Despondency.

Slow figures in some live remorseless frieze,
The approaching days escapeless and unguessed,
With mask and shroud impenetrably dressed;
Time, whose inexorable destinies
Bear down upon us like impending seas;
And the huge presence of this world, at best
A sightless giant wandering without rest,
Agèd and mad with many miseries.

The weight and measure of these things who knows?
Resting at times beside life's thought-swept stream,
Sobered and stunned with unexpected blows,
We scarcely hear the uproar; life doth seem,
Save for the certain nearness of its woes,
Vain and phantasmal as a sick man's dream.

Archibald Lampman

Canadian Confederation poet Archibald Lampman, born in 1861, is often regarded as one of Canada's finest late 19th-century poets. Known for his nature-themed works, Lampman contributed significantly to the country's literary heritage. He published several collections, with "Among the Millet" and "Lyrics of Earth" being notable examples. Lampman's poetry reflects a deep appreciation for the Canadian landscape, making him a seminal figure in Canadian literature.

Archibald Lampman

June

Archibald Lampman, Simple Poetry

The Railway Station.

Archibald Lampman, Simple Poetry

Snowbirds

Archibald Lampman, Simple Poetry

Love-Wonder.

Archibald Lampman, Simple Poetry

English

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Music.

Move on, light hands, so strongly tenderly,
Now with dropped calm and yearning undersong,
Now swift and loud, tumultuously strong,
And I in darkness, sitting near to thee,
Shall only hear, and feel, but shall not see,
One hour made passionately bright with dreams,
Keen glimpses of life's splendour, dashing gleams
Of what we would, and what we cannot be.

Surely not painful ever, yet not glad,
Shall such hours be to me, but blindly sweet,
Sharp with all yearning and all fact at strife,
Dreams that shine by with unremembered feet,
And tones that like far distance make this life
Spectral and wonderful and strangely sad.

Archibald Lampman

The Autumn Waste

There is no break in all the wide grey sky,
Nor light on any field, and the wind grieves,
And talks of death. Where cold grey waters lie
Round greyer stones, and the new-fallen leaves
Heap the chill hollows of the naked woods,
A lisping moan, an inarticulate cry,
Creeps far among the charnel solitudes,
Numbing the waste with mindless misery.
In these bare paths, these melancholy lands,
What dream, or flesh, could ever have been young?
What lovers have gone forth with linkèd hands?
What flowers could ever have bloomed, what birds have sung?
Life, hopes, and human things seem wrapped away,
With shrouds and spectres, in one long decay.

Archibald Lampman

In October.

Along the waste, a great way off, the pines,
Like tall slim priests of storm, stand up and bar
The low long strip of dolorous red that lines
The under west, where wet winds moan afar.
The cornfields all are brown, and brown the meadows
With the blown leaves' wind-heapèd traceries,
And the brown thistle stems that cast no shadows,
And bear no bloom for bees.

As slowly earthward leaf by red leaf slips,
The sad trees rustle in chill misery,
A soft strange inner sound of pain-crazed lips,
That move and murmur incoherently;
As if all leaves, that yet have breath, were sighing,
With pale hushed throats, for death is at the door,
So many low soft masses for the dying
Sweet leaves that live no more.

Here I will sit upon this naked stone,
Draw my coat ...

Archibald Lampman

A Vision Of Twilight

By a void and soundless river
On the outer edge of space,
Where the body comes not ever,
But the absent dream hath place,
Stands a city, tall and quiet,
And its air is sweet and dim;
Never sound of grief or riot
Makes it mad, or makes it grim.

And the tender skies thereover
Neither sun, nor star, behold -
Only dusk it hath for cover, -
But a glamour soft with gold,
Through a mist of dreamier essence
Than the dew of twilight, smiles
On strange shafts and domes and crescents,
Lifting into eerie piles.

In its courts and hallowed places
Dreams of distant worlds arise,
Shadows of transfigured faces,
Glimpses of immortal eyes,
Echoes of serenest pleasure,
Notes of perfect speech that fall,
Through an air of endless leisure,<...

Archibald Lampman

Outlook.

Not to be conquered by these headlong days,
But to stand free: to keep the mind at brood
On life's deep meaning, nature's altitude
Of loveliness, and time's mysterious ways;
At every thought and deed to clear the haze
Out of our eyes, considering only this,
What man, what life, what love, what beauty is,
This is to live, and win the final praise.

Though strife, ill fortune and harsh human need
Beat down the soul, at moments blind and dumb
With agony; yet, patience - there shall come
Many great voices from life's outer sea,
Hours of strange triumph, and, when few men heed,
Murmurs and glimpses of eternity.

Archibald Lampman

The Better Day

Harsh thoughts, blind angers, and fierce hands,
That keep this restless world at strife,
Mean passions that, like choking sands,
Perplex the stream of life,

Pride and hot envy and cold greed,
The cankers of the loftier will,
What if ye triumph, and yet bleed?
Ah, can ye not be still?

Oh, shall there be no space, no time,
No century of weal in store,
No freehold in a nobler clime,
Where men shall strive no more?

Where every motion of the heart
Shall serve the spirit's master-call,
Where self shall be the unseen part,
And human kindness all?

Or shall we but by fits and gleams
Sink satisfied, and cease to rave,
Find love but in the rest of dreams,
And peace but in the grave?

Archibald Lampman