History

History has to live with what was here,
clutching and close to fumbling all we had,
it is so dull and gruesome how we die,
unlike writing, life never finishes.
Abel was finished; death is not remote,
a flash-in-the-pan electrifies the skeptic,
his cows crowding like skulls against high-voltage wire,
his baby crying all night like a new machine.
As in our Bibles, white-faced, predatory,
the beautiful, mist-drunken hunter's moon ascends,
a child could give it a face: two holes, two holes,
my eyes, my mouth, between them a skull's no-nose,
O there's a terrifying innocence in my face
drenched with the silver salvage of the mornfrost.

Robert Lowell

Robert Lowell was an American poet known for his confessional style, which was influential in the mid-20th century. Born on March 1, 1917, in Boston, Massachusetts, he came from a prominent family. Lowell's poetry often dealt with personal and historical themes. He won the Pulitzer Prize for Poetry in 1947 and 1974. His most noted collections include 'Life Studies' and 'For the Union Dead.' Lowell's work was marked by its intensity and his struggles with mental illness.

Robert Lowell

The Quaker Graveyard In Nantucket

Robert Lowell, Simple Poetry

For The Union Dead

Robert Lowell, Simple Poetry

Waking In The Blue

Robert Lowell, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Epilogue

Those blessèd structures, plot and rhyme
why are they no help to me now
I want to make
something imagined, not recalled?
I hear the noise of my own voice:
The painter's vision is not a lens,
it trembles to caress the light.
But sometimes everything I write
with the threadbare art of my eye
seems a snapshot,
lurid, rapid, garish, grouped,
heightened from life,
yet paralyzed by fact.
All's misalliance.
Yet why not say what happened?
Pray for the grace of accuracy
Vermeer gave to the sun's illumination
stealing like the tide across a map
to his girl solid with yearning.
We are poor passing facts,
warned by that to give
each figure in the photograph
his living name.

Robert Lowell

A Grammarians Funeral

Shortly after the Revival of Learning in Europe


Let us begin and carry up this corpse,
Singing together.
Leave we the common crofts, the vulgar thorpes
Each in its tether
Sleeping safe on the bosom of the plain,
Cared-for till cock-crow:
Look out if yonder be not day again
Rimming the rock-row!
Thats the appropriate country; there, mans thought,
Rarer, intenser,
Self-gathered for an outbreak, as it ought,
Chafes in the censer.
Leave we the unlettered plain its herd and crop;
Seek we sepulture
On a tall mountain, citied to the top,
Crowded with culture!
All the peaks soar, but one the rest excels;
Clouds overcome it;
No! yonder sparkle is the citadels
Circling its summit.
Thither our path lies; wind we up the heigh...

Robert Browning

A Dream of Fair Women

I read, before my eyelids dropt their shade,
The Legend of Good Women, long ago
Sung by the morning star of song, who made
His music heard below;

Dan Chaucer, the first warbler, whose sweet breath
Preluded those melodious bursts that fill
The spacious times of great Elizabeth
With sounds that echo still.

And, for a while, the knowledge of his art
Held me above the subject, as strong gales
Hold swollen clouds from raining, tho my heart,
Brimful of those wild tales,

Charged both mine eyes with tears. In every land
I saw, wherever light illumineth,
Beauty and anguish walking hand in hand
The downward slope to death.

Those far-renowned brides of ancient song
Peopled the hollow dark, like burning stars,
And I heard sounds of ins...

Alfred Lord Tennyson

The Black Cottage

We chanced in passing by that afternoon
To catch it in a sort of special picture
Among tar-banded ancient cherry trees,
Set well back from the road in rank lodged grass,
The little cottage we were speaking of,
A front with just a door between two windows,
Fresh painted by the shower a velvet black.
We paused, the minister and I, to look.
He made as if to hold it at arm's length
Or put the leaves aside that framed it in.
"Pretty," he said. "Come in. No one will care."
The path was a vague parting in the grass
That led us to a weathered window-sill.
We pressed our faces to the pane. "You see," he said,
"Everything's as she left it when she died.
Her sons won't sell the house or the things in it.
They say they mean to come and summer here
Where they were boy...

Robert Lee Frost

A Serenade At The Villa

I.
That was I, you heard last night,
When there rose no moon at all,
Nor, to pierce the strained and tight
Tent of heaven, a planet small:
Life was dead and so was light.

II.
Not a twinkle from the fly,
Not a glimmer from the worm;
When the crickets stopped their cry,
When the owls forbore a term,
You heard music; that was I.

III.
Earth turned in her sleep with pain,
Sultrily suspired for proof:
In at heaven and out again,
Lightning! where it broke the roof,
Bloodlike, some few drops of rain.

IV.
What they could my words expressed,
O my love, my all, my one!
Singing helped the verses best,
And when singings best was done,
To my lute I left the rest.

V.
So wore night; the East was gray,
...

Robert Browning

Bad Dreams IV

It happened thus: my slab, though new,
Was getting weather-stained, beside,
Herbage, balm, peppermint, oergrew
Letter and letter: till you tried
Somewhat, the Name was scarce descried.

That strong stern man my lover came:
Was he my lover? Call him, pray,
My lifes cold critic bent on blame
Of all poor I could do or say
To make me worth his love one day,

One far day when, by diligent
And dutiful amending faults,
Foibles, all weaknesses which went
To challenge and excuse assaults
Of culture wronged by taste that halts,

Discrepancies should mar no plan
Symmetric of the qualities
Claiming respect from, say, a man
Thats strong and stem. Once more he pries
Into me with those critic eyes!

No question! so, Conclude, con...

Robert Browning