which is a semi-autobiographical poem that he revised throughout his life.

William Wordsworth

The Unremitting Voice Of Nightly Streams

William Wordsworth, Simple Poetry

My Heart Leaps Up When I Behold

William Wordsworth, Simple Poetry

Inside Of King's College Chapel, Cambridge

William Wordsworth, Simple Poetry

The Complaint Of A Forsaken Indian Woman

William Wordsworth, Simple Poetry

English

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Cave Of Staffa

We saw, but surely, in the motley crowd,
Not One of us has felt the far-famed sight;
How 'could' we feel it? each the other's blight,
Hurried and hurrying, volatile and loud.
O for those motions only that invite
The Ghost of Fingal to his tuneful Cave
By the breeze entered, and wave after wave
Softly embosoming the timid light!
And by 'one' Votary who at will might stand
Gazing and take into his mind and heart,
With undistracted reverence, the effect
Of those proportions where the almighty hand
That made the worlds, the sovereign Architect,
Has deigned to work as if with human Art!

William Wordsworth

Cave Of Staffa - After The Crowd Had Departed

Thanks for the lessons of this Spot fit school
For the presumptuous thoughts that would assign
Mechanic laws to agency divine;
And, measuring heaven by earth, would overrule
Infinite Power. The pillared vestibule,
Expanding yet precise, the roof embowed,
Might seem designed to humble man, when proud
Of his best workmanship by plan and tool.
Down-bearing with his whole Atlantic weight
Of tide and tempest on the Structure's base,
And flashing to that Structure's topmost height,
Ocean has proved its strength, and of its grace
In calms is conscious, finding for his freight
Of softest music some reponsive place.

William Wordsworth

Memorials Of A Tour In Scotland 1814 - III. Effusion - In The Pleasure-Ground On The Banks Of The Bran, Near Dunkeld

What He who, 'mid the kindred throng
Of Heroes that inspired his song,
Doth yet frequent the hill of storms,
The stars dim-twinkling through their forms!
What! Ossian here, a painted Thrall,
Mute fixture on a stuccoed wall;
To serve, an unsuspected screen
For show that must not yet be seen;
And, when the moment comes, to part
And vanish by mysterious art;
Head, harp, and body, split asunder,
For ingress to a world of wonder;
A gay saloon, with waters dancing
Upon the sight wherever glancing;
One loud cascade in front, and lo!
A thousand like it, white as snow
Streams on the walls, and torrent-foam
As active round the hollow dome,
Illusive cataracts! of their terrors
Not stripped, nor voiceless in the mirrors,
That catch the pageant from the...

William Wordsworth

Written In A Blank Leaf Of Macpherson's Ossian

Oft have I caught, upon a fitful breeze,
Fragments of far-off melodies,
With ear not coveting the whole,
A part so charmed the pensive soul.
While a dark storm before my sight
Was yielding, on a mountain height
Loose vapours have I watched, that won
Prismatic colours from the sun;
Nor felt a wish that heaven would show
The image of its perfect bow.
What need, then, of these finished Strains?
Away with counterfeit Remains!
An abbey in its lone recess,
A temple of the wilderness,
Wrecks though they be, announce with feeling
The majesty of honest dealing.
Spirit of Ossian! if imbound
In language thou may'st yet be found,
If aught (entrusted to the pen
Or floating on the tongues of men,
Albeit shattered and impaired)
Subsist thy dignity to...

William Wordsworth

In The Sound Of Mull

Tradition, be thou mute! Oblivion, throw
Thy veil in mercy o'er the records, hung
Round strath and mountain, stamped by the ancient tongue
On rock and ruin darkening as we go,
Spots where a word, ghostlike, survives to show
What crimes from hate, or desperate love, have sprung;
From honour misconceived, or fancied wrong,
What feuds, not quenched but fed by mutual woe.
Yet, though a wild vindictive Race, untamed
By civil arts and labours of the pen,
Could gentleness be scorned by those fierce Men,
Who, to spread wide the reverence they claimed
For patriarchal occupations, named
Yon towering Peaks, "Shepherds of Etive Glen?"

William Wordsworth

Lachin Y Gair. [1]

1.

Away, ye gay landscapes, ye gardens of roses!
In you let the minions of luxury rove:
Restore me the rocks, where the snow-flake reposes,
Though still they are sacred to freedom and love:
Yet, Caledonia, belov'd are thy mountains,
Round their white summits though elements war:
Though cataracts foam 'stead of smooth-flowing fountains,
I sigh for the valley of dark Loch na Garr.


2.

Ah! there my young footsteps in infancy, wander'd:
My cap was the bonnet, my cloak was the plaid; ^[2]
On chieftains, long perish'd, my memory ponder'd,
As daily I strode through the pine-cover'd glade;
I sought not my home, till the day's dying glory
Gave place to the rays of the bright polar star;
For fancy was cheer'd, by traditional story,
...

George Gordon Byron