Harlequin

    Moonlit woodland, veils of green,
    Caves of empty dark between;
    Veils of green from rounded arms
    Drooping, that the moonlight charms.
    Tranced the trees, grass beneath
    Silent....
            Like a stealthy breath,
    Mask and wand and silver skin,
    Sudden enters Harlequin.

    Hist!    Hist!    Watch him go,
    Leaping limb and pointing toe,
    Slender arms that float and flow,
    Curving wand above, below;
    Flying, gliding, changing feet;
    Onset fading in retreat.
    Not a shadow of sound there is
    But his motion's gentle hiss,
    Till one fluent arm and hand
    Suddenly circles, and the wand
    Taps a bough far overhead,
    "Crack," and then all noise is dead.
    For he halts, and a space
    Stands erect with upward face,
    Taut and tense to the white
    Message of the moon's light.

    What is he thinking of, you ask;
    Caught you the eyes behind the mask?
    Whence did he come, where would he go?
    Answers but the resuming flow
    Of that swift continuous glide,
    Whispering from side to side,
    Silvered boughs, branches dim,
    All the world's a frame for him;
    All the trees standing around
    On the fascinated ground,
    See him swifter, swifter, sweep,
    Dazzling, till one wildest leap...
    Whisht! he kneels.    And he listens.
    How his steady silver glistens!

    He was listening; he was there;
    Flash! he went.    To the air
    He a waiting ear had bent,
    Silent; but before he went
    Something somewhere else to seek,
    He moved his lips as though to speak.

    And we wait, and in vain,
    For he will not come again.
    Earth, grass, wood, and air,
    As we stare, and we stare,
    Which that fierce life did hold,
    Tired, dim, void, cold.

John Collings Squire, Sir

John Collings Squire, also known as Sir John Squire, was an influential British poet, writer, historian, and influential literary editor of the early 20th century. He is best known for his role as editor of the London Mercury, a powerful literary journal of the time. Squire was a leading figure in the Georgian poetry movement, which sought to return English poetry to its traditional form and diction.

John Collings Squire, Sir

The Lily Of Malud

John Collings Squire, Sir, Simple Poetry

August Moon

John Collings Squire, Sir, Simple Poetry

The Cats - (Twelve Translations From Charles Baudelaire)

John Collings Squire, Sir, Simple Poetry

A House

John Collings Squire, Sir, Simple Poetry

English

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The Lily Of Malud

    The lily of Malud is born in secret mud.
    It is breathed like a word in a little dark ravine
    Where no bird was ever heard and no beast was ever seen,
    And the leaves are never stirred by the panther's velvet sheen.

    It blooms once a year in summer moonlight,
    In a valley of dark fear full of pale moonlight:
    It blooms once a year, and dies in a night,
    And its petals disappear with the dawn's first light;
    And when that night has come, black small-breasted maids,
    With ecstatic terror dumb, steal fawn-like through the shades
    To watch, hour by hour, the unfolding of the flower.

    When the world is full of night, and the moon reigns alone
    And drowns in silver light the known and the unknown,
    When each hut is a mound, ha...

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Starlight

    Last night I lay in an open field
    And looked at the stars with lips sealed;
    No noise moved the windless air,
    And I looked at the stars with steady stare.

    There were some that glittered and some that shone
    With a soft and equal glow, and one
    That queened it over the sprinkled round,
    Swaying the host with silent sound.

    "Calm things," I thought, "in your cavern blue,
    I will learn and hold and master you;
    I will yoke and scorn you as I can,
    For the pride of my heart is the pride of a man."

    Grass to my cheek in the dewy field,
    I lay quite still with lips sealed,
    And the pride of a man and his rigid gaze
    Stalked like swords on heaven's ways.

    But through a sudden gate there st...

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Crepuscular

    No creature stirs in the wide fields.
    The rifted western heaven yields
    The dying sun's illumination.
    This is the hour of tribulation
    When, with clear sight of eve engendered,
    Day's homage to delusion rendered,
    Mute at her window sits the soul.

    Clouds and skies and lakes and seas,
    Valleys and hills and grass and trees,
    Sun, moon, and stars, all stand to her
    Limbs of one lordless challenger,
    Who, without deigning taunt or frown.
    Throws a perennial gauntlet down:
    "Come conquer me and take thy toll."

    No cowardice or fear she knows,
    But, as once more she girds, there grows
    An unresignèd hopelessness
    From memory of former stress.
    Head bent, she muses whilst he waits:

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The Little Salamander

TO MARGOT


When I go free,
I think 'twill be
A night of stars and snow,
And the wild fires of frost shall light
My footsteps as I go;
Nobody - nobody will be there
With groping touch, or sight,
To see me in my bush of hair
Dance burning through the night.




VOICES


Who is it calling by the darkened river
    Where the moss lies smooth and deep,
And the dark trees lean unmoving arms,
    Silent and vague in sleep,
And the bright-heeled constellations pass
    In splendour through the gloom;
Who is it calling o'er the darkened river
        In music, "Come!"?

Who is it wandering in the summer meadows
    Where the children stoop and play
In the green faint-scented flowers, spinning
 ...

Walter De La Mare

Town

    Mostly in a dull rotation
    We bear our loads and eat and drink and sleep.
    Feeling no tears, knowing no meditation,
    Too tired to think, too clogged with earth to weep.

    Dimly convinced, poor groping wretches,
    Like eyeless insects in a murky pond
    That out and out this city stretches,
    Away, away, and there is no beyond.

    No larger earth, no loftier heaven,
    No cleaner, gentler airs to breathe.    And yet,
    Even to us sometimes is given
    Visions of things we other times forget.

    Some day is done, its labour ended,
    And as we sit and brood at windows high,
    A steady wind from far descended,
    Blows off the filth that hid the deeper sky;

    There are the empty waiting spaces,
    We w...

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London Voluntaries - To Charles Whibley - II - Andante Con Moto

Forth from the dust and din,
The crush, the heat, the many-spotted glare,
The odour and sense of life and lust aflare,
The wrangle and jangle of unrests,
Let us take horse, Dear Heart, take horse and win -
As from swart August to the green lap of May -
To quietness and the fresh and fragrant breasts
Of the still, delicious night, not yet aware
In any of her innumerable nests
Of that first sudden plash of dawn,
Clear, sapphirine, luminous, large,
Which tells that soon the flowing springs of day
In deep and ever deeper eddies drawn
Forward and up, in wider and wider way,
Shall float the sands, and brim the shores,
On this our lith of the World, as round it roars
And spins into the outlook of the Sun
(The Lord's first gift, the Lord's especial charge),
...

William Ernest Henley