Countess II

    Imagining the smoke burnt
    imprint of a tatoo
    with tapers flickering,
    the bejewelled gaze a dragon's snout
    must bring
    or the serpent coil, crimson flame
    curl of dashing cobra,
    its very fangs drawing
    lifeblood from the fleshy
    perch in smooth, red scorching.

    On the pectorals of a sailor.
    Perhaps whiplash of the granite waves,
    grim trucker with a "Mother"
    grasping chains
    that see burly sandbags in place -
    hirsute biker, cords of
    hair lashing his tattooed lady
    the lavender caress of scar
    with implant that
    of the chopper itself,
    her fleshy buttocks
    careening off the road.

Paul Cameron Brown

Paul Cameron Brown is a Canadian poet known for his extensive work in both poetry and art criticism. Born in western Canada, Brown has had a prolific career in writing, often intertwining themes of human experience and nature. His works have been showcased in various literary magazines and anthologies. With a style that is both reflective and evocative, he has gained recognition not only in Canada but also internationally.

Paul Cameron Brown

Resignation

Paul Cameron Brown, Simple Poetry

Reading The Tides: Petroglyph Park

Paul Cameron Brown, Simple Poetry

Tickings Of A Clock

Paul Cameron Brown, Simple Poetry

Casting Rocks

Paul Cameron Brown, Simple Poetry

English

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Skin

    Her emerald top
    phosphorescent candy glow
    stick candy,
    sno' cane -
    floss like
    the mane revealed beneath,
    spun hair matted/woven into
    icicle lengths & pubis mink.

    Her presence as a monk sliding
    under a cowl, jet-black velvet
    or midnight eye-liner shadow
    knotting strands of dark.

    She comes on waves -
    candelabra is a name
    deft movement of finger
    caressing storm, bare legs
    shining wet street lamps
    decantered ambered wine.

    Cigarette floating between lips,
    uncharted voyage of the smile
    where puffs of smoke
    are parrots' wings,
    incandescent show-girls
    in novelty across the flame.

Paul Cameron Brown

Tank-Top

    I was playing sonatas on your skin -
    no beauty & the beast scenario
    though the Tower pulchritude was intact
    with enough purple agape grape leaves
    and ivy for a fig-leaved Eve
    with wind wet at the windows
    (and later the willows),
    where gravelly, cloven hooves became party
    to my thoughts; for you,
    blessed with a triangular patch,
    - and something like strawberry -
    lay moist & woven into strict tapestry
    like a mantle covering
    abrupt oasis of skin
    (the better to peer in).

    I scaled the heights
    not castle vaults, mind you,
    but the elevator shaft and draw-bridge equivalent
    of a white charger -
    fierce visor in place
    - armour gleaming -
    a sabre ...

Paul Cameron Brown

Countess

    The pig's head omelette -
    something akin to a tatoo
    buried squarely on the upper
    torso of the man
    wielding an axe,
    chopping wood.
    Shoulders drooped,
    the bizarre rendition
    had a female
    counterpart
    - a snake, fitted like a
    fish-net stocking,
    coating the upper leg of
    the dancer writhing to music,
    so soporific,
    near the copper shield
    of the table,
    ever-molten ash,
    air-borne with the foetid smear
    & puff of cigarette smoke.

Paul Cameron Brown

Moonrock

    She wears a cat encrusted T-shirt
    & panties with L*O*V*E
    guarding the Paradise door
    & when balm of night
    casts shadows,
    her face is moonrock
    distant to mysterious
    down storybook crags;
    her darling form cloaked
    in twilight garments
    of an inky earth.

    Gates of Venus,
    . . . as if feline whiskers
    whispered, wan cat eyes
    in amber dark glowed pale honey
    in alchemy or blur of soft movement
    was caress to stars' elopement
    with the sky.

    This woman summons fire,
    stokes furnaces to quicken parchment leaves
    of flame-thick desire,
    honed soft on ripples
    skin tones were curvaceous
    drift of oars, vivacious breast on buttock's

Paul Cameron Brown

Offerings (A Movement In Four Parts)

The night is folly without the moon,
trees blank space against a frontal sky
where lattice work from a bled fish reveals
skeletal markings will not administer
the red jack of hearts to a mistress sea.

Most fickle, the ways of a cockroach
(I don't recommend them) to offerings
of white linen, cold squares atop
a stone diamonded floor.

Palaver shacks drone in ghostly light
communicating some message about eel runs
up the black river, the equivalent brush
of tombstones against dark nightsoil.

Tiny bars open as cubicles.
proverbial flashes of the coming evening,
haciendas to count every blessing.

The road to such places
snarls a dusty pleasure
and will heat thin blood
to boil in the daylight hours.

II

Swe...

Paul Cameron Brown

Shivaree

    These kettle bells.
    Is it the axe-murderer,
    with green garbage bag
    in the shadows?

    No. Green trees so thick
    their tops are folded hands
    or knotted knuckles
    to make perilous shrubbery
    by the garden wall.

    Yet this is a state of mind
    and shards of multi-coloured
    glass dot the top of stones.
    Interesting. Should a sociopath put
    out his shingle, come calling,
    a much under-estimated, rude uttering
    would take place.

    Still bees are active in the night air,
    not swarms, but a hum. Pleasant odours waft
    thru stiller air. There is no charged electricity
    to things, no tautness or leathery tightness to
    individual seconds. Still and stricken still.

Paul Cameron Brown