Dawn

(From the train between Bologna and Milan, second class.)


Opposite me two Germans snore and sweat.
Through sullen swirling gloom we jolt and roar.
We have been here for ever: even yet
A dim watch tells two hours, two aeons, more.
The windows are tight-shut and slimy-wet
With a night's foetor. There are two hours more;
Two hours to dawn and Milan; two hours yet.
Opposite me two Germans sweat and snore. . . .

One of them wakes, and spits, and sleeps again.
The darkness shivers. A wan light through the rain
Strikes on our faces, drawn and white. Somewhere
A new day sprawls; and, inside, the foul air
Is chill, and damp, and fouler than before. . . .
Opposite me two Germans sweat and snore.

Rupert Brooke

Rupert Brooke was an English poet known for his idealistic war sonnets written during World War I. He was born on August 3, 1887, in Rugby, Warwickshire, England, and died on April 23, 1915, in the Aegean Sea, on his way to Gallipoli. Brooke's most famous work, 'The Soldier,' reflects his patriotism and the romanticism of war. Despite his early death, his poetry and poignant reflections on war left a lasting legacy in English literature.

Rupert Brooke

The Dead (II)

Rupert Brooke, Simple Poetry

Fragment

Rupert Brooke, Simple Poetry

The Old Vicarage, Grantchester

Rupert Brooke, Simple Poetry

English

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The Night Journey

Hands and lit faces eddy to a line;
The dazed last minutes click; the clamour dies.
Beyond the great-swung arc o' the roof, divine,
Night, smoky-scarv'd, with thousand coloured eyes

Glares the imperious mystery of the way.
Thirsty for dark, you feel the long-limbed train
Throb, stretch, thrill motion, slide, pull out and sway,
Strain for the far, pause, draw to strength again. . . .

As a man, caught by some great hour, will rise,
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Hands out, head back, agape and silent, move

Sure as a flood, smooth as a vast wind blowing;
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Home

I came back late and tired last night
Into my little room,
To the long chair and the firelight
And comfortable gloom.

But as I entered softly in
I saw a woman there,
The line of neck and cheek and chin,
The darkness of her hair,
The form of one I did not know
Sitting in my chair.

I stood a moment fierce and still,
Watching her neck and hair.
I made a step to her; and saw
That there was no one there.

It was some trick of the firelight
That made me see her there.
It was a chance of shade and light
And the cushion in the chair.

Oh, all you happy over the earth,
That night, how could I sleep?
I lay and watched the lonely gloom;
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Mummia

As those of old drank mummia
To fire their limbs of lead,
Making dead kings from Africa
Stand pandar to their bed;

Drunk on the dead, and medicined
With spiced imperial dust,
In a short night they reeled to find
Ten centuries of lust.

So I, from paint, stone, tale, and rhyme,
Stuffed love's infinity,
And sucked all lovers of all time
To rarify ecstasy.

Helen's the hair shuts out from me
Verona's livid skies;
Gypsy the lips I press; and see
Two Antonys in your eyes.

The unheard invisible lovely dead
Lie with us in this place,
And ghostly hands above my head
Close face to straining face;

Their blood is wine along our limbs;
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Under the nam...

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Flight

Voices out of the shade that cried,
And long noon in the hot calm places,
And children's play by the wayside,
And country eyes, and quiet faces,
All these were round my steady paces.

Those that I could have loved went by me;
Cool gardened homes slept in the sun;
I heard the whisper of water nigh me,
Saw hands that beckoned, shone, were gone
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For if my echoing footfall slept,
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Brought peace, and pursuit baffled quite,
Where between pine-woods dipped the way.
I turned, slipped in and out of sight.
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Sleeping Out: Full Moon

They sleep within. . . .
I cower to the earth, I waking, I only.
High and cold thou dreamest, O queen, high-dreaming and lonely.

We have slept too long, who can hardly win
The white one flame, and the night-long crying;
The viewless passers; the world's low sighing
With desire, with yearning,
To the fire unburning,
To the heatless fire, to the flameless ecstasy! . . .

Helpless I lie.
And around me the feet of thy watchers tread.
There is a rumour and a radiance of wings above my head,
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All the earth grows fire,
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Town And Country

Here, where love's stuff is body, arm and side
Are stabbing-sweet 'gainst chair and lamp and wall.
In every touch more intimate meanings hide;
And flaming brains are the white heart of all.

Here, million pulses to one centre beat:
Closed in by men's vast friendliness, alone,
Two can be drunk with solitude, and meet
On the sheer point where sense with knowing's one.

Here the green-purple clanging royal night,
And the straight lines and silent walls of town,
And roar, and glare, and dust, and myriad white
Undying passers, pinnacle and crown

Intensest heavens between close-lying faces
By the lamp's airless fierce ecstatic fire;
And we've found love in little hidden places,
Under great shades, between the mist and mire.

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