Humiliation

I have been so innerly proud, and so long alone,
Do not leave me, or I shall break.
Do not leave me.

What should I do if you were gone again
So soon?
What should I look for?
Where should I go?
What should I be, I myself,
"I"?
What would it mean, this
I?

Do not leave me.

What should I think of death?
If I died, it would not be you:
It would be simply the same
Lack of you.
The same want, life or death,
Unfulfilment,
The same insanity of space
You not there for me.

Think, I daren't die
For fear of the lack in death.
And I daren't live.

Unless there were a morphine or a drug.

I would bear the pain.
But always, strong, unremitting
It would make me not me.
The thing with my body that would go on living
Would not be me.
Neither life nor death could help.

Think, I couldn't look towards death
Nor towards the future:
Only not look.
Only myself
Stand still and bind and blind myself.

God, that I have no choice!
That my own fulfilment is up against me
Timelessly!
The burden of self-accomplishment!
The charge of fulfilment!
And God, that she is necessary!
Necessary, and I have no choice!

Do not leave me.

David Herbert Richards Lawrence

David Herbert Richards Lawrence was an English writer, poet, and essayist best known for his novels 'Sons and Lovers,' 'The Rainbow,' 'Women in Love,' and 'Lady Chatterley's Lover.' His works explore themes of emotional health, vitality, spontaneity, and instinct. Lawrence's opinions and artistic works earned him many enemies and he was frequently censored. Today, he is regarded as one of the most influential writers of the 20th century.

David Herbert Richards Lawrence

Winter In The Boulevard

David Herbert Richards Lawrence, Simple Poetry

Next Morning

David Herbert Richards Lawrence, Simple Poetry

Baby Tortoise

David Herbert Richards Lawrence, Simple Poetry

The End

David Herbert Richards Lawrence, Simple Poetry

English

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Monologue Of A Mother

This is the last of all, this is the last!
I must hold my hands, and turn my face to the fire,
I must watch my dead days fusing together in dross,
Shape after shape, and scene after scene from my past
Fusing to one dead mass in the sinking fire
Where the ash on the dying coals grows swiftly, like heavy moss.

Strange he is, my son, whom I have awaited like a lover,
Strange to me like a captive in a foreign country, haunting
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Mutilation

A thick mist-sheet lies over the broken wheat.
I walk up to my neck in mist, holding my mouth up.
Across there, a discoloured moon burns itself out.

I hold the night in horror;
I dare not turn round.

To-night I have left her alone.
They would have it I have left her for ever.

Oh my God, how it aches
Where she is cut off from me!

Perhaps she will go back to England.
Perhaps she will go back,
Perhaps we are parted for ever.

If I go on walking through the whole breadth of Germany
I come to the North Sea, or the Baltic.

Over there is Russia - Austria, Switzerland, France, in a circle!
I here in the undermist on the Bavarian road.

It aches in me.
What is England or France, far off,
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Manifesto

                I

A woman has given me strength and affluence.
Admitted!

All the rocking wheat of Canada,
ripening now,
has not so much of strength as the body of one woman sweet in ear,
nor so much to give though it feed nations.

Hunger is the very Satan.
The fear of hunger is Moloch,
Belial, the horrible God.
It is a fearful thing to be dominated by the fear of hunger.

Not bread alone, not the belly nor the thirsty throat.
I have never yet been smitten through the belly,
with the lack of bread, no,
nor even milk and honey.

The fear of the want of these things seems to be quite left out of me.
For so much, I thank the good generations of man- kind.

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Bitterness Of Death

I

Ah, stern, cold man,
How can you lie so relentless hard
While I wash you with weeping water!
Do you set your face against the daughter
Of life? Can you never discard
Your curt pride's ban?

You masquerader!
How can you shame to act this part
Of unswerving indifference to me?
You want at last, ah me!
To break my heart
Evader!

You know your mouth
Was always sooner to soften
Even than your eyes.
Now shut it lies
Relentless, however often
I kiss it in drouth.

It has no breath
Nor any relaxing. Where,
Where are you, what have you done?
What is this mouth of stone?
How did you dare
Take cover in death!

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Once you could see,
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The End

If I could have put you in my heart,
If but I could have wrapped you in myself,
How glad I should have been!
And now the chart
Of memory unrolls again to me
The course of our journey here, before we had to part.

And oh, that you had never, never been
Some of your selves, my love, that some
Of your several faces I had never seen!
And still they come before me, and they go,
And I cry aloud in the moments that intervene.

And oh, my love, as I rock for you to-night,
And have not any longer any hope
To heal the suffering, or make requite
For all your life of asking and despair,
I own that some of me is dead to-night.

David Herbert Richards Lawrence

Wedlock

                I

Come, my little one, closer up against me,
Creep right up, with your round head pushed in my breast.

How I love all of you! Do you feel me wrap you
Up with myself and my warmth, like a flame round the wick?

And how I am not at all, except a flame that mounts off you.
Where I touch you, I flame into being; - but is it me, or you?

That round head pushed in my chest, like a nut in its socket,
And I the swift bracts that sheathe it: those breasts, those thighs and knees,

Those shoulders so warm and smooth: I feel that I
Am a sunlight upon them, that shines them into being.

But how lovely to be you! Creep closer in, that I am more.
I spread over you! How lovely, your round head, your arms,

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