Ecclesiastical Sonnets - Part III. - I - I Saw The Figure Of A Lovely Maid

Part III. From the Restoration to the Present Times.


I saw the figure of a lovely Maid
Seated alone beneath a darksome tree,
Whose fondly-overhanging canopy
Set off her brightness with a pleasing shade.
No Spirit was she; 'that' my heart betrayed,
For she was one I loved exceedingly;
But while I gazed in tender reverie
(Or was it sleep that with my Fancy played?)
The bright corporeal presence, form and face
Remaining still distinct grew thin and rare,
Like sunny mist; at length the golden hair,
Shape, limbs, and heavenly features, keeping pace
Each with the other in a lingering race
Of dissolution, melted into air.

William Wordsworth

William Wordsworth was a major English Romantic poet who, with Samuel Taylor Coleridge, helped launch the Romantic Age in English literature with their joint publication 'Lyrical Ballads' in 1798. Born on April 7, 1770, Wordsworth's works are noted for their emphasis on the beauty of nature, the importance of emotion, and the value of the individual. His most famous work, 'The Prelude', is considered to be his masterpiece, which is a semi-autobiographical poem that he revised throughout his life.

William Wordsworth

Ecclesiastical Sonnets - Part III. - XXXII - Rural Ceremony

William Wordsworth, Simple Poetry

When I Have Borne In Memory

William Wordsworth, Simple Poetry

Lines

William Wordsworth, Simple Poetry

I Wandered Lonely As A Cloud

William Wordsworth, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Ecclesiastical Sonnets - Part II. - XXII - The Same Subject

The lovely Nun (submissive, but more meek
Through saintly habit than from effort due
To unrelenting mandates that pursue
With equal wrath the steps of strong and weak)
Goes forth unveiling timidly a cheek
Suffused with blushes of celestial hue,
While through the Convent's gate to open view
Softly she glides, another home to seek.
Not Iris, issuing from her cloudy shrine,
An Apparition more divinely bright!
Not more attractive to the dazzled sight
Those watery glories, on the stormy brine
Poured forth, while summer suns at distance shine,
And the green vales lie hushed in sober light!

William Wordsworth

Ecclesiastical Sonnets - Part III. - XL - Continued

Mine ear has rung, my spirit sunk subdued,
Sharing the strong emotion of the crowd,
When each pale brow to dread hosannas bowed
While clouds of incense mounting veiled the rood,
That glimmered like a pine-tree dimly viewed
Through Alpine vapours. Such appalling rite
Our Church prepares not, trusting to the might
Of simple truth with grace divine imbued;
Yet will we not conceal the precious Cross,
Like men ashamed: the Sun with his first smile
Shall greet that symbol crowning the low Pile:
And the fresh air of incense-breathing morn
Shall wooingly embrace it; and green moss
Creep round its arms through centuries unborn.

William Wordsworth

Ecclesiastical Sonnets - Part III. - XLIV - The Same

What awful perspective! while from our sight
With gradual stealth the lateral windows hide
Their Portraitures, their stone-work glimmers, dyed
In the soft chequerings of a sleepy light.
Martyr, or King, or sainted Eremite,
Whoe'er ye be, that thus, yourselves unseen,
Imbue your prison-bars with solemn sheen,
Shine on, until ye fade with coming Night!
But, from the arms of silence, list! O list!
The music bursteth into second life;
The notes luxuriate, every stone is kissed
By sound, or ghost of sound, in mazy strife;
Heart-thrilling strains, that cast, before the eye
Of the devout, a veil of ecstasy!

William Wordsworth

Ecclesiastical Sonnets - Part III. - XXII - Catechising

From Little down to Least, in due degree,
Around the Pastor, each in new-wrought vest,
Each with a vernal posy at his breast,
We stood, a trembling, earnest Company!
With low soft murmur, like a distant bee,
Some spake, by thought-perplexing fears betrayed;
And some a bold unerring answer made:
How fluttered then thy anxious heart for me,
Beloved Mother! Thou whose happy hand
Had bound the flowers I wore, with faithful tie:
Sweet flowers! at whose inaudible command
Her countenance, phantom-like, doth reappear:
O lost too early for the frequent tear,
And ill requited by this heartfelt sigh!

William Wordsworth

Ecclesiastical Sonnets - Part II. - VII - Continued

And what melodious sounds at times prevail!
And, ever and anon, how bright a gleam
Pours on the surface of the turbid Stream!
What heartfelt fragrance mingles with the gale
That swells the bosom of our passing sail!
For where, but on 'this' River's margin, blow
Those flowers of chivalry, to bind the brow
Of hardihood with wreaths that shall not fail?
Fair Court of Edward! wonder of the world!
I see a matchless blazonry unfurled
Of wisdom, magnanimity, and love;
And meekness tempering honourable pride;
The lamb is couching by the lion's side,
And near the flame-eyed eagle sits the dove.

William Wordsworth

Ecclesiastical Sonnets - Part I. - XXII - Continued

Methinks that to some vacant hermitage
'My' feet would rather turn to some dry nook
Scooped out of living rock, and near a brook
Hurled down a mountain-cove from stage to stage,
Yet tempering, for my sight, its bustling rage
In the soft heaven of a translucent pool;
Thence creeping under sylvan arches cool,
Fit haunt of shapes whose glorious equipage
Would elevate my dreams. A beechen bowl,
A maple dish, my furniture should be;
Crisp, yellow leaves my bed; the hooting owl
My night-watch: nor should e'er the crested fowl
From thorp or vill his matins sound for me,
Tired of the world and all its industry.

William Wordsworth