Dancing Adairs

Behold me, in my chiffon, gauze, and tinsel,
Flitting out of the shadow into the spotlight,
And into the shadow again, without a whisper!
Fireflys my name, I am evanescent.
Fireflys your name. You are evanescent.
But I follow you    as remorselessly as darkness,
And shut you in and enclose you, at last, and always,
Till you are lost, as a voice is lost in silence.
Till I am lost, as a voice is lost in silence. . .
Are you the one who would close so cool about me?
My fire sheds into and through you and beyond you:
How can your fingers hold me? I am elusive.
How can my fingers hold you? You are elusive?
Yes, you are flame, but I surround and love you,
Always extend beyond you, cool, eternal,
To take you into my hearts great void of silence.
You shut me into your hearts great void of silence. . .
O sweet and soothing end for a life of whirling!
Now I am still, whose life was mazed with motion.
Now I sink into you, for love of sleep.

Conrad Aiken

Conrad Aiken was an American poet, born on August 5, 1889. He was an influential figure in 20th-century American literature, known for his lyrical and psychological depth. Aiken's work often explored themes of identity, time, and the psychoanalytic. He also served as the Consultant in Poetry to the Library of Congress, a position now known as the U.S. Poet Laureate. He passed away on August 17, 1973.

Conrad Aiken

Senlin, A Biography: Part 02: His Futile Preoccupations - 03

Conrad Aiken, Simple Poetry

The House Of Dust: Part 03: 05: Melody In A Restaurant

Conrad Aiken, Simple Poetry

The House Of Dust: Part 04: 04: Counterpoint: Two Rooms

Conrad Aiken, Simple Poetry

The House Of Dust: Part 01: 08: The White Fog Creeps From The Cold Sea Over The City

Conrad Aiken, Simple Poetry

English

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How Is It That I Am Now So Softly Awakened

How is it that I am now so softly awakened,
My leaves shaken down with music?
Darling, I love you.
It is not your mouth, for I have known mouths before,
Though your mouth is more alive than roses,
Roses singing softly
To green leaves after rain.
It is not your eyes, for I have dived often in eyes,
Though your eyes, even in the yellow glare of footlights,
Are windows into eternal dusk.
Nor is it the live white flashing of your feet,
Nor your gay hands, catching at motes in the spotlight;
Nor the abrupt thick music of your laughter,
When, against the hideous backdrop,
With all its crudities brilliantly lighted,
Suddenly you catch sight of your alarming shadow,
Whirling and contracting.
How is it, then, that I am so keenly aware,
So sensitive to the sur...

Conrad Aiken

The House Of Dust: Part 03: 11: Conversation: Undertones

What shall we talk of? Li Po? Hokusai?
You narrow your long dark eyes to fascinate me;
You smile a little. . . .Outside, the night goes by.
I walk alone in a forest of ghostly trees . . .
Your pale hands rest palm downwards on your knees.

These lines, converging, they suggest such distance!
The soul is drawn away, beyond horizons.
Lured out to what? One dares not think.
Sometimes, I glimpse these infinite perspectives
In intimate talk (with such as you) and shrink . . .

One feels so petty! One feels such, emptiness!
You mimic horror, let fall your lifted hand,
And smile at me; with brooding tenderness . . .
Alone on darkened waters I fall and rise;
Slow waves above me break, faint waves of cries.

And then these colors . . . but who would dare ...

Conrad Aiken

The House Of Dust: Part 01: 06: Over The Darkened City, The City Of Towers

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the citys feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain wi...

Conrad Aiken

Senlin, A Biography: Part 02: His Futile Preoccupations - 08

The pale blue gloom of evening comes
Among the phantom forests and walls
With a mournful and rythmic sound of drums.
My heart is disturbed with a sound of myriad throbbing,
Persuasive and sinister, near and far:
In the blue evening of my heart
I hear the thrum of the evening star.
My work is uncompleted; and yet I hurry,
Hearing the whispered pulsing of those drums,
To enter the luminous walls and woods of night.
It is the eternal mistress of the world
Who shakes these drums for my delight.
Listen! the drums of the leaves, the drums of the dust,
The delicious quivering of this air!
I will leave my work unfinished, and I will go
With ringing and certain step through the laughter of chaos
To the one small room in the void I know.
Yesterday it was there,

Conrad Aiken

The House Of Dust: Part 04: 06: Cinema

As evening falls,
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live to-night, where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end. . . .

Take my arm, then, you or you or you,
And let us walk abroad on the solid air:
Look how the organists head, in silhouette,
Leans to the lamplit musics orange square! . . .
The dim-globed lamps illumine rows of faces,
Rows of hands and arms and hungry eyes,
They have hurried down from a myriad secret places,
From windy chambers next ...

Conrad Aiken

Evening Song Of Senlin

It is moonlight. Alone in the silence
I ascend my stairs once more,
While waves, remote in a pale blue starlight,
Crash on a white sand shore.
It is moonlight. The garden is silent.
I stand in my room alone.
Across my wall, from the far-off moon,
A rain of fire is thrown . . .

There are houses hanging above the stars,
And stars hung under a sea:
And a wind from the long blue vault of time
Waves my curtain for me . . .

I wait in the dark once more,
Swung between space and space:
Before my mirror I lift my hands
And face my remembered face.

Is it I who stand in a question here,
Asking to know my name? . . .
It is I, yet I know not whither I go,
Nor why, nor whence I came.

It is I, who awoke at dawn
And arose and d...

Conrad Aiken