Evening.

What time the cricket unmolested sings,
And blundering beetles try their clumsy wings,
Leave me to meet the sweets of Even's hour
By hawthorn hedges when the May's in flower,
With light enough to guard my cautious tread,
As not to trample on the daisy's head,
Down beaten pathways of a wish'd extent,
Ev'n unimpeded by the bending bent
That, night and morning, bowing down with dew,
Sullies the brightness of the maiden's shoe.
There leave me musing 'neath the bow'ring ash,
Counting the knoll of bells, or spurting dash
Of muttering fountain-fall, with wild delight,
Till Even lose In the blank of Night.

John Clare

John Clare was an English poet known for his celebrations of the English countryside and lamentation of its disruption. Born in Helpston, Northamptonshire, Clare was initially a farm laborer. His poetry is characterized by its natural imagery and rustic language. Despite periods of fame during his period, Clare spent the later part of his life in an asylum due to mental health issues. His works gained greater recognition posthumously. Clare's major poem collections include "Poems Descriptive of Rural Life and Scenery" and "The Shepherd's Calendar."

John Clare

The Cottager

John Clare, Simple Poetry

Recollections After A Ramble.

John Clare, Simple Poetry

Hereafter.

John Clare, Simple Poetry

Farm Breakfast

John Clare, Simple Poetry

English

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The Evening Hours.

The sultry day it wears away,
And o'er the distant leas
The mist again, in purple stain,
Falls moist on flower and trees:
His home to find, the weary hind
Glad leaves his carts and ploughs;
While maidens fair, with bosoms bare,
Go coolly to their cows.

The red round sun his work has done,
And dropp'd into his bed;
And sweetly shin'd the oaks behind
His curtains fringed with red:
And step by step the night has crept,
And day, as loth, retires;
But clouds, more dark, night's entrance mark.
Till day's last spark expires.

Pride of the vales, the nightingales
Now charm the oaken grove;
And loud and long, with amorous tongue,
They try to please their love:
And where the rose reviving blows
Upon the swelter'd bower,
I'll take...

John Clare

Evening

'T is evening: the black snail has got on his track,
And gone to its nest is the wren,
And the packman snail, too, with his home on his back,
Clings to the bowed bents like a wen.

The shepherd has made a rude mark with his foot
Where his shadow reached when he first came,
And it just touched the tree where his secret love cut
Two letters that stand for love's name.

The evening comes in with the wishes of love,
And the shepherd he looks on the flowers,
And thinks who would praise the soft song of the dove,
And meet joy in these dew-falling hours.

For Nature is love, and finds haunts for true love,
Where nothing can hear or intrude;
It hides from the eagle and joins with the dove,
In beautiful green solitude.

John Clare

Evening

Tis evening; the black snail has got on his track,
And gone to its nest is the wren,
And the packman snail, too, with his home on his back,
Clings to the bowed bents like a wen.

The shepherd has made a rude mark with his foot
Where his shadow reached when he first came,
And it just touched the tree where his secret love cut
Two letters that stand for loves name.

The evening comes in with the wishes of love,
And the shepherd he looks on the flowers,
And thinks who would praise the soft song of the dove,
And meet joy in these dew-falling hours.

For Nature is love, and finds haunts for true love,
Where nothing can hear or intrude;
It hides from the eagle and joins with the dove,
In beautiful green solitude.

John Clare

Evening

In the meadow's silk grasses we see the black snail,
Creeping out at the close of the eve, sipping dew,
While even's one star glitters over the vale,
Like a lamp hung outside of that temple of blue.
I walk with my true love adown the green vale,
The light feathered grasses keep tapping her shoe;
In the whitethorn the nightingale sings her sweet tale,
And the blades of the grasses are sprinkled with dew.

If she stumbles I catch her and cling to her neck,
As the meadow-sweet kisses the blush of the rose:
Her whisper none hears, and the kisses I take
The mild voice of even will never disclose.
Her hair hung in ringlets adown her sweet cheek,
That blushed like the rose in the hedge hung with dew;
Her whisper was fragrance, her face was so meek--
The dove was the ...

John Clare

Night.

Night spreads upon the plain her ebon pall,
Day seems unable to wash out the stain;
A pausing truce kind nature gives to all,
And fairy nations now have leave to reign:
So may conjecturing Fancy think, and feign.
Doubtless in tiny legions, now unseen,
They venture from their dwellings once again:
From keck-stalk cavity, or hollow bean,
Or perfum'd bosom of pea-flower between,
They to the dark green rings now haste, to meet,
To dance, or pay some homage to their queen;
Or journey on, some pilgrim-friend to greet.
With rushy switch they urge some beetle's flight,
And ride to revel, ere 'tis morning-light.

John Clare

Summer Evening.

How pleasant, when the heat of day is bye,
And seething dew empurples round the hill
Of the horizon, sweeping with the eye
In easy circles, wander where we will!
While o'er the meadow's little fluttering rill
The twittering sunbeam weakens cool and dim,
And busy hum of flies is hush'd and still.
How sweet the walks by hedge-row bushes seem,
On this side wavy grass, on that the stream;
While dog-rose, woodbine, and the privet-spike,
On the young gales their rural sweetness teem,
With yellow flag-flowers rustling in the dyke;
Each mingling into each, a ceaseless charm
To every heart that nature's sweets can warm.

John Clare