Corinna

When to her lute Corinna sings,
Her voice revives the leaden strings,
And doth in highest notes appear
As any challenged echo clear.
But when she doth of mourning speak,
Even with her sighs the strings do break.

And as her lute doth live or die;
Led by her passion, so must I.
For when of pleasure she doth sing,
My thoughts enjoy a sudden spring;
But if she doth of sorrow speak,
Even from my heart the strings do break.

Thomas Campion

Thomas Campion was an English composer, poet, and physician, renowned for his lute songs, masques, and influential musical and literary theories. He published several collections of songs, both solo and in collaboration, and his work was characterized by its technical innovation and expressive depth. Besides music, he authored influential treatises on music theory and poetics, including 'A Book of Ayres' and 'Observations in the Art of English Poesy'. His works reflect the fusion of Renaissance music and literature.

Thomas Campion

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English

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Hush, Sweet Lute.

Hush, sweet Lute, thy songs remind me
    Of past joys, now turned to pain;
Of ties that long have ceased to bind me,
    But whose burning marks remain.
In each tone, some echo falleth
    On my ear of joys gone by;
Every note some dream recalleth
    Of bright hopes but born to die.

Yet, sweet Lute, though pain it bring me,
    Once more let thy numbers thrill;
Tho' death were in the strain they sing me,
    I must woo its anguish still.
Since no time can e'er recover
    Love's sweet light when once 'tis set,--
Better to weep such pleasures over,
    Than smile o'er any left us yet.

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Follow Your Saint

Follow your saint, follow with accents sweet;
Haste you, sad notes, fall at her flying feet.
There, wrapp'd in cloud of sorrow, pity move,
And tell the ravisher of my soul I perish for her love:
But if she scorns my never-ceasing pain,
Then burst with sighing in her sight and ne'er return again.

All that I sung still to her praise did tend,
Still she was first; still she my songs did end;
Yet she my love and music both doth fly,
The music that her echo is and beauty's sympathy.
Then let my notes pursue her scornful flight:
It shall suffice that they were breath'd and died for her delight.

Thomas Campion

To .......

Come, take thy harp--'tis vain to muse
    Upon the gathering ills we see;
Oh! take thy harp and let me lose
    All thoughts of ill in hearing thee.

Sing to me, love!--Though death were near,
    Thy song could make my soul forget--
Nay, nay, in pity, dry that tear,
    All may be well, be happy yet.

Let me but see that snowy arm
    Once more upon the dear harp lie,
And I will cease to dream of harm,
    Will smile at fate, while thou art nigh.

Give me that strain of mournful touch
    We used to love long, long ago,
Before our hearts had known as much
    As now, alas! they bleed to know.

Sweet notes! they tell of former peace,
    Of all that looked so smiling then,
Now vanished, lost--oh, pray thee cease,
    I canno...

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My Heart And Lute.

I give thee all--I can no more--
    Tho' poor the offering be;
My heart and lute are all the store
    That I can bring to thee.
A lute whose gentle song reveals
    The soul of love full well;
And, better far, a heart that feels
    Much more than lute could tell.

Tho' love and song may fail, alas!
    To keep life's clouds away,
At least 'twill make them lighter pass,
    Or gild them if they stay.
And even if Care at moments flings
    A discord o'er life's happy strain,
Let Love but gently touch the strings,
    'Twill all be sweet again!

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My Gentle Harp.

My gentle harp, once more I waken
    The sweetness of thy slumbering strain;
In tears our last farewell was taken,
    And now in tears we meet again.
No light of joy hath o'er thee broken,
    But, like those Harps whose heavenly skill
Of slavery, dark as thine, hath spoken,
    Thou hang'st upon the willows still.

And yet, since last thy chord resounded,
    An hour of peace and triumph came,
And many an ardent bosom bounded
    With hopes--that now art turned to shame.
Yet even then, while Peace was singing
    Her halcyon song o'er land and sea,
Tho' joy and hope to others bringing,
    She only brought new tears to thee.

Then, who can ask for notes of pleasure,
    My drooping Harp, from chords like thine?
Alas, the lark's gay morni...

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Remembrance.[A]

You bid the minstrel strike the lute,
And wake once more a soothing tone
Alas! its strings, untuned, are mute,
Or only echo moan for moan.

The flowers around it twined are dead,
And those who wreathed them there, are flown;
The spring that gave them bloom is fled,
And winter's frost is o'er them thrown.

Poor lute! forgot 'mid strife and care,
I fain would try thy strings once more,
Perchance some lingering tone is there
Some cherished melody of yore.

If flowers that bloom no more are here,
Their odors still around us cling
And though the loved are lost-still dear,
Their memories may wake the string.

I strike but lo, the wonted thrill,
Of joy in sorrowing cadence dies:
Alas! the minstrel's hand is chill,
And the sad lute, ...

Samuel Griswold Goodrich