In Hospital - XVI - House-Surgeon

Exceeding tall, but built so well his height
Half-disappears in flow of chest and limb;
Moustache and whisker trooper-like in trim;
Frank-faced, frank-eyed, frank-hearted; always bright
And always punctual - morning, noon, and night;
Bland as a Jesuit, sober as a hymn;
Humorous, and yet without a touch of whim;
Gentle and amiable, yet full of fight.
His piety, though fresh and true in strain,
Has not yet whitewashed up his common mood
To the dead blank of his particular Schism.
Sweet, unaggressive, tolerant, most humane,
Wild artists like his kindly elderhood,
And cultivate his mild Philistinism.

William Ernest Henley

William Ernest Henley was an English poet, critic, and editor. Despite battling tuberculosis from a young age, Henley is best known for his resilience and strength, qualities exemplified in his most famous poem, 'Invictus'. Henley was also a notable figure in the literary circles of his time, befriending and influencing key writers, such as Robert Louis Stevenson, who modeled the character Long John Silver after him.

William Ernest Henley

To K. de M. - Life In Her Creaking Shoes

William Ernest Henley, Simple Poetry

London Types - V. Sandwich-Man

William Ernest Henley, Simple Poetry

In Hospital - VI - After

William Ernest Henley, Simple Poetry

Rhymes And Rhythms - XVIII

William Ernest Henley, Simple Poetry

English

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In Hospital - XV - 'The Chief'

His brow spreads large and placid, and his eye
Is deep and bright, with steady looks that still.
Soft lines of tranquil thought his face fulfill -
His face at once benign and proud and shy.
If envy scout, if ignorance deny,
His faultless patience, his unyielding will,
Beautiful gentleness and splendid skill,
Innumerable gratitudes reply.
His wise, rare smile is sweet with certainties,
And seems in all his patients to compel
Such love and faith as failure cannot quell.
We hold him for another Herakles,
Battling with custom, prejudice, disease,
As once the son of Zeus with Death and Hell.

William Ernest Henley

In Hospital - XII - Etching

Two and thirty is the ploughman.
He's a man of gallant inches,
And his hair is close and curly,
And his beard;
But his face is wan and sunken,
And his eyes are large and brilliant,
And his shoulder-blades are sharp,
And his knees.

He is weak of wits, religious,
Full of sentiment and yearning,
Gentle, faded - with a cough
And a snore.
When his wife (who was a widow,
And is many years his elder)
Fails to write, and that is always,
He desponds.

Let his melancholy wander,
And he'll tell you pretty stories
Of the women that have wooed him
Long ago;
Or he'll sing of bonnie lasses
Keeping sheep among the heather,
With a crackling, hackling click
In his voice.

William Ernest Henley

In Hospital - XXV - Apparition

Thin-legged, thin-chested, slight unspeakably,
Neat-footed and weak-fingered:    in his face -
Lean, large-boned, curved of beak, and touched with race,
Bold-lipped, rich-tinted, mutable as the sea,
The brown eyes radiant with vivacity -
There shines a brilliant and romantic grace,
A spirit intense and rare, with trace on trace
Of passion and impudence and energy.
Valiant in velvet, light in ragged luck,
Most vain, most generous, sternly critical,
Buffoon and poet, lover and sensualist:
A deal of Ariel, just a streak of Puck,
Much Antony, of Hamlet most of all,
And something of the Shorter-Catechist.

William Ernest Henley

In Hospital - XI - Clinical

Hist? . . .
Through the corridor's echoes,
Louder and nearer
Comes a great shuffling of feet.
Quick, every one of you,
Strighten your quilts, and be decent!
Here's the Professor.

In he comes first
With the bright look we know,
From the broad, white brows the kind eyes
Soothing yet nerving you.    Here at his elbow,
White-capped, white-aproned, the Nurse,
Towel on arm and her inkstand
Fretful with quills.
Here in the ruck, anyhow,
Surging along,
Louts, duffers, exquisites, students, and prigs -
Whiskers and foreheads, scarf-pins and spectacles -
Hustles the Class!    And they ring themselves
Round the first bed, where the Chief
(His dressers and clerks at attention),
Bends in inspection already.

So shows the ring
S...

William Ernest Henley

In Hospital - X - Staff-Nurse: New Style

Blue-eyed and bright of face but waning fast
Into the sere of virginal decay,
I view her as she enters, day by day,
As a sweet sunset almost overpast.
Kindly and calm, patrician to the last,
Superbly falls her gown of sober gray,
And on her chignon's elegant array
The plainest cap is somehow touched with caste.
She talks BEETHOVEN; frowns disapprobation
At BALZAC'S name, sighs it at 'poor GEORGE SAND'S';
Knows that she has exceeding pretty hands;
Speaks Latin with a right accentuation;
And gives at need (as one who understands)
Draught, counsel, diagnosis, exhortation.

William Ernest Henley

In Hospital - VIII - Staff-Nurse: Old Style

The greater masters of the commonplace,
REMBRANDT and good SIR WALTER - only these
Could paint her all to you:    experienced ease
And antique liveliness and ponderous grace;
The sweet old roses of her sunken face;
The depth and malice of her sly, grey eyes;
The broad Scots tongue that flatters, scolds, defies;
The thick Scots wit that fells you like a mace.
These thirty years has she been nursing here,
Some of them under SYME , her hero still.
Much is she worth, and even more is made of her.
Patients and students hold her very dear.
The doctors love her, tease her, use her skill.
They say 'The Chief' himself is half-afraid of her.

William Ernest Henley