Growing Gray.

"On a l'âge de son coeur."--A. d'Houdetot.


A little more toward the light;--
Me miserable! Here's one that's white;
And one that's turning;
Adieu to song and "salad days;"
My Muse, let's go at once to Jay's,
And order mourning.

We must reform our rhymes, my Dear,--
Renounce the gay for the severe,--
Be grave, not witty;
We have, no more, the right to find
That Pyrrha's hair is neatly twined,--
That Chloe's pretty.

Young Love's for us a farce that's played;
Light canzonet and serenade
No more may tempt us;
Gray hairs but ill accord with dreams;
From aught but sour didactic themes
Our years exempt us.

Indeed! you really fancy so?
You think for one white streak we grow
At once satiric?
A fiddlestick! Each hair's a string
To which our ancient Muse shall sing
A younger lyric.

The heart's still sound. Shall "cakes and ale"
Grow rare to youth because we rail
At schoolboy dishes?
Perish the thought! 'Tis ours to chant
When neither Time nor Tide can grant
Belief with wishes.

Henry Austin Dobson

Henry Austin Dobson, commonly known as Austin Dobson, was an English poet and essayist. A civil servant by profession, Dobson was one of the most renowned poets and literary critics of the late Victorian and Edwardian periods. His work is noted for its delicate craftsmanship and profound interest in 18th-century literature. Dobson's poetry often revisited and celebrated historical themes and characters, blending scholarly interest with lyrical form.

Henry Austin Dobson

In The Royal Academy.

Henry Austin Dobson, Simple Poetry

The Carver And The Caliph.

Henry Austin Dobson, Simple Poetry

The Curé's Progress.

Henry Austin Dobson, Simple Poetry

To An Unknown Bust In The British Museum.

Henry Austin Dobson, Simple Poetry

English

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Premiers Amours.

Old Loves and old dreams,--
"Requiescant in pace."
How strange now it seems,--
"Old" Loves and "old" dreams!
Yet we once wrote you reams
Maude, Alice, and Gracie!
Old Loves and old dreams,--
"Requiescant in pace."


When I called at the "Hollies" to-day,
In the room with the cedar-wood presses,
Aunt Deb. was just folding away
What she calls her "memorial dresses."

She'd the frock that she wore at fifteen,--
Short-waisted, of course--my abhorrence;
She'd "the loveliest"--something in "een"
That she wears in her portrait by Lawrence;

She'd the "jelick" she used--"as a Greek," (!)
She'd the habit she got her bad fall in;
She had e'en the blue moiré antique
That she opened Squire Grasshopper's ball in:--

New and old ...

Henry Austin Dobson

The Old Man's Love.

("Dérision! que cet amour boiteux.")

[HERNANI, Act III.]


O mockery! that this halting love
That fills the heart so full of flame and transport,
Forgets the body while it fires the soul!
If but a youthful shepherd cross my path,
He singing on the way - I sadly musing,
He in his fields, I in my darksome alleys -
Then my heart murmurs: "O, ye mouldering towers!
Thou olden ducal dungeon! O how gladly
Would I exchange ye, and my fields and forests,
Mine ancient name, mine ancient rank, my ruins -
My ancestors, with whom I soon shall lie,
For his thatched cottage and his youthful brow!"
His hair is black - his eyes shine forth like thine.
Him thou might'st look upon, and say, fair youth,
Then turn to me, and think that I am old...

Victor-Marie Hugo

Henry Wadsworth Longfellow.

"Nec turpem senectam
Degere, nec cithara carentem."
--Hor. i. 31.


"Not to be tuneless in old age!"
Ah! surely blest his pilgrimage,
Who, in his Winter's snow,
Still sings with note as sweet and clear
As in the morning of the year
When the first violets blow!

Blest!--but more blest, whom Summer's heat,
Whom Spring's impulsive stir and beat,
Have taught no feverish lure;
Whose Muse, benignant and serene,
Still keeps his Autumn chaplet green
Because his verse is pure!

Lie calm, O white and laureate head!
Lie calm, O Dead, that art not dead,
Since from the voiceless grave,
Thy voice shall speak to old and young
While song yet speaks an English tongue
By Charles' or Thamis' wave!

Henry Austin Dobson

André Le Chapelain.

(Clerk of Love, 1170.)

His Plaint To Venus Of The Coming Years.

"Plus ne suis ce que j'ay esté
Et ne le sçaurois jamais estre;
Mon beau printemps et mon esté
Ont fait le saut par la fenestre."


Queen Venus, round whose feet,
To tend thy sacred fire,
With service bitter-sweet
Nor youths nor maidens tire;--
Goddess, whose bounties be
Large as the un-oared sea;--

Mother, whose eldest born
First stirred his stammering tongue,
In the world's youngest morn,
When the first daisies sprung:--
Whose last, when Time shall die,
In the same grave shall lie:--

Hear thou one suppliant more!
Must I, thy Bard, grow old,
Bent, with the temples frore,
Not jocund be nor bold,
To tune for folk in May
Ballad and ...

Henry Austin Dobson

A Fancy From Fontenelle.

"De mémoires de Roses on n'a point vu mourir le Jardinier."


The Rose in the garden slipped her bud,
And she laughed in the pride of her youthful blood,
As she thought of the Gardener standing by--
"He is old,--so old! And he soon must die!"

The full Rose waxed in the warm June air,
And she spread and spread till her heart lay bare;
And she laughed once more as she heard his tread--
"He is older now! He will soon be dead!"

But the breeze of the morning blew, and found
That the leaves of the blown Rose strewed the ground;
And he came at noon, that Gardener old,
And he raked them gently under the mould.

And I wove the thing to a random rhyme,
For the Rose is Beauty, the Gardener, Time.

Henry Austin Dobson

To His Orphan Grandchildren.

("O Charles, je te sens près de moi.")

[July, 1871.]


I feel thy presence, Charles. Sweet martyr! down
    In earth, where men decay,
I search, and see from cracks which rend thy tomb,
    Burst out pale morning's ray.

Close linked are bier and cradle: here the dead,
    To charm us, live again:
Kneeling, I mourn, when on my threshold sounds
    Two little children's strain.

George, Jeanne, sing on! George, Jeanne, unconscious play!
    Your father's form recall,
Now darkened by his sombre shade, now gilt
    By beams that wandering fall.

Oh, knowledge! what thy use? did we not know
    Death holds no more the dead;
But Heaven, where, hand in hand, angel and star
    Smile at the grave we dread?

A Heave...

Victor-Marie Hugo