Good-Night

(After The Norwegian Of Rosencrantz Johnsen)

Midnight, and through the blind the moonlight stealing
On silver feet across the sleeping room,
Ah, moonlight, what is this thou art revealing -
Her breast, a great sweet lily in the gloom.

It is their bed, white little isle of bliss
In the dark wilderness of midnight sea, -
Hush! 'tis their hearts still beating from the kiss,
The warm dark kiss that only night may see.

Their cheeks still burn, they close and nestle yet,
Ere, with faint breath, they falter out good-night,
Her hand in his upon the coverlet
Lies in the silver pathway of the light.

(LILLEHAMMER, August 22, 1892.)

Richard Le Gallienne

Richard Le Gallienne was an English author and poet born on January 20, 1866. Known for his lyrical poetry, he was a key figure in the literary circles of the fin de siècle. He contributed to the literary magazine 'The Yellow Book' and was involved with the Rhymers' Club, an influential group of London-based poets. His works often explored themes of beauty, love, and nature. His influence extended to both sides of the Atlantic, and he spent the latter part of his life in the United States, where he continued to write until his death on September 15, 1947.

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English

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Good Night.

O slumber on, untaught to feel
The weight of care and sorrow's blight.
Here have I often loved to steal
And o'er thee breathe a soft "good night."

And gentle as thy beauty's ray
Be all the visions of thy dreams,
Thy years be joyous as to-day,
And life be always what it seems.

Ah, may it ne'er be thine to know
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May He above ordain it so,
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Now o'er thy cheek the smile betrays
Some sweetness in thy dreaming eye,
Alas that thou must wake and gaze
On things that cause thy breast a sigh!

So placid is thy pillow here,
'Tis sweet, indeed, to know thy peace,
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Night

I
FROM THE ITALIAN OF GIOVANNI STROZZI
Night, whom in shape so sweet thou here may'st see
Sleeping, was by an Angel sculptured thus
In marble, and since she sleeps hath life like us:
Thou doubt'st? Awake her: she will speak to thee.

II
FROM THE ITALIAN OF MICHELANGELO BUONARROTI
Sleep likes me well, and better yet to know
I am but stone. While shame and grief must be,
Good hap is mine, to feel not, nor to see:
Take heed, then, lest thou wake me: ah, speak low.

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Night

All from the light of the sweet moon
Tired men lie now abed;
Actionless, full of visions, soon
Vanishing, soon sped.

The starry night aflock with beams
Of crystal light scarce stirs:
Only its birds - the cocks, the streams,
Call 'neath heaven's wanderers.

All silent; all hearts still;
Love, cunning, fire fallen low:
When faint morn straying on the hill
Sighs, and his soft airs flow.

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In The Night

'Kiss me, dear Love!' -
But there was none to hear,
Only the darkness round about my bed
And hollow silence, for thy face had fled,
Though in my dreaming it had come so near.

I slept again and it came back to me,
Burning within the hollow arch of night
Like some fair flame of sacrificial light,
And all my soul sprang up to mix with thee -
'Kiss me, my love!
Ah, Love, thy face how fair!'
So did I cry, but still thou wert not there.

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In Harbour

I.

Goodnight and goodbye to the life whose signs denote us
As mourners clothed with regret for the life gone by;
To the waters of gloom whence winds of the dayspring float us
Goodnight and goodbye.

A time is for mourning, a season for grief to sigh;
But were we not fools and blind, by day to devote us
As thralls to the darkness, unseen of the sundawn's eye?

We have drunken of Lethe at length, we have eaten of lotus;
What hurts it us here that sorrows are born and die?
We have said to the dream that caressed and the dread that smote us
Goodnight and goodbye.

II.

Outside of the port ye are moored in, lying
Close from the wind and at ease from the tide,
What sounds come swelling, what notes fall dying
Outside?

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The Night

Most Holy Night, that still dost keep
The keys of all the doors of sleep,
To me when my tired eyelids close
Give thou repose.

And let the far lament of them
That chaunt the dead days requiem
Make in my ears, who wakeful lie,
Soft lullaby.

Let them that guard the hornàed Moon
By my bedside their memories croon.
So shall I have new dreams and blest
In my brief rest.

Fold thy great wings about my face,
Hide day-dawn from my resting-place,
And cheat me with thy false delight,
Most Holy Night.

Hilaire Belloc