Clyde's Water

The Text is from the Skene MS., but I have omitted the three final lines, which do not make a complete stanza, and, when compared with Scott's 'Old Lady's' version, are obviously corrupt. The last verse should signify that the mothers of Willie and Meggie went up and down the bank saying, 'Clyde's water has done us wrong!'

The ballad is better known as Willie and May Margaret.

The Story.--Willie refuses his mother's request to stay at home, as he wishes to visit his true-love. The mother puts her malison, or curse, upon him, but he rides off. Clyde is roaring, but Willie says, 'Drown me as I come back, but spare me as I go,' which is Martial's

'Parcite dum propero, mergite cum redeo,'

and occurs in other English broadsides. Meggie will not admit Willie, and he rides away. Meggie awakes, and learns that she has dismissed her true-love in her sleep. Our ballad is deficient here, but it is obvious from st. 19 that both lovers are drowned. We must understand, therefore, that Meggie follows Willie across Clyde. A variant of the ballad explains that she found him 'in the deepest pot' in all Clyde's water, and drowned herself.

Child notes that there is a very popular Italian ballad of much the same story, except that the mother's curse is on the girl and not the man.

There is a curious change in the style of spelling from stanza 15 to the end.

CLYDE'S WATER

1.
'Ye gie corn unto my horse,
An' meat unto my man,
For I will gae to my true-love's gates
This night, gin that I can.'

2.
'O stay at hame this ae night, Willie,
This ae bare night wi' me;
The best bed in a' my house
Sall be well made to thee.'

3.
'I carena for your beds, mither,
I carena ae pin,
For I'll gae to my love's gates
This night, gin I can win.'

4.
'O stay, my son Willie, this night,
This ae night wi' me;
The best hen in a' my roost
Sall be well made ready for thee.'

5.
'I carena for your hens, mither,
I carena ae pin;
I sall gae to my love's gates
This night, gin I can win.'

6.
'Gin ye winna stay, my son Willie,
This ae bare night wi' me,
Gin Clyde's water be deep and fu' o' flood,
My malisen drown ye!'

7.
He rode up yon high hill,
An' down yon dowie glen;
The roaring o' Clyde's water
Wad hae fleyt ten thousand men.

8.
'O spare me, Clyde's water,
O spare me as I gae!
Mak me your wrack as I come back,
But spare me as I gae!'

9.
He rade in, and farther in,
Till he came to the chin;
And he rade in, and farther in,
Till he came to dry lan'.

10.
And whan he came to his love's gates,
He tirled at the pin.
'Open your gates, Meggie,
Open your gates to me,
For my beets are fu' o' Clyde's water,
And the rain rains oure my chin.'

11.
'I hae nae lovers therout,' she says,
'I hae nae love within;
My true-love is in my arms twa,
An' nane will I lat in.'

12.
'Open your gates, Meggie, this ae night,
Open your gates to me;
For Clyde's water is fu' o' flood,
An' my mither's malison'll drown me.'

13.
'Ane o' my chamers is fu' o' corn,' she says,
'An' ane is fu' o' hay;
Anither is fu' o' gentlemen,
An' they winna move till day.'

14.
Out waked her May Meggie,
Out o' her drousy dream:
'I dreamed a dream sin the yestreen,
(God read a' dreams to guid!)
That my true-love Willie
Was standing at my bed-feet.'

15.
'Now lay ye still, my ae dochter,
An' keep my back fra the call',
For it's na the space of hafe an hour
Sen he gad fra yer hall'.'

16.
'An' hey, Willie, an' hoa, Willie,
Winne ye turn agen?'
But ay the louder that she crayed
He rod agenst the wind.

17.
He rod up yon high hill,
An' doun yon douey den;
The roring that was in Clide's water
Wad ha' flayed ten thousand men.

18.
He road in, an' farder in,
Till he came to the chine;
An' he road in, an' farder in,
Bat never mare was seen.

... ... ...

19.
Ther was na mare seen of that guid lord
Bat his hat frae his head;
There was na mare seen of that lady
Bat her comb an' her sneed.

... ... ...

Frank Sidgwick

Frank Sidgwick was an English writer, publisher, and scholarly editor. He was instrumental in popularizing ballad and folklore studies in the early 20th century. Sidgwick co-founded the publishing company Sidgwick & Jackson, which became known for its contributions to literature and scholarship. Though not primarily known as a poet, his editorial and publishing efforts significantly impacted the literary culture of his time, emphasizing the academic study of traditional songs and verses.

Frank Sidgwick

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English

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WILLIE'S FATAL VISIT

    1.
    'Twas on an evening fair I went to take the air,
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Willie's Lady

The Text is from the lost Fraser-Tytler-Brown MS., this ballad luckily having been transcribed before the MS. disappeared. Mrs. Brown recited another and a fuller version to Jamieson.


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The Story of the ballad as here told is nevertheless quite simple and straightforward. It is spoken in the first person by the daughter of the Earl of Mar. (She also says she is sister to the Duke of York, 7.4, a person often introduced into ballads.) Blacklaywood, the lady complains, has spoken calumniously of her to her lord, and she leaves him, saying farewell to her children, and taking her youngest son with her.

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Fair Annie Of Rough Royal

'Ouvre ta port', Germin', c'est moi qu'est ton mari.'
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        --Germaine.


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The Text.--There is only one text of this ballad, and that was printed by Scott in the Minstrelsy from 'tradition in the West Borders'; he adds that 'some conjectural emendations have been absolutely necessary,' a remark suspicious in itself; and such modernities as the double rhymes in 26.3, 28.3, etc., do not restore confidence.


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The Clerk's Twa Sons O' Owsenford, And The Wife Of Usher's Well

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