Harps We Love

The harp we love hath a royal burst!
Its strings are mighty forest trees;
And branches, swaying to and fro,
Are fingers sounding symphonies.

The harp we love hath a solemn sound!
And rocks amongst the shallow seas
Are strings from which the rolling waves
Draw forth their stirring harmonies.

The harp we love hath a low sweet voice!
Its strings are in the bosom deep,
And Love will press those hidden chords
When all the baser passions sleep.

Henry Kendall

Henry Kendall was an Australian poet born on April 18, 1839, known for his lyrical and descriptive poetry reflecting the natural world and the colonial experience of Australia. He faced personal and financial difficulties throughout his life, which deeply influenced his works. His poetry collections include 'Leaves from Australian Forests' and 'Songs from the Mountains'. Kendall passed away on August 1, 1882, leaving a lasting impact on Australian literature.

Henry Kendall

Dungog

Henry Kendall, Simple Poetry

Rover

Henry Kendall, Simple Poetry

The Curlew Song

Henry Kendall, Simple Poetry

September in Australia

Henry Kendall, Simple Poetry

English

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Charles Harpur

Where Harpur lies, the rainy streams,
And wet hill-heads, and hollows weeping,
Are swift with wind, and white with gleams,
And hoarse with sounds of storms unsleeping.

Fit grave it is for one whose song
Was tuned by tones he caught from torrents,
And filled with mountain breaths, and strong,
Wild notes of falling forest currents.

So let him sleep, the rugged hymns
And broken lights of woods above him!
And let me sing how sorrow dims
The eyes of those that used to love him.

As April in the wilted wold
Turns faded eyes on splendours waning,
What time the latter leaves are old,
And ruin strikes the strays remaining;

So we that knew this singer dead,
Whose hands attuned the harp Australian,
May set the face and bow the head,
...

Henry Kendall

Harmonics

        This string upon my harp was best beloved:
        I thought I knew its secrets through and through;
        Till an old man, whose young eyes lightened blue
        'Neath his white hair, bent over me and moved
        His fingers up and down, and broke the wire
        To such a laddered music, rung on rung,
        As from the patriarch's pillow skyward sprung
        Crowded with wide-flung wings and feet of fire.

        O vibrant heart! so metely tuned and strung
        That any untaught hand can draw from thee
        One clear gold note that makes the tired years young--
        What of the time when Love had whispered me
        Where slept thy nodes, and my hand pausefully
        Gave to the dim harmonics voice and tongue?

William Vaughn Moody

Daniel Henry Deniehy

Take the harp, but very softly for our brother touch the strings:
Wind and wood shall help to wail him, waves and mournful mountain-springs.
Take the harp, but very softly, for the friend who grew so old
Through the hours we would not hear of nights we would not fain behold!
Other voices, sweeter voices, shall lament him year by year,
Though the morning finds us lonely, though we sit and marvel here:
Marvel much while Summer cometh, trammelled with November wheat,
Gold about her forehead gleaming, green and gold about her feet;
Yea, and while the land is dark with plover, gull, and gloomy glede,
Where the cold, swift songs of Winter fill the interlucent reed.

Yet, my harp and oh, my fathers! never look for Sorrows lay,
Making life a mighty darkness in the patient noon of day;

Henry Kendall

By a River

By red-ripe mouth and brown, luxurious eyes
Of her I love, by all your sweetness shed
In far, fair days, on one whose memory flies
To faithless lights, and gracious speech gainsaid,
I pray you, when yon river-path I tread,
Make with the woodlands some soft compromise,
Lest they should vex me into fruitless sighs
With visions of a womans gleaming head!
For every green and golden-hearted thing
That gathers beauty in that shining place,
Beloved of beams and wooed by wind and wing,
Is rife with glimpses of her marvellous face;
And in the whispers of the lips of Spring
The music of her lute-like voice I trace.

Henry Kendall

On Seeing A Needlecase In The Form Of A Harp - The Work Of E.M.S.

Frowns are on every Muse's face,
Reproaches from their lips are sent,
That mimicry should thus disgrace
The noble Instrument.

A very Harp in all but size!
Needles for strings in apt gradation!
Minerva's self would stigmatize
The unclassic profanation.

Even her 'own' needle that subdued
Arachne's rival spirit,
Though wrought in Vulcan's happiest mood,
Such honour could not merit.

And this, too, from the Laureate's Child,
A living lord of melody!
How will her Sire be reconciled
To the refined indignity?

I spake, when whispered a low voice,
"Bard! moderate your ire;
Spirits of all degrees rejoice
In presence of the lyre.

The Minstrels of Pygmean bands,
Dwarf Genii, moonlight-loving Fays,
Have shells to f...

William Wordsworth

Under the Figtree

Like drifts of balm from cedared glens, those darling memories come,
With soft low songs, and dear old tales, familiar to our home.
Then breathe again that faint refrain, so tender, sad, and true,
My soul turns round with listening eyes unto the harp and you!
The fragments of a broken Past are floating down the tide,
And she comes gleaming through the dark, my love, my life, my bride!
Oh! sit and sing I know her well, that phantom deadly fair
With large surprise, and sudden sighs, and streaming midnight hair!
I know her well, for face to face we stood amongst the sheaves,
Our voices mingling with a mist of music in the leaves!
I know her well, for hand in hand we walked beside the sea,
And heard the huddling waters boom beneath this old Figtree.

God help the man that goes a...

Henry Kendall