Expression.

Expression, throbbing utterance of the soul,
Born in some bard, when with the muses' fires
His feeling bursts unaw'd, above control,
And to the topmost height of heaven aspires,
Stealing the music of some angel's song
To tell of all he sees and all admires,
Which fancy's colours paint so sweet, so strong!--
And to far humbler scenes thou dost belong:
In Sorrow thou art warm, when speaking tears
Down some sad cheek in silence wail their wrong;
And, ah, most sweet, Expression, then appears
Thy smile of Gratitude, where bosoms bleed.
Though high the lofty poet's frenzy steers,
In nature's simplest garb thou'rt sweet indeed.

John Clare

John Clare was an English poet known for his celebrations of the English countryside and lamentation of its disruption. Born in Helpston, Northamptonshire, Clare was initially a farm laborer. His poetry is characterized by its natural imagery and rustic language. Despite periods of fame during his period, Clare spent the later part of his life in an asylum due to mental health issues. His works gained greater recognition posthumously. Clare's major poem collections include "Poems Descriptive of Rural Life and Scenery" and "The Shepherd's Calendar."

John Clare

Dewdrops

John Clare, Simple Poetry

Approaching Night

John Clare, Simple Poetry

To The Memory Of John Keats.

John Clare, Simple Poetry

Morning.

John Clare, Simple Poetry

English

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Sonnet, To Expression.

Expression, child of soul! I fondly trace
    Thy strong enchantments, when the poet's lyre,
    The painter's pencil catch thy sacred fire,
And beauty wakes for thee her touching grace -
But from this frighted glance thy form avert
    When horrors check thy tear, thy struggling sigh,
    When frenzy rolls in thy impassion'd eye,
Or guilt sits heavy on thy lab'ring heart -
Nor ever let my shudd'ring fancy bear
    The wasting groan, or view the pallid look
    Of him[A] the Muses lov'd - when hope forsook
His spirit, vainly to the Muses dear!
For charm'd with heav'nly song, this bleeding breast,
Mourns the blest power of verse could give despair no rest. -

[A]    Chatterton.

Helen Maria Williams

To Poesy.

O sweetly wild and 'witching Poesy!
Thou light of this world's hermitage I prove thee;
And surely none helps loving thee that knows thee,
A soul of feeling cannot help but love thee.
I would say how thy secret wonders move me,
Thou spell of loveliness!--but 'tis too much:
Had I the language of the gods above me
I might then venture thy wild harp to touch,
And sing of all thy thrilling pains and pleasures;
The flowers I meet in this world's wilderness;
The comforts rising from thy spell-bound treasures,
Thy cordial balm that softens my distress:
I would say all, but thou art far above me;
Words are too weak, expression can't be had;
I can but say I love, and dearly love thee,
And that thou cheer'st me when my soul is sad.

John Clare

Nature.

O simple Nature, how I do delight
To pause upon thy trifles--foolish things,
As some would call them.--On the summer night,
Tracing the lane-path where the dog-rose hings
With dew-drops seeth'd, while chick'ring cricket sings;
My eye can't help but glance upon its leaves,
Where love's warm beauty steals her sweetest blush,
When, soft the while, the Even silent heaves
Her pausing breath just trembling thro' the bush,
And then again dies calm, and all is hush.
O how I feel, just as I pluck the flower
And stick it to my breast--words can't reveal;
But there are souls that in this lovely hour
Know all I mean, and feel whate'er I feel.

John Clare

Autumn

Syren of sullen moods and fading hues,
Yet haply not incapable of joy,
Sweet Autumn! I thee hail
With welcome all unfeigned;

And oft as morning from her lattice peeps
To beckon up the sun, I seek with thee
To drink the dewy breath
Of fields left fragrant then,

In solitudes, where no frequented paths
But what thine own foot makes betray thine home,
Stealing obtrusive there
To meditate thy end;

By overshadowed ponds, in woody nooks,
With ramping sallows lined, and crowding sedge,
Which woo the winds to play,
And with them dance for joy;

And meadow pools, torn wide by lawless floods,
Where waterlilies spread their oily leaves,
On which, as wont, the fly
Oft battens in the sun;

Where leans the mossy willow half way...

John Clare

To Elia

Elia, thy reveries and visioned themes
To care's lorn heart a luscious pleasure prove;
Wild as the mystery of delightful dreams,
Soft as the anguish of remembered love:
Like records of past days their memory dances
Mid the cool feelings manhood's reason brings,
As the unearthly visions of romances
Peopled with sweet and uncreated things;--
And yet thy themes thy gentle worth enhances!
Then wake again thy wild harp's tenderest strings,
Sing on, sweet Bard, let fairy loves again
Smile in thy dreams, with angel ecstasies;
Bright over our souls will break the heavenly strain
Through the dull gloom of earth's realities.

John Clare

From "A Rhapsody"

Sweet solitude, what joy to be alone--
In wild, wood-shady dell to stay for hours.
Twould soften hearts if they were hard as stone
To see glad butterflies and smiling flowers.
Tis pleasant in these quiet lonely places,
Where not the voice of man our pleasure mars,
To see the little bees with coal black faces
Gathering sweets from little flowers like stars.

The wind seems calling, though not understood.
A voice is speaking; hark, it louder calls.
It echoes in the far-outstretching wood.
First twas a hum, but now it loudly squalls;
And then the pattering rain begins to fall,
And it is hushed--the fern leaves scarcely shake,
The tottergrass it scarcely stirs at all.
And then the rolling thunder gets awake,
And from black clouds the lightning flashes break.<...

John Clare