In Hilly-Wood.

How Sweet to be thus nestling deep in boughs,
Upon an ashen stoven pillowing me;
Faintly are heard the ploughmen at their ploughs,
But not an eye can find its way to see.
The sunbeams scarce molest me with a smile,
So thick the leafy armies gather round;
And where they do, the breeze blows cool the while,
Their leafy shadows dancing on the ground.
Full many a flower, too, wishing to be seen,
Perks up its head the hiding grass between.--
In mid-wood silence, thus, how sweet to be;
Where all the noises, that on peace intrude,
Come from the chittering cricket, bird, and bee,
Whose songs have charms to sweeten solitude.

John Clare

John Clare was an English poet known for his celebrations of the English countryside and lamentation of its disruption. Born in Helpston, Northamptonshire, Clare was initially a farm laborer. His poetry is characterized by its natural imagery and rustic language. Despite periods of fame during his period, Clare spent the later part of his life in an asylum due to mental health issues. His works gained greater recognition posthumously. Clare's major poem collections include "Poems Descriptive of Rural Life and Scenery" and "The Shepherd's Calendar."

John Clare

Mary

John Clare, Simple Poetry

Distant Hills

John Clare, Simple Poetry

The Fens

John Clare, Simple Poetry

Ballad. "I love thee, sweet Mary, but love thee in fear"

John Clare, Simple Poetry

English

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In Hilly-Wood

How sweet to be thus nestling deep in boughs,
Upon an ashen stoven pillowing me;
Faintly are heard the ploughmen at their ploughs,
But not an eye can find its way to see.
The sunbeams scarce molest me with a smile,
So thickly the leafy armies gather round;
And where they do, the breeze blows cool the while,
Their leafy shadows dancing on the ground.
Full many a flower, too, wishing to be seen,
Perks up its head the hiding grass between,--
In mid-wood silence, thus, how sweet to be;
Where all the noises, that on peace intrude,
Come from the chittering cricket, bird, and bee,
Whose songs have charms to sweeten solitude.

John Clare

From "A Rhapsody"

Sweet solitude, what joy to be alone--
In wild, wood-shady dell to stay for hours.
Twould soften hearts if they were hard as stone
To see glad butterflies and smiling flowers.
Tis pleasant in these quiet lonely places,
Where not the voice of man our pleasure mars,
To see the little bees with coal black faces
Gathering sweets from little flowers like stars.

The wind seems calling, though not understood.
A voice is speaking; hark, it louder calls.
It echoes in the far-outstretching wood.
First twas a hum, but now it loudly squalls;
And then the pattering rain begins to fall,
And it is hushed--the fern leaves scarcely shake,
The tottergrass it scarcely stirs at all.
And then the rolling thunder gets awake,
And from black clouds the lightning flashes break.<...

John Clare

Summer Evening.

How pleasant, when the heat of day is bye,
And seething dew empurples round the hill
Of the horizon, sweeping with the eye
In easy circles, wander where we will!
While o'er the meadow's little fluttering rill
The twittering sunbeam weakens cool and dim,
And busy hum of flies is hush'd and still.
How sweet the walks by hedge-row bushes seem,
On this side wavy grass, on that the stream;
While dog-rose, woodbine, and the privet-spike,
On the young gales their rural sweetness teem,
With yellow flag-flowers rustling in the dyke;
Each mingling into each, a ceaseless charm
To every heart that nature's sweets can warm.

John Clare

Song

One gloomy eve I roamed about
Neath Oxey's hazel bowers,
While timid hares were darting out,
To crop the dewy flowers;
And soothing was the scene to me,
Right pleased was my soul,
My breast was calm as summer's sea
When waves forget to roll.

But short was even's placid smile,
My startled soul to charm,
When Nelly lightly skipt the stile,
With milk-pail on her arm:
One careless look on me she flung,
As bright as parting day;
And like a hawk from covert sprung,
It pounced my peace away.

John Clare

Nature.

O simple Nature, how I do delight
To pause upon thy trifles--foolish things,
As some would call them.--On the summer night,
Tracing the lane-path where the dog-rose hings
With dew-drops seeth'd, while chick'ring cricket sings;
My eye can't help but glance upon its leaves,
Where love's warm beauty steals her sweetest blush,
When, soft the while, the Even silent heaves
Her pausing breath just trembling thro' the bush,
And then again dies calm, and all is hush.
O how I feel, just as I pluck the flower
And stick it to my breast--words can't reveal;
But there are souls that in this lovely hour
Know all I mean, and feel whate'er I feel.

John Clare

A Lair At Noon.

The hawthorn gently stopt the sun, beneath,
The ash above its quiv'ring shadows spread,
And downy bents, that to the air did wreathe,
Bow'd 'neath my pressure in an easy bed;
The water whirled round each stunted nook,
And sweet the splashings on the ear did swim
Of fly-bit cattle gulshing in the brook,
Nibbling the grasses on the fountain's brim:
The little minnows, driv'n from their retreat,
Still sought the shelving bank to shun the heat.
I fain had slept, but flies would buzz around;
I fain had looked calmly on the scene,
But the sweet snug retreat my search had found
Waken'd the Muse to sing the woody screen.

John Clare