He That Loves A Rosy Cheek

He that loves a rosy cheek,
Or a coral lip admires,
Or from star-like eyes doth seek
Fuel to maintain his fires:
As old Time makes these decay,
So his flames must waste away.

But a smooth and steadfast mind,
Gentle thoughts, and calm desires,
Hearts with equal love combined,
Kindle never-dying fires:
Where these are not, I despise
Lovely cheeks or lips or eyes.

Thomas Carew

Thomas Carew was an English poet, among the 'Cavalier' group of Caroline poets that included Richard Lovelace, John Suckling, and Robert Herrick. Renowned for his lyrical intensity and elegance, Carew's verse often explored themes of love and beauty. His works include 'A Rapture,' considered one of the great erotic poems in English, and 'An Elegy upon the Death of the Dean of St Paul's, Dr John Donne,' a tribute to his friend and mentor. Carew's influence is noted among contemporaries and later poets.

Thomas Carew

The Primrose

Thomas Carew, Simple Poetry

Celia Beeding, To The Surgeon

Thomas Carew, Simple Poetry

Boldness In Love

Thomas Carew, Simple Poetry

English

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The Unfading Beauty

He that loves a rosy cheek,
Or a coral lip admires,
Or from star-like eyes doth seek
Fuel to maintain his fires:
As old Time makes these decay,
So his flames must waste away.

But a smooth and steadfast mind,
Gentle thoughts and calm desires,
Hearts with equal love combined,
Kindle never-dying fires.
Where these are not, I despise
Lovely cheeks or lips or eyes.

Thomas Carew

Disdain Returned

He that loves a rosy cheek,
Or a coral lip admires,
Or from star-like eyes doth seek
Fuel to maintain his fires;
As old Time makes these decay,
So his flames must waste away.

But a smooth and steadfast mind,
Gentle thoughts and calm desires,
Hearts with equal love combind,
Kindle never-dying fires.
Where these are not, I despise
Lovely cheeks, or lips, or eyes.

No tears, Celia, now shall win
My resolvd heart to return;
I have searchd thy soul within,
And find nought, but pride, and scorn;
I have learnd thy arts, and now
Can disdain as much as thou.
Some power, in my revenge, convey
That love to her I cast away.

Thomas Carew

The Love that speaks in word and kiss,

The Love that speaks in word and kiss,
That dyes the cheek and fires the eye,
Through surface signs of shallow bliss
That, quickly born, may quickly die;
Sweet, sweet are these to man and woman;
Who thinks them poor is less than human.

But I do know a quavering tone,
And I do know lack-lustre eyes,
Behind the which, dumb and alone,
A stronger Love his labour plies:
He cannot sing or dance or toy -
He works and sighs for other's joy.

In gloom he tends the growth of food,
While others joy in sun and flowers:
None knows the passion of his mood
Save they who know what bitter hours
Are his whose heart, alive to beauty,
Yet dies to it and lives for duty.

Thomas Runciman

Sonnet.

Love, dearest Lady, such as I would speak,
Lives not within the humor of the eye; -
Not being but an outward phantasy,
That skims the surface of a tinted cheek, -
Else it would wane with beauty, and grow weak,
As if the rose made summer, - and so lie
Amongst the perishable things that die,
Unlike the love which I would give and seek:
Whose health is of no hue - to feel decay
With cheeks' decay, that have a rosy prime.
Love is its own great loveliness alway,
And takes new lustre from the touch of time;
Its bough owns no December and no May,
But bears its blossom into Winter's clime.

Thomas Hood

To A Lady That Desired I Would Love Her

Now you have freely given me leave to love,
What will you do?
Shall I your mirth, or passion move,
When I begin to woo;
Will you torment, or scorn, or love me too?

Each petty beauty can disdain, and I
Spite of your hate
Without your leave can see, and die;
Dispense a nobler fate!
Tis easy to destroy, you may create.

Then give me leave to love, and love me too
Not with design
To raise, as Loves cursed rebels do,
When puling poets whine,
Fame to their beauty, from their blubbered eyne.

Grief is a puddle, and reflects not clear
Your beautys rays;
Joys are pure streams, your eyes appear
Sullen in sadder lays;
In cheerful numbers they shine bright with praise,

Which shall not mention to express you fair,
Wounds, f...

Thomas Carew

A Pretty Woman

I.
That fawn-skin-dappled hair of hers,
And the blue eye
Dear and dewy,
And that infantine fresh air of hers!

II.
To think men cannot take you, Sweet,
And enfold you,
Ay, and hold you,
And so keep you what they make you, Sweet!

III.
You like us for a glance, you know
For a words sake
Or a swords sake,
Alls the same, whateer the chance, you know.

IV.
And in turn we make you ours, we say
You and youth too,
Eyes and mouth too,
All the face composed of flowers, we say.

V.
Alls our own, to make the most of, Sweet
Sing and say for,
Watch and pray for,
Keep a secret or go boast of, Sweet!

VI.
But for loving, why, you would not, Sweet,
Though we prayed you,
Paid you, brayed ...

Robert Browning