I Wrung My Hands

I wrung my hands under my dark veil. . .
"Why are you pale, what makes you reckless?"
-- Because I have made my loved one drunk
with an astringent sadness.

I'll never forget.He went out, reeling;
his mouth was twisted, desolate. . .
I ran downstairs, not touching the banisters,
and followed him as far as the gate.

And shouted, choking: "I meant it all
in fun.Don't leave me, or I'll die of pain."
He smiled at me -- oh so calmly, terribly --
and said: "Why don't you get out of the rain?"

Kiev, 1911

Anna Akhmatova

Anna Akhmatova, born Anna Andreyevna Gorenko, was a significant Russian poet whose work ranged from short lyric poems to intricately structured cycles, including her seminal long poem, Requiem. Her work often grappled with themes of love, suffering, and the trauma of living through the oppressive Soviet regime. Despite being censored and witnessing the persecution of her loved ones, she remained in Russia and became a symbolic figure of resistance and artistic integrity.

Anna Akhmatova

I Don't Know If You're Alive Or Dead

Anna Akhmatova, Simple Poetry

And Pushkin's Exile Had

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Solitude

Anna Akhmatova, Simple Poetry

Memory Of Sun

Anna Akhmatova, Simple Poetry

English

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Under Her Dark Veil

Under her dark veil she wrung her hands.
"Why are you so pale today?"
"Because I made him drink of stinging grief
Until he got drunk on it.
How can I forget? He staggered out,
His mouth twisted in agony.
I ran down not touching the bannister

And caught up with him at the gate.
I cried: 'A joke!
That's all it was. If you leave, I'll die.'
He smiled calmly and grimly
And told me: 'Don't stand here in the wind.' "

Anna Akhmatova

You Thought I Was That Type

You thought I was that type:
That you could forget me,
And that I'd plead and weep
And throw myself under the hooves of a bay mare,

Or that I'd ask the sorcerers
For some magic potion made from roots and send you a terrible gift:
My precious perfumed handkerchief.

Damn you! I will not grant your cursed soul
Vicarious tears or a single glance.

And I swear to you by the garden of the angels,
I swear by the miracle-working icon,
And by the fire and smoke of our nights:
I will never come back to you.

Anna Akhmatova

White Night

I haven't locked the door,
Nor lit the candles,
You don't know, don't care,
That tired I haven't the strength
To decide to go to bed.
Seeing the fields fade in
The sunset murk of pine-needles,
And to know all is lost,

That life is a cursed hell:
I've got drunk
On your voice in the doorway.
I was sure you'd come back.

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In Memory Of M. B.

Here is my gift, not roses on your grave,
not sticks of burning incense.
You lived aloof, maintaining to the end
your magnificent disdain.
You drank wine, and told the wittiest jokes,
and suffocated inside stifling walls.
Alone you let the terrible stranger in,
and stayed with her alone.

Now you're gone, and nobody says a word
about your troubled and exalted life.
Only my voice, like a flute, will mourn
at your dumb funeral feast.
Oh, who would have dared believe that half-crazed I,
I, sick with grief for the buried past,
I, smoldering on a slow fire,
having lost everything and forgotten all,
would be fated to commemorate a man
so full of strength and will and bright inventions,
who only yesterday it seems, chatted with me,
hiding the trem...

Anna Akhmatova

Lot's Wife

And the just man trailed God's shining agent,
over a black mountain, in his giant track,
while a restless voice kept harrying his woman:
"It's not too late, you can still look back

at the red towers of your native Sodom,
the square where once you sang, the spinning-shed,
at the empty windows set in the tall house
where sons and daughters blessed your marriage-bed."

A single glance: a sudden dart of pain
stitching her eyes before she made a sound . . .
Her body flaked into transparent salt,
and her swift legs rooted to the ground.

Who will grieve for this woman? Does she not seem
too insignificant for our concern?
Yet in my heart I never will deny her,
who suffered death because she chose to turn.

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March Elegy

I have enough treasures from the past
to last me longer than I need, or want.
You know as well as I . . . malevolent memory
won't let go of half of them:
a modest church, with its gold cupola
slightly askew; a harsh chorus
of crows; the whistle of a train;
a birch tree haggard in a field
as if it had just been sprung from jail;
a secret midnight conclave
of monumental Bible-oaks;
and a tiny rowboat that comes drifting out
of somebody's dreams, slowly foundering.
Winter has already loitered here,
lightly powdering these fields,
casting an impenetrable haze
that fills the world as far as the horizon.
I used to think that after we are gone
there's nothing, simply nothing at all.
Then who's that wandering by the porch
again and calling us by na...

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