I Have Become Very Hairy

I have become very hairy all over my body.
I'm afraid they'll start hunting me because of my fur.

My multicolored shirt has no meaning of love,
it looks like an air photo of a railway station.

At night my body is open and awake under the blanket,
like eyes under the blindfold of someone to be shot.

Restless I shall wander about;
hungry for life I'll die.

Yet I wanted to be calm, like a mound with all its cities destroyed,
and tranquil, like a full cemetery.

Yehuda Amichai

Yehuda Amichai was an acclaimed Israeli poet noted for his lyrical voice and reflections on love, war, and the human condition. Born in Germany, he emigrated to Palestine in 1936. Amichai's poetry, blending the personal and political, has been translated into numerous languages. His works remains influential in Israeli and global literature. Among his best-known collections are "Now and in Other Days" and "A Great Tranquility: Questions and Answers".

Yehuda Amichai

Seven Laments For The War-Dead

Yehuda Amichai, Simple Poetry

Try To Remember Some Details

Yehuda Amichai, Simple Poetry

Ein Yahav

Yehuda Amichai, Simple Poetry

Near The Wall Of A House

Yehuda Amichai, Simple Poetry

English

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I Want To Die In My Own Bed

All night the army came up from Gilgal
To get to the killing field, and that's all.
In the ground, warf and woof, lay the dead.
I want to die in My own bed.
Like slits in a tank, their eyes were uncanny,
I'm always the few and they are the many.
I must answer. They can interrogate My head.
But I want to die in My own bed.

The sun stood still in Gibeon. Forever so, it's willing
to illuminate those waging battle and killing.
I may not see My wife when her blood is shed,
But I want to die in My own bed.

Samson, his strength in his long black hair,
My hair they sheared when they made me a hero
Perforce, and taught me to charge ahead.
I want to die in My own bed.

I saw you could live and furnish with grace
Even a lion's den, if you've no othe...

Yehuda Amichai

You Mustn't Show Weakness

You mustn't show weakness
and you've got to have a tan.
But sometimes I feel like the thin veils
of Jewish women who faint
at weddings and on Yom Kippur.

You mustn't show weakness
and you've got to make a list
of all the things you can load
in a baby carriage without a baby.

This is the way things stand now:
if I pull out the stopper
after pampering myself in the bath,
I'm afraid that all of Jerusalem, and with it the whole world,
will drain out into the huge darkness.

In the daytime I lay traps for my memories
and at night I work in the Balaam Mills,
turning curse into blessing and blessing into curse.

And don't ever show weakness.
Sometimes I come crashing down inside myself
without anyone noticing. I'm like an ambulanc...

Yehuda Amichai

What Kind Of A Person

"What kind of a person are you," I heard them say to me.
I'm a person with a complex plumbing of the soul,
Sophisticated instruments of feeling and a system
Of controlled memory at the end of the twentieth century,
But with an old body from ancient times
And with a God even older than my body.
I'm a person for the surface of the earth.
Low places, caves and wells
Frighten me. Mountain peaks
And tall buildings scare me.
I'm not like an inserted fork,
Not a cutting knife, not a stuck spoon.

I'm not flat and sly
Like a spatula creeping up from below.
At most I am a heavy and clumsy pestle
Mashing good and bad together
For a little taste
And a little fragrance.

Arrows do not direct me. I conduct
My business carefully and quietly
Lik...

Yehuda Amichai

Half The People In The World

Half the people in the world love the other half,
half the people hate the other half.
Must I because of this half and that half go wandering
and changing ceaselessly like rain in its cycle,
must I sleep among rocks, and grow rugged like
the trunks of olive trees,
and hear the moon barking at me,
and camouflage my love with worries,
and sprout like frightened grass between the railroad tracks,
and live underground like a mole,
and remain with roots and not with branches, and not
feel my cheek against the cheek of angels, and
love in the first cave, and marry my wife
beneath a canopy of beams that support the earth,
and act out my death, always till the last breath and
the last wordsand without ever understandig,
and put flagpoles on top of my house and a bob s...

Yehuda Amichai

Seven Laments For The War-Dead

1
Mr. Beringer, whose son
fell at the Canal that strangers dug
so ships could cross the desert,
crosses my path at Jaffa Gate.

He has grown very thin, has lost
the weight of his son.
That's why he floats so lightly in the alleys
and gets caught in my heart like little twigs
that drift away.

2
As a child he would mash his potatoes
to a golden mush.
And then you die.

A living child must be cleaned
when he comes home from playing.
But for a dead man
earth and sand are clear water, in which
his body goes on being bathed and purified
forever.

3
The Tomb of the Unknown Soldier
across there. On the enemy's side. A good landmark
for gunners of the future.

Or the war monument in London
at Hyde P...

Yehuda Amichai

Near The Wall Of A House

Near the wall of a house painted
to look like stone,
I saw visions of God.

A sleepless night that gives others a headache
gave me flowers
opening beautifully inside my brain.

And he who was lost like a dog
will be found like a human being
and brought back home again.

Love is not the last room: there are others
after it, the whole length of the corridor
that has no end.


Translated by Chana Bloch and Stephen Mitchell

Yehuda Amichai