Epilogue To The Indian Queen.

    SPOKEN BY MONTEZUMA.

    You see what shifts we are enforced to try,
    To help out wit with some variety;
    Shows may be found that never yet were seen,
    'Tis hard to find such wit as ne'er has been:
    You have seen all that this old world can do,
    We therefore try the fortune of the new,
    And hope it is below your aim to hit
    At untaught nature with your practised wit:
    Our naked Indians, then, when wits appear,
    Would as soon choose to have the Spaniards here.
    'Tis true, you have marks enough, the plot, the show,
    The poet's scenes, nay, more, the painter's too;
    If all this fail, considering the cost,
    'Tis a true voyage to the Indies lost:
    But if you smile on all, then these designs,
    Like the imperfect treasure of our minds,
    Will pass for current wheresoe'er they go,
    When to your bounteous hands their stamps they owe.

John Dryden

John Dryden was an influential English poet, literary critic, translator, and playwright who was made England’s first Poet Laureate in 1668. His work dominated the literary life of Restoration England and he is seen as a major figure in the literary history of the period. Dryden's notable works include the satirical poem 'Absalom and Achitophel' and the mock-heroic 'Mac Flecknoe.'

John Dryden

Incantation In Oedipus.

John Dryden, Simple Poetry

Mac Flecknoe.[1]

John Dryden, Simple Poetry

A Song.

John Dryden, Simple Poetry

Prologue To The Rival Ladies.

John Dryden, Simple Poetry

English

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Songs In The "Indian Emperor."

I.

    Ah, fading joy! how quickly art thou past!
        Yet we thy ruin haste.
    As if the cares of human life were few,
        We seek out new:
    And follow Fate, which would too fast pursue.
    See how on every bough the birds express,
    In their sweet notes, their happiness.
    They all enjoy, and nothing spare;
    But on their mother Nature lay their care:
    Why then should man, the lord of all below,
        Such troubles choose to know,
    As none of all his subjects undergo?
    Hark, hark, the waters fall, fall, fall,
    And with a murmuring sound
    Dash, dash upon the ground,
        To gentle slumbers call.

II.

    I look'd, and saw within the book of fate,
        When many days did lour,
     ...

John Dryden

Prologue To The Indian Queen.

As the music plays a soft air, the curtain rises slowly and discovers an Indian boy and girl sleeping under two plantain-trees; and, when the curtain is almost up, the music turns into a tune expressing an alarm, at which the boy awakes, and speaks:


    BOY. Wake, wake, Quevira! our soft rest must cease,
    And fly together with our country's peace!
    No more must we sleep under plantain shade,
    Which neither heat could pierce, nor cold invade;
    Where bounteous nature never feels decay,
    And opening buds drive falling fruits away.

    QUE. Why should men quarrel here, where all possess
    As much as they can hope for by success?--
    None can have most, where nature is so kind,
    As to exceed man's use, though not his mind.

    BOY. By ancient p...

John Dryden

Epilogue To The Second Part Of The Conquest Of Granada.

    They who have best succeeded on the stage,
    Have still conform'd their genius to their age.
    Thus Jonson did mechanic humour show,
    When men were dull, and conversation low.
    Then comedy was faultless, but 'twas coarse:
    Cobb's tankard was a jest, and Otter's horse.
    And, as their comedy, their love was mean;
    Except, by chance, in some one labour'd scene,
    Which must atone for an ill-written play.
    They rose, but at their height could seldom stay.
    Fame then was cheap, and the first comer sped;
    And they have kept it since, by being dead.
    But, were they now to write, when critics weigh
    Each line, and every word, throughout a play,
    None of them, no not Jonson in his height,
    Could pass, without allowing grains for...

John Dryden

An Epilogue.

    You saw our wife was chaste, yet thoroughly tried,
    And, without doubt, ye are hugely edified;
    For, like our hero, whom we show'd to-day,
    You think no woman true, but in a play.
    Love once did make a pretty kind of show:
    Esteem and kindness in one breast would grow:
    But 'twas Heaven knows how many years ago.
    Now some small chat, and guinea expectation,
    Gets all the pretty creatures in the nation:
    In comedy your little selves you meet;
    'Tis Covent Garden drawn in Bridges Street.
    Smile on our author then, if he has shown
    A jolly nut-brown bastard of your own.
    Ah! happy you, with ease and with delight,
    Who act those follies, Poets toil to write!
    The sweating Muse does almost leave the chase;
    She pu...

John Dryden

Epilogue, Spoken By The Same.

(Prologue To The University Of Oxford, Spoken By Mr Hart, At The Acting Of "The Silent Woman.")


    No poor Dutch peasant, wing'd with all his fear,
    Flies with more haste, when the French arms draw near,
    Than we with our poetic train come down,
    For refuge hither, from the infected town:
    Heaven, for our sins, this summer has thought fit
    To visit us with all the plagues of wit.
    A French troop first swept all things in its way;
    But those hot Monsieurs were too quick to stay:
    Yet, to our cost, in that short time, we find
    They left their itch of novelty behind.
    The Italian Merry-Andrews took their place,
    And quite debauch'd the stage with lewd grimace:
    Instead of wit and humours, your delight
    Was there to see tw...

John Dryden

Epilogue To The Wild Gallant, When Revived.

    Of all dramatic writing, comic wit,
    As 'tis the best, so 'tis most hard to hit,
    For it lies all in level to the eye,
    Where all may judge, and each defect may spy.
    Humour is that which every day we meet,
    And therefore known as every public street;
    In which, if e'er the poet go astray,
    You all can point, 'twas there he lost his way.
    But, what's so common, to make pleasant too,
    Is more than any wit can always do.
    For 'tis like Turks, with hen and rice to treat;
    To make regalios out of common meat.
    But, in your diet, you grow savages:
    Nothing but human flesh your taste can please;
    And, as their feasts with slaughter'd slaves began,
    So you, at each new play, must have a man.
    Hither you come, as to ...

John Dryden