Epigram, Upon Seeing The Dilapidated State Of Bethlem Hospital.

Well with the purpose does the place agree;
For e'en the very house is crack'd, you see.

John Carr

No biography available

John Carr

Lines To Mrs. B ---- , At Bristol Hot Wells

John Carr, Simple Poetry

Lines Sent With Some Indian Rouge To Miss W ---- .

John Carr, Simple Poetry

Lines Written In A Cottage By The Sea-Side

John Carr, Simple Poetry

Lines To An Auricula, Belonging To ---- .

John Carr, Simple Poetry

English

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Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Inscriptions Written With A Pencil Upon A Stone In The Wall Of The House (An Outhouse), On The Island At Grasmere.

Rude is this Edifice, and Thou hast seen
Buildings, albeit rude, that have maintained
Proportions more harmonious, and approached
To closer fellowship with ideal grace.
But take it in good part:, alas! the poor
Vitruvius of our village had no help
From the great City; never, upon leaves
Of red Morocco folio, saw displayed,
In long succession, pre-existing ghosts
Of Beauties yet unborn, the rustic Lodge
Antique, and Cottage with verandah graced,
Nor lacking, for fit company, alcove,
Green-house, shell-grot, and moss-lined hermitage.
Thou see'st a homely Pile, yet to these walls
The heifer comes in the snow-storm, and here
The new-dropped lamb finds shelter from the wind.
And hither does one Poet sometimes row
His pinnace, a small vagrant barge, up-piled

William Wordsworth

In Hospital - II - Waiting

A square, squat room (a cellar on promotion),
Drab to the soul, drab to the very daylight;
Plasters astray in unnatural-looking tinware;
Scissors and lint and apothecary's jars.

Here, on a bench a skeleton would writhe from,
Angry and sore, I wait to be admitted:
Wait till my heart is lead upon my stomach,
While at their ease two dressers do their chores.

One has a probe - it feels to me a crowbar.
A small boy sniffs and shudders after bluestone.
A poor old tramp explains his poor old ulcers.
Life is (I think) a blunder and a shame.

William Ernest Henley

In Hospital - III - Interior

The gaunt brown walls
Look infinite in their decent meanness.
There is nothing of home in the noisy kettle,
The fulsome fire.

The atmosphere
Suggests the trail of a ghostly druggist.
Dressings and lint on the long, lean table -
Whom are they for?

The patients yawn,
Or lie as in training for shroud and coffin.
A nurse in the corridor scolds and wrangles.
It's grim and strange.

Far footfalls clank.
The bad burn waits with his head unbandaged.
My neighbour chokes in the clutch of chloral . . .
O, a gruesome world!

William Ernest Henley

A Man

(IN MEMORY OF H. OF M.)



I

In Casterbridge there stood a noble pile,
Wrought with pilaster, bay, and balustrade
In tactful times when shrewd Eliza swayed. -
On burgher, squire, and clown
It smiled the long street down for near a mile

II

But evil days beset that domicile;
The stately beauties of its roof and wall
Passed into sordid hands. Condemned to fall
Were cornice, quoin, and cove,
And all that art had wove in antique style.

III

Among the hired dismantlers entered there
One till the moment of his task untold.
When charged therewith he gazed, and answered bold:
"Be needy I or no,
I will not help lay low a house so fair!

IV

"Hunger is hard. But since the terms be such -
No wa...

Thomas Hardy

Satires Of Circumstances In Fifteen Glimpses - VI In The Cemetery

"You see those mothers squabbling there?"
Remarks the man of the cemetery.
One says in tears, ''Tis mine lies here!'
Another, 'Nay, mine, you Pharisee!'
Another, 'How dare you move my flowers
And put your own on this grave of ours!'
But all their children were laid therein
At different times, like sprats in a tin.

"And then the main drain had to cross,
And we moved the lot some nights ago,
And packed them away in the general foss
With hundreds more. But their folks don't know,
And as well cry over a new-laid drain
As anything else, to ease your pain!"

Thomas Hardy

King And John Streets (For Isabella Vacancy Crawford)

    When the shadows are hungry
    animals on walls
    and theatre goers are
    parliamentarians engaged
    in a repast or feast
    of words.
    the lone house stands
    as a stone shard or sliver
    about to disengage itself
    from the eye.

    For behind boulders of tenement
    walls and vines creeping
    to match the red brick of
    sumac and the parrot bill of fire escape stairs,
    I watch the building
    cylindrical in the darkness
    crouching thin air
    as if an awkward child
    were about to make strange
    for the dozenth time.

    There are few things to duplicate
    plaster held by the bite of wind,
    open poverty like lesions
    refusing to move.
    neglect that festers

Paul Cameron Brown