Heart's Fountain. (Moods Of Love.)

Her moods are like the fountain's, changing ever,
    That spouts aloft a sudden, watery dome,
    Only to fall again in shattering foam,
Just where the wedded jets themselves dissever,
And palpitating downward, downward quiver,
    Unfolded like a swift ethereal flower,
    That sheds white petals in a blinding shower,
And straightway soars anew with blithe endeavor.

The sun may kindle it with healthful fire;
    Upon it falls the cloud-gray's leaden load;
At night the stars shall haunt the whirling spire:
    Yet these have but a transient garb bestowed.
So her glad life, whate'er the hours impart,
Plays still 'twixt heaven's cope and her own clear heart.

George Parsons Lathrop

George Parsons Lathrop (August 25, 1851 – April 19, 1898) was an American poet, novelist, and editor. He was closely associated with the literary world of New England and was a prominent figure in the late 19th century. Lathrop was also known for his marriage to Rose Hawthorne, the daughter of famed novelist Nathaniel Hawthorne, and for his efforts in editing and preserving Hawthorne's works. His contributions spanned various literary forms including poetry and prose.

George Parsons Lathrop

O Wholesome Death.

George Parsons Lathrop, Simple Poetry

New Worlds

George Parsons Lathrop, Simple Poetry

Fairhaven Bay.

George Parsons Lathrop, Simple Poetry

New Worlds. (Moods Of Love.)

George Parsons Lathrop, Simple Poetry

English

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The Forest Rill.

Young Naiad of the sparry grot,
    Whose azure eyes before me burn,
In what sequestered lonely spot
    Lies hid thy flower-enwreathed urn?
Beneath what mossy bank enshrined,
    Within what ivy-mantled nook,
Sheltered alike from sun and wind,
    Lies hid thy source, sweet murmuring brook?

Deep buried lies thy airy shell
    Beneath thy waters clear;
Far echoing up the woodland dell
    Thy wind-swept harp I hear.
I catch its soft and mellow tones
    Amid the long grass gliding,
Now broken 'gainst the rugged stones,
    In hoarse, deep accents chiding.

The wandering breeze that stirs the grove,
    In plaintive moans replying,
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June Longings.

Lo, all about the lofty blue are blown
Light vapors white, like thistle-down,
That from their softened silver heaps opaque
Scatter delicate flake by flake,
Upon the wide loom of the heavens weaving
Forms of fancies past believing,
And, with fantastic show of mute despair,
As for some sweet hope hurt beyond repair,
Melt in the silent voids of sunny air.

All day the cooing brooklet runs in tune:
Half sunk i' th' blue, the powdery moon
Shows whitely. Hark, the bobolink's note! I hear it,
Far and faint as a fairy spirit!
Yet all these pass, and as some blithe bird, winging,
Leaves a heart-ache for his singing,
A frustrate passion haunts me evermore
For that which closest dwells to beauty's core.
O Love, canst thou this heart of hope restore?

George Parsons Lathrop

The Lover's Year (Moods Of Love.)

Thou art my morning, twilight, noon, and eve,
    My Summer and my Winter, Spring and Fall;
    For Nature left on thee a touch of all
The moods that come to gladden or to grieve
The heart of Time, with purpose to relieve
    From lagging sameness. So do these forestall
    In thee such o'erheaped sweetnesses as pall
Too swiftly, and the taster tasteless leave.

Scenes that I love to me always remain
    Beautiful, whether under summer's sun
Beheld, or, storm-dark, stricken across with rain.
    So, through all humors, thou 'rt the same sweet one:
Doubt not I love thee well in each, who see
Thy constant change is changeful constancy.

George Parsons Lathrop

The River Maiden

Her gown was simple woven wool,
But, in repayment,
Her body sweet made beautiful
The simplest raiment:

For all its fine, melodious curves
With life a-quiver
Were graceful as the bends and swerves
Of her own river.

Her round arms, from the shoulders down
To sweet hands slender,
The sun had kissed them amber-brown
With kisses tender.

For though she loved the secret shades
Where ferns grow stilly,
And wild vines droop their glossy braids,
And gleams the lily,

And Nature, with soft eyes that glow
In gloom that glistens,
Unto her own heart, beating slow,
In silence listens:

She loved no less the meadows fair,
And green, and spacious;
The river, and the azure air,
And sunlight gracious.

I sa...

Victor James Daley

To The Marchioness Dowager Of Donegall.

FROM BERMUDA, JANUARY, 1804.


Lady! where'er you roam, whatever land
Woos the bright touches of that artist hand;
Whether you sketch the valley's golden meads,
Where mazy Linth his lingering current leads;^[1]
Enamored catch the mellow hues that sleep,
At eve, on Meillerie's immortal steep;
Or musing o'er the Lake, at day's decline,
Mark the last shadow on that holy shrine,^[2]
Where, many a night, the shade of Tell complains
Of Gallia's triumph and Helvetia's chains;
Oh! lay the pencil for a moment by,
Turn from the canvas that creative eye,
And let its splendor, like the morning ray
Upon a shepherd's harp, illume my lay.

Yet, Lady, no--for song so rude as mine,
Chase not the wonders of your art divine;
Still, radiant...

Thomas Moore

To Joseph Atkinson, Esq.

FROM BERMUDA.^[1]


"The daylight is gone--but, before we depart,
"One cup shall go round to the friend of my heart,
"The kindest, the dearest--oh! judge by the tear
"I now shed while I name him, how kind and how dear."

    'Twas thus in the shade of the Calabash-Tree,
With a few, who could feel and remember like me,
The charm that, to sweeten my goblet, I threw
Was a sigh to the past and a blessing on you.

    Oh! say, is it thus, in the mirth-bringing hour,
When friends are assembled, when wit, in full flower,
Shoots forth from the lip, under Bacchus's dew,
In blossoms of thought ever springing and new--
Do you sometimes remember, and hallow the brim
Of your cup with a sigh, as you crown it to him
Who is lonely and sad in these val...

Thomas Moore