Cienfuegos

The white pin wheel of heat turns up the grasses' edge.
Some dried plant stalks shrivel,
then melt openly into layers of fire.
It is end - time for the community's Christmas trees.

Something akin to burnt offerings,
reluctant souls or
hedging captives kept alive
ghoulishly for some cannibal's feast;
this festival of crackling.


They have served their purpose, now.
Bound, no faggots need be applied.
Contumely, the quiet desperation darkens
the child's face.

The headlights rain down on Christmas' debris.
A hundred little fires as cigarette warnings
daub the night air.
The forest of smoke, canyon of the torch,
where black marauders poke the nostril.

Paul Cameron Brown

Paul Cameron Brown is a Canadian poet known for his extensive work in both poetry and art criticism. Born in western Canada, Brown has had a prolific career in writing, often intertwining themes of human experience and nature. His works have been showcased in various literary magazines and anthologies. With a style that is both reflective and evocative, he has gained recognition not only in Canada but also internationally.

Paul Cameron Brown

Ahoy

Paul Cameron Brown, Simple Poetry

Twinkling Of An Eye

Paul Cameron Brown, Simple Poetry

Slaughterhouse

Paul Cameron Brown, Simple Poetry

The Sandpit

Paul Cameron Brown, Simple Poetry

English

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Carnival And Lent

    Jungle, the cave
    human reservoir & cistern ... .
    quagmire and bog, but no alpine meadow,
    fairest glance of goodness in
    soiled wildflower under winter snows.

    Pebbles into a cesspool,
    our sometime passions alive
    in the outback where honey-fuelled
    ants soothe enemy bones.

    My blood, tempest-whipped,
    ardour drawn to the surface
    fathom marks the depths
    sees a spectacle on the roads
    queues/Carnival & Lent,
    unbridled raw and raging.
    Jesus would have nails.

    Poison darts,
    liana and mangrove sounds
    with footsteps in the distance
    the blow-gun or bolo knife
    attache case / cellular phone ...
    "I'll kick your teeth down
    your throa...

Paul Cameron Brown

Presence Of Mind

    Spring heralds the summer with lilacs perched from that door.

    In snows, a swarm of bushes lie black and apparently rootless as the town's iron-gate bridge collapses under the centre part of the main road.

    Little enclaves of activity pass as stores, mere centrefolds across busy highway arteries this time of year.

    I am a grey fleck in my dark wool coat near the perimeter of a winding fence.

    The casual observer gives me half a chance to be seen in the deathless white, opaque coloured moonstone so still against the field's shores.

    A plaster river, her sides inserted with isle-dotted chunks, hands across a winter solstice tribal dance.

    Ostensibly, I poke the land from stylized limbo, a chalky substance disturbed with every movement's cough.

Paul Cameron Brown

Change

Just as this wood, cast on the snaky fire,
Crushes the curling heads till smoke is thickened
And the ash sinks beneath the billet's weight,
And then again the hissing heads are quickened:
Just as this wood, by fretful fangs new stung,
Glows angrily, then whitens in the grate
And slowly smouldering smoulders away,
And dies defeated every famished tongue
And nothing's left but a memory of heat
And the sunk crimson telling warmth was sweet:
Just as this wood, once green with Spring's swift fire
Dies to a pinch of ashes cold and gray....
Just as this wood----

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Candlelight In Black

    The ghosts are marmalade
    thin as rinds across toast
    or the Weeping Willow, whose
    green beard leans,
    crane-like, into a child's
    backyard.

    A Morning Cloak butterfly,
    maroon wet with the paint
    of morning, cat paws
    thin filament leaves
    astride a larder
    of memories.

    Dalliance with the past,
    smoke grey these architects
    of memory
    the privet hedge,
    lone pine tree,
    jet black caterpillar
    poised about a green
    carrot top trigger
    laced in emperor's gold
    like fathoms of the sea
    held ... in quiet repose.

Paul Cameron Brown

Blackamoor

    Breaking up -
    as in the cloissoné jar you dropped. . .
    little regard,
    a few brittle pieces scattered about the floor.
    Let's call it "shedding feelings". Expensive?
    There's always another humidor tucked away in
    the cranny of another antique shop; after all,
    a woman is only a woman
    although a fine, Cuban import
    is a worthy smoke.

    "What this country needs is a good 5¢ cigar".
    Panatellas?
    He might have added tight-fitting, long lasting.

    Nooks & crannies.
    Little things, your ways. Fruit fly (perhaps damsel wing)
    as symbol of perishability. My emblematic coat of arms.
    No season of regrets, rather
    snatch of minutes, the oasis span of a single candle.

    Who knows?...

Paul Cameron Brown

The Clearing That Is The Trees

    "They know they are going to the filth of numbers and laws,
    to the games anyone can play, and the work without fruit."
    Lorca

    I want to go walking in troubled marshes
    where cold gray coves leave off the mind
    and the scent of rushes twist the wind
    as fall covers dungeons of angry sparrows.

    I want to go quickly to troubled marshes,
    hear the squeak of brackish waters
    over crocks of sponge bubbles crabbing
    their surface.

    I desire stands of dead brush
    to wave in grave solemnity,
    whimpering little houses
    off forest glades to flicker
    out lamps with
    large dogs poised on verandahs
    like stone gargoyles.

    I want to handle anguish as if
    it were an interesti...

Paul Cameron Brown