Could I But Mention But Thy Name;

    Could I but strike - a sweeter note
    Than all from virgin choirs that float,
        Or harps with cords of gold;
    A note more soft and more sublime
    Than she, the sweetest of the Nine,
        Euterpe's strains unfold!

    The note which even now I hear
    (For angels breathe it in my ear)
        But never dared to raise -
    Could I but mention but thy name,
    To whom I owe this sacred flame
        And love's inspired lays!

    Ah! then, methinks, when I should hear
    My Muse employ that word so dear;
        When thoughts of thee inspire;
    In sweeter strains my song should swell
    Than e'er from harp of Orpheus fell
        Or Phoebus' full-stringed lyre!

W. M. MacKeracher

W. M. MacKeracher was a poet known for his contributions to Canadian literature during the early 20th century. His works often focused on themes of nature, human emotion, and the simplicity of rural life. Though not as widely known as some of his contemporaries, MacKeracher's poetry has been appreciated for its lyrical quality and depth. Much of his work was published in regional journals and anthologies, capturing the essence of Canadian landscapes and the human experience within them. His exact birth and death dates remain obscure.

W. M. MacKeracher

A Day Redeemed.

W. M. MacKeracher, Simple Poetry

Idleness.

W. M. MacKeracher, Simple Poetry

Sonnet to Asterie.

W. M. MacKeracher, Simple Poetry

Tim O'Gallagher.

W. M. MacKeracher, Simple Poetry

English

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Ode to Apollo

Tandem venias precamur
Nube candentes humeros amictus
Augur Apollo.


Lord of the golden lyre
Fraught with the Dorian fire,
Oh! fair-haired child of Leto, come again;
And if no longer smile
Delphi or Delos isle,
Come from the depth of thine Aetnean glen,
Where in the black ravine
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Of waters writhing far from mortals ken;
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And bring thy train divine,
The sweet-voiced and immortal violet-crownèd Nine.

For here are richer meads,
And here are goodlier steeds
Than ever graced the glorious land of Greece;
Here waves the yellow corn,
Here is the olive born,
The gray-green gracious harbinger of peace;
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In Anticipation Of Autumn.

But now the Summer hastens to its close,
And soon will Song a different aspect wear,
Sweeping terrific, clad in ghostly snows,
And lit by the flash of the Boreal glare,
Or, but a poet in his easy chair;
And her most pleasing aspect now beguiles
What time is hers with deft, endearing air:
With gorgeous gold she decks her garments, whiles
Her melancholy face with Indian Summer smiles.

Thy very smile sends sadness to my heart.
Farewell! sweet love, the happy hour is o'er:
Too well I knew that we again must part.
Her garments trail the fond, reluctant floor.
But I shall ne'er forget the dress she wore,
Her looks, her words, the pleasing song she sung -
'Tis melody will charm me more and more,
'Tis music that will keep my spirit young,
'Tis joyance in my...

W. M. MacKeracher

To The Marchioness Dowager Of Donegall.

FROM BERMUDA, JANUARY, 1804.


Lady! where'er you roam, whatever land
Woos the bright touches of that artist hand;
Whether you sketch the valley's golden meads,
Where mazy Linth his lingering current leads;^[1]
Enamored catch the mellow hues that sleep,
At eve, on Meillerie's immortal steep;
Or musing o'er the Lake, at day's decline,
Mark the last shadow on that holy shrine,^[2]
Where, many a night, the shade of Tell complains
Of Gallia's triumph and Helvetia's chains;
Oh! lay the pencil for a moment by,
Turn from the canvas that creative eye,
And let its splendor, like the morning ray
Upon a shepherd's harp, illume my lay.

Yet, Lady, no--for song so rude as mine,
Chase not the wonders of your art divine;
Still, radiant...

Thomas Moore

Beloved Name.

("Le parfum d'un lis.")

[Bk. V. xiii.]


The lily's perfume pure, fame's crown of light,
The latest murmur of departing day,
Fond friendship's plaint, that melts at piteous sight,
The mystic farewell of each hour at flight,
The kiss which beauty grants with coy delay, -

The sevenfold scarf that parting storms bestow
As trophy to the proud, triumphant sun;
The thrilling accent of a voice we know,
The love-enthralled maiden's secret vow,
An infant's dream, ere life's first sands be run, -

The chant of distant choirs, the morning's sigh,
Which erst inspired the fabled Memnon's frame, -
The melodies that, hummed, so trembling die, -
The sweetest gems that 'mid thought's treasures lie,
Have naught of sweetness that can match HER N...

Victor-Marie Hugo

Canzone VIII.

Perchè la vita è breve.

IN PRAISE OF LAURA'S EYES: THE DIFFICULTY OF HIS THEME.


    Since human life is frail,
And genius trembles at the lofty theme,
I little confidence in either place;
But let my tender wail
There, where it ought, deserved attention claim,
That wail which e'en in silence we may trace.
O beauteous eyes, where Love doth nestling stay!
To you I turn my insufficient lay,
Unapt to flow; but passion's goad I feel:
And he of you who sings
Such courteous habit by the strain is taught,
That, borne on amorous wings,
He soars above the reach of vulgar thought:
Exalted thus, I venture to reveal
What long my cautious heart has labour'd to conceal.

Yes, well do I perceive
To you how wrongful is my scanty praise;

Francesco Petrarca

On Seeing A Needlecase In The Form Of A Harp - The Work Of E.M.S.

Frowns are on every Muse's face,
Reproaches from their lips are sent,
That mimicry should thus disgrace
The noble Instrument.

A very Harp in all but size!
Needles for strings in apt gradation!
Minerva's self would stigmatize
The unclassic profanation.

Even her 'own' needle that subdued
Arachne's rival spirit,
Though wrought in Vulcan's happiest mood,
Such honour could not merit.

And this, too, from the Laureate's Child,
A living lord of melody!
How will her Sire be reconciled
To the refined indignity?

I spake, when whispered a low voice,
"Bard! moderate your ire;
Spirits of all degrees rejoice
In presence of the lyre.

The Minstrels of Pygmean bands,
Dwarf Genii, moonlight-loving Fays,
Have shells to f...

William Wordsworth