Everything

Everythings looted, betrayed and traded,
black deaths wings overhead.
Everythings eaten by hunger, unsated,
so why does a light shine ahead?

By day, a mysterious wood, near the town,
breathes out cherry, a cherry perfume.
By night, on Julys sky, deep, and transparent,
new constellations are thrown.

And something miraculous will come
close to the darkness and ruin,
something no-one, no-one, has known,
though we've longed for it since we were children.

Anna Akhmatova

Anna Akhmatova, born Anna Andreyevna Gorenko, was a significant Russian poet whose work ranged from short lyric poems to intricately structured cycles, including her seminal long poem, Requiem. Her work often grappled with themes of love, suffering, and the trauma of living through the oppressive Soviet regime. Despite being censored and witnessing the persecution of her loved ones, she remained in Russia and became a symbolic figure of resistance and artistic integrity.

Anna Akhmatova

In Memory Of M. B.

Anna Akhmatova, Simple Poetry

And As It's Going...

Anna Akhmatova, Simple Poetry

Willow

Anna Akhmatova, Simple Poetry

March Elegy

Anna Akhmatova, Simple Poetry

English

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White Night

I haven't locked the door,
Nor lit the candles,
You don't know, don't care,
That tired I haven't the strength
To decide to go to bed.
Seeing the fields fade in
The sunset murk of pine-needles,
And to know all is lost,

That life is a cursed hell:
I've got drunk
On your voice in the doorway.
I was sure you'd come back.

Anna Akhmatova

March Elegy

I have enough treasures from the past
to last me longer than I need, or want.
You know as well as I . . . malevolent memory
won't let go of half of them:
a modest church, with its gold cupola
slightly askew; a harsh chorus
of crows; the whistle of a train;
a birch tree haggard in a field
as if it had just been sprung from jail;
a secret midnight conclave
of monumental Bible-oaks;
and a tiny rowboat that comes drifting out
of somebody's dreams, slowly foundering.
Winter has already loitered here,
lightly powdering these fields,
casting an impenetrable haze
that fills the world as far as the horizon.
I used to think that after we are gone
there's nothing, simply nothing at all.
Then who's that wandering by the porch
again and calling us by na...

Anna Akhmatova

Twenty-First. Night. Monday

Twenty-first. Night. Monday.
Silhouette of the capitol in darkness.
Some good-for-nothing -- who knows why--
made up the tale that love exists on earth.

People believe it, maybe from laziness
or boredom, and live accordingly:
they wait eagerly for meetings, fear parting,
and when they sing, they sing about love.

But the secret reveals itself to some,
and on them silence settles down...
I found this out by accident
and now it seems I'm sick all the time.

Anna Akhmatova

And As It's Going...

An as it's going often at love's breaking,
The ghost of first days came again to us,
The silver willow through window then stretched in,
The silver beauty of her gentle branches.
The bird began to sing the song of light and pleasure
To us, who fears to lift looks from the earth,
Who are so lofty, bitter and intense,
About days when we were saved together.

Anna Akhmatova

A November Wood-Walk.

Dead leaves are deep in all our forest walks;
    Their brightest tints not all extinguished yet,
    Shine redly glimmering through the dewy wet;
    And whereso'er thy musing foot is set,
The fragrant cool-wort lifts its emerald stalks.

How kindly nature wraps secure and warm,
    In the fallen mantle of her summer pride,
    These lovely tender things that peep and hide,
    Whom unawares thy curious eye hath spied,
For the long night of winter's frost and storm.

Still keeps the deer-berry its vivid green,
    Set in its glowing calyx like a gem;
    While hung above, a marvellous diadem
    Of tawny gold, the bittersweet's gray stem,
Strung with its globes of murky flame is seen.

The foot sinks ankle-deep in velvet moss,
    The shroud of...

Kate Seymour Maclean

The Coming Of Night.

How the old mountains drip with sunset,
And the brake of dun!
How the hemlocks are tipped in tinsel
By the wizard sun!

How the old steeples hand the scarlet,
Till the ball is full, --
Have I the lip of the flamingo
That I dare to tell?

Then, how the fire ebbs like billows,
Touching all the grass
With a departing, sapphire feature,
As if a duchess pass!

How a small dusk crawls on the village
Till the houses blot;
And the odd flambeaux no men carry
Glimmer on the spot!

Now it is night in nest and kennel,
And where was the wood,
Just a dome of abyss is nodding
Into solitude! --

These are the visions baffled Guido;
Titian never told;
Domenichino dropped the pencil,
Powerless to unfold.

Emily Elizabeth Dickinson